Angry Metal Guy

Havok // Time is Up
Rating: 4.0/5.0 — Time isn’t up for retro-thrash yet
Label: Candlelight Records
Websites: havokband.com | myspace.com/havok
Release Dates: EU: 2011.03.30 | US: 03.29.2011

A new year is here but the retro-thrash train keeps on rolling like it’s eternally 1988. Apparently it’s as unkillable as cockroaches and metalcore (same difference). At this point in the game, even a vintage, old school thrash enthusiast like myself is feeling the novelty wearing off and that’s saying something folks. Despite my increasing weariness with the second great wave of 80s thrash, I was unable to resist, deny or dislike the second album by Denver retro-heads Havok.  Time is Up is an unapologetic ode to all things Bay Area style thrash and draws major influences from the legends of that scene like Exodus, Death Angel, Slayer and Testament. There’s no surprises and no innovation (you can’t innovate much when you’re trying to sound like your shit came out in 1988) but these youngins sound energetic, angry and full of piss, vinegar and cheap beer. Add to that the fact they can really play and this ends up being a pleasant surprise and shows massive improvement from their debut album Burn (which AMG actually liked way more than I did, go figure). Continue reading

Well, everyone else under the sun has been releasing their Top 10 lists, and for those of you faithful readers out there I’m sure you’re also interested in what I’m going to say about the best records of 2009. First, let me say that for the first half of this year I was not indeed Angry Metal Guy—but instead, I was just a normal guy buying my metal and hoping that it was going to be fucking awesome. Now I’m a bitter critic. As a bitter critic I hear a lot more, but this year has still been characterized by some of the biggest bands on the scene for me. Mainly, Amorphis, who in my opinion have released the finest album of the year, if not the finest album of their very distinguished career. But, let me get to that later. There have been some great records this year, but there has been a lot of mediocre shit. Think of this list as being two-tiered—top 10 and then top 20. The top 10 are the records that I think were really awesome, elite albums, the second 10 are records that I think are great and worth your time and effort. Note that I haven’t heard certain albums that I’d like to hear due to that whole poverty not being offset by stealing music thing. With this, I hope to launch AngryMetalGuy.com into the new year on a new note: one where bands suck less.

#1: Amorphis // Skyforger — Amorphis is cooler than your favorite band. Honestly, they just fucking are. They have somehow managed to keep themselves excellent and relevant after all these years by producing some of the finest mainstream metal that the world has ever scene. Not only that, but their new vocalist has brought a life and energy to this band that after Tuonela I, frankly, had never expected to see again. Honestly, more power to these guys. They are a truly fantastic band on a roll. I look forward to new material from them in the future.
#2: Obscura // Cosmogenesis — Yeah, sure, everyone can say that it sounds like a bit of a blend of a Cynic/Necrophagist rip-off, but I honestly don’t give a shit. These guys are fucking phenomenal musicians who make really convincing and awesome metal and I have listened to this record way more than I was anticipating when I first got it. I am especially moved by the bass on this album which is just seriously awesome—a trait that many metal bands just, frankly, suck at. This album is balls-to-the-wall and awesome.
#3: Fleshgod Apocalypse // Oracles — Seriously some of the best tech death metal I’ve ever heard. What I love about this album is how good it is at being deliciously melodic and really subtle about it. Honestly, these guys are so much better than your average tech death metal band. I have trouble seeing why they haven’t gone over better, but I know that there’s another one of those ripoff memes out there about these guys. Anyway, this album totally ripped my goddamn face off and I totally loved it. They need a real drummer, though.
#4: Guilt Machine // On This Perfect Day — I’m going to be listening to this album for years. Partially it’s just that the vocals of this record keep drawing me back, but it really is one of the few albums that really drew me back over and over again this year. Super awesome melodies, amazing vocals and just perfectly composed. I might not be a huge fan of Ayreon, but I’m never going to insult the Dutch mastermind behind all these projects because Guilt Machine is an epic masterpiece of progressive rock/metal.
#5: Megadeth // Endgame — Oh man. This record is not a record I ever expected to end up on my top 10 list. It was so much fucking better than I expected and I hate myself for saying that because Dave Mustaine is the planet’s biggest douchebag. But man, this record is great. Easily among the best records for the year. Though, it’s getting close.
#6: Riverside // Anno Domini High Definition — Polish prog that really does something me. It’s a good blending of progressive metal and modern rock and has some amazing stuff in it. I love the sort of Opeth-y parts, of course, but everything about this record screams “listen to me again and again and again!”… and I did.
#7: The 11th Hour // Burden of Grief — Great fucking Dutch/Swedish doom. Honestly this is one of those records that I wish would’ve gotten more play as I think it’s actually on the up side of bands that have gotten a ton of play this year (mainly Ahab) from the underground metal guys, but I honestly think that this is the best doom to be released this year. The vocals are fantastic, the writing is amazing and all-in-all I’m pleased with this album.
#8: Indukti // Idmen — More excellent Polish prog that totally kicked my ass. This band is really fucking interesting and the songs on this album are well-crafted, fun to listen to and just all-in-all worth a spin or two. I think it will definitely be one of the albums that stands out for me from 2009 because it was something I’d never heard before and I was really, really impressed with it. Well, shit, I still am impressed!
#9: Ghost Brigade // Isolation Songs — Another album that I had to get on my own, but wow was it worth it. This record is basically like Katatonia meets.. well, sludge. They do all of those things that Sólstafir, Hanging Garden, etc., are trying to do, but they do them with tact, grace and a smart pop sense that those bands totally fucking lack.
#10: Scar Symmetry // Dark Matter Dimensions — I’m almost embarrassed to write this. This album totally jumped out and kicked my ass. Honestly, the new vocalists make them great and the new material is fantastic. The songs are very, very good and the catchiness kept drawing me back. I feel like a sucker because this stuff is so fucking commercial I can hardly help myself. If death metal could be gummy pop, it would be Scar Symmetry. But man… Oh man.

