“Amidst the slew of mighty fine death metal releases in 2023, there were some killer debuts and plenty of albums well worth your attention, even if they didn’t feature heavily, or at all, during another epic Listurnalia campaign. One such album was the debut LP from up-and-coming Minnesota death dealers Begravement and their potential packed Horrific Illusions Beckon album.” Grave developments.
Horrendous
Saunders and Felagund’s Top Ten(ish) of 2023
Listurnalia rolls ever onward with curated lists from Saunders and Felagund . Things are gonna get HEAVY!
Dolphin Whisperer’s and Ferox’s Top Ten(ish) of 2023
Listurnalia continues the plowing towards the year’s inevitable end with two more excellent lists from people who have surprisingly not been fired!
Record(s) o’ the Month – August 2023
The August Record(s) o’ the Month are upon us in timely fashion. What’s that you say? You shut up!
Blood Oath – Lost in an Eternal Silence Review
“There was a dark time in the 80 when death metal was unknown to the masses, a mere potentiality. The early output from Possessed and Hellhammer/Celtic Frost helped define its borders, and the ripping intensity of Dark Angel and Slayer filled them with anger and aggression. All these disparate elements pissing in the same ghatly gene pool would eventually birth the abomination we all know and love, which would be spearheaded by Death and pushed outward into progressive vistas. That strange journey from tortured birth to shambling early adulthood is captured quite quaintly on the debut full-length Lost in an Eternal Silence by Chile’s Blood Oath.” Old blood, new death.
Fabricant – Drudge to the Thicket Review
“Fabricant is the shiny, new progressive tech-death project founded by two members of Berkeley-based prog deathers Mefitis. On their excellently named full-length debut Drudge to the Thicket, the trio involved pull out all the stops to take you on a bouncy, jouncy, unpredictable ride through the progressive side of death metal, and by the time it’s all over, you’ll feel like you’ve been drudged THROUGH the thicket backward.” Tangled bush wrangling.
Horrendous – Ontological Mysterium Review
“Between twenty-twelve and twenty-eighteen, Philadelphia’s Horrendous morphed from a straightforward old school death unit into a sophisticated and elite progressive death metal force, boasting a trio of gripping LPs on the back of a solid debut that hinted at Horrendous’ potential without fully preparing listeners for their stunning evolution.” Victory and mutation.
Ripped to Shreds – 劇變 (Jubian) Review
“California’s Ripped to Shreds ascended to underground prominence on the back of a couple of killer LPs, 2018’s 埋葬, and 2020’s quality follow-up, 亂 (Luan). The brainchild of prolific guitarist/vocalist/composer Andrew Lee (Azath, Houkago Grind Time & a ton of other projects), Ripped to Shreds exhibit old school death metal soul and bloodthirst for carving a path that values the past, yet aims to forge ahead and cleave the opposition.” Shreddy McShredface rides again.
The Silver – Ward of Roses Review
“For better and worse, I am a persistent bastard, so I best stay out of Phil Anselmo’s way. When I laid ears on advance track “Fallow,” from The Silver’s debut album Ward of Roses, I knew I had to have it. It took some extra badgering to snare promo, which the band thankfully provided. Boasting a line-up of Horrendous brothers Jamie and Matt Knox, along with Crypt Sermon’s Enrique Sagarnaga, and vocalist Nick Duchemin, The Silver is a side project destined to carve their own path.” Silver and gore.
Voidceremony – Entropic Reflections Continuum: Dimensions Unravel Review
“With heavyweights like Tomb Mold and Blood Incantation drowning in the love of the underground, proggy OSDM has never been so widely celebrated or practiced. If you’re a player in the death metal underground, that makes it an ideal time to switch focus from your nasty death metal band to your proggy death metal band and release your inscrutably titled debut album.” Void where prohibited.