Honorable Mentions:

Fejd // Storm
Claws // Absorbed in the Nether Void
Black Sun Aeon // Darkness Walks Beside Me
Be’lakor // Stone’s Reach
Cobalt // Gin
Ulcerate // Everything is Fire
Marduk // Wormwood
Havok // Burn
Gorod // Process of a New Decline
The Chasm // Farseeing the Paranormal Abysm

Evile – Infected Nations
Rating: 3.0/5.0 – Pretty good, but certainly nothing revolutionary
Label: Earache
Website(s): evile.co.uk | myspace.com/evileuk
Release Date(s): Out Now in the EU and US

Thrash revival has been a big deal of late.  I mean, thrash is the biggest thing since.. well, thrash, in the metal scene right now.  Bands from all over the world, particularly in the underground, are donning tight jeans, jean jackets, Kreator and Exodus patches and looking for the next big thrash prodigy.  Earache is not the only label releasing thrash revival stuff, it’s coming from everywhere (Candlelight has been particularly prolific with the thrash revival).  Evile is on that bandwagon, whether they like it or not, but they have a different take on it.  That is: they sound a lot more like the mature Bay Area.

Infected Nations is a pretty solid album, with excellent riffing in the classic thrash style that so many of us grew up.  With riffs that bring to mind …and Justice for All and The American Way (by the ever-overlooked Sacred Reich), UK metallers Evile have really brought back a sound of thrash metal that has been missing in the revival.  While bands like have been ripping it up in the old school style of Slayer, Kreator, Destruction and bands of this sort, Evile sounds a lot more like late-80s/early 90s thrash than that.   The introduction to the title track should be a dead give-away for most listeners: beautifully harmonized clean guitars that fade in and lead to a kick ass thrash triplets.

And the whole record is chock-full of kick ass riffs and headbanging monstrosities that bring a guy back to being 9 and discovering Metallica.   There is definitely a certain charm in this and many have lauded praises on the band for “carrying the revival” on their shoulders and stuff like that.   And yeah, Evile is good at what they do!  They really are.. but where’s the progress that we’re supposed to be finding in new metal bands?  Why are we always looking back instead of forward.  Bands like Evile and Havok are almost evidence for a metal scene that doesn’t have anywhere new to go and a generation of metalheads that are disappointed with the state of modern metal: so they’re imitating what’s already been done.

Of course, why stop them?  Metallica quit making good music years ago and even Megadeth has only just regained its glory with a good album: but Evile has put out its second critically acclaimed record in a row and somehow manages to keep a 20 year old sound fresh, for the most part.

Of course, there are some things I’d change about this album.  I like the faster, heavier and techy-er parts, but I find a lot of the mid-paced riffs to be a little bit mind-numbing and I tend to lose myself in them.  Another issue that I have is the vocals, which are classic thrash and also very, very monotonous.  Matt Drake (rhythm guitar / vocals) does his best classic James Hetfield/Chuck Billy impression over every track and after a while it just feels like droning.  There are way better thrash vocalists out there, and I strongly suggest that Drake work on varying his vocals a little.

Honestly, Infected Nations is a good album, but it’s not a whole lot better than that considering everything.  The production is fantastic, the song-writing is pretty good, but it’s missing out on the originality that I’m always hoping for.  Maybe it’s just me, but I like to see bands that use their thrash metal roots for new things.  Even looking at a band like Dragonforce or Luna Mortis that obviously have thrash metal influences, but are able to blend them into other styles to make them new and interesting gives a road-map to thrash influenced bands, because I have trouble imagining how a lot of these bands are going to survive the trend.

These last couple weeks have been pretty crazy for this Angry Metal Guy.  I’ve moved south from the fair city of Umeå, to the much bigger (and arguably fairer) city of Uppsala.  While I miss Norrland, I do have to say that I’m quite enjoying certain aspects of the student culture in the city of Uppsala.   I haven’t had a lot of music time, but here’s some of what I’ve been listening to in the last week.

Weekly suggestion: Guilt Machine – On This Perfect Day — Yeah, this record was seriously solid and I strongly suggest you pick it up.

The Black Dahlia Murder – Deflorate — Oh, this is good.  I wasn’t super impressed with Nocturnal, so I’m pleased.  Watch for a review coming soon.
Gwyllion – The Edge of All I Know — Definitely heard better, but a pretty alright record.  Good vocals.
Insomnium - Across the Dark — Watch for this review.  Out on the 7th of September in Europe.
Isis – Wavering Radiant — These guys are ridiculously overrated.
Havok – Burn — See the review.  Great fucking riffs.
Amorphis – Skyforger — Best album of 2009?  So far.
Anaal Nathrakh – The Constellation of the Black Widow — \m/
Propagandhi – Supporting Caste — It ain’t the glory days, but these guys are still the smartest political band around.
Marduk – Rom 5:12 — I’m getting psyched for the new record, are you?
Falkenbach – Ok Nefna Tysvar Ty — Excellent viking/folk metal record.. addictive melodies.
The Dear Hunter – Act III: Life and Death — Excellent.
Amon Amarth – Live in Bochum 30/12/08 — Seriously, worth buying the reissue for this live record.

Havok – Burn
Rating: 3.5/5.0 (Great riffing offset by bad, bad lyrics)
Label: Candlelight Records
Website: myspace.com/havok
Release Dates: Out now (apparently)

How could Havok be anything but thrash?  One doesn’t even have to listen to the band to get an idea of what they sound like when one looks at the coloration and logo of the band’s debut album: Burn.  And Havok truly lives up to their predecessors—need I name them?  Kill ‘Em All era Metallica, Testament, and so forth.. actually, these guys sound like a re-birth of America’s most famous metal scene of all time: the bay area thrash scene.

That said, Havok certainly isn’t just rehashed suck.  Sure, they’re part of this ever-growing but never-developing neo-thrash scene, but they’ve got something a lot of these new bands never have had: chops.  The riffing on Burn is fucking killer.  It’s not your average thrash riffing, but instead it’s like taking Reign in Blood and putting it on meth—face-ripping, kick ass riffing that makes you want to thrash like crazy (though, I still don’t want to wear shoes with puffy tongues like I had in 3rd grade).  On top of that, these guys are pretty technical, too.  Sure, it’s not mind-blowing, but it’s cool enough that you’re left thinking, “yeah, these guys were a good pick-up.”

Unfortunately, despite great riffing, good tone and grooving tightness, Havok suffers from one thing: totally retarded lyrics.  I mean, yeah, they could be worse.. They could be Ravage, but instead, they’re just ironically silly at times or worse.  The track “Identity Theft” is a perfect example of this.  These lyrics are just outright bad and should never have been put on a record.  Frankly, that jackass from Slipknot wouldn’t have even used these.  “Identity theft! Who are you? Identity theft! Find something new. You think your different?  To try to fit in…”  “I don’t try to lead, others just like to follow me.”   Seriously, my middle school band had bitter lyrics than this.  This stuff is just sad and silly and it really detracts from the record as a whole.¹ While the music is fucking fantastically interesting and fun, the guitar playing is stellar and the feel of the album is great, I think they should’ve used some black metal vocals or something to hide how totally dumb their lyrics are.

Of course, the bad lyrics don’t stop this record from kicking ass.  There are stellar tracks on here, particularly “Path to Nowhere,” “Scabs of Trust” and the seriously excellent “Afterburner” which is easily the best track on the album.   When it comes to thrash, there sure as hell isn’t a lot coming out these days that I think is any good, so let me be perfectly clear when I say that Havok is the most convincing neo-thrash band that I’ve heard.  They’ve got the edge, the technicality, the chops and the all around presentation that make them a band to watch.  And I’ll sure as hell be watching.