Ihsahn

Ihsahn – Ihsahn (Studio version) Review

By Carcharodon on February 14, 2024 in Reviews, Black Metal, Classical, Progressive Metal, Symphonic Metal, 117 comments

“Introductions to Emperor’s creative mastermind Ihsahn, as he drops his eighth (and ninth) solo LPs, seem unnecessary. However, a small note is needed for this review because there are two, entirely separate but inextricably related, versions of Ihsahn and I am reviewing only one of them. Ihsahn’s solo work has always involved a significant symphonic component, as did his writing for Emperor albeit to a lesser degree, but he has gone all-out orchestral for his selt-titled offering.” Symphonies of the night.

Tanin’iver – Dark Evils Desecrate Review

By Saunders on February 4, 2024 in Reviews, Black Metal, Death Metal, 18 comments

“Immersing myself in the twisted, feral cauldron of Dark Evils Desecrate and its relentless assault, Tanin’iver appear hellbent on writing the most ugly, evil, and uncompromising anthems as possible to soundtrack a fiery apocalypse. Bells, whistles, and gimmicks are jettisoned for an old school underground sound converging in the dankest underground corners where raw black metal brawls with death and thrash influences.” Dark for darkness sake.

Seance Of – The Colour of Magick Review

By Carcharodon on June 27, 2021 in Reviews, Black Metal, 26 comments

“On more than a couple of occasions, I’ve mused on decisions made by artists that one might label … pretentious. My musings have not, of course, led to anything useful but why should that stop me? Perth, Australia’s curiously-named, one-man project Seance Of is ready to unleash The Colour of Magick. The last – chronologically speaking – of three records written by mainman AR (also of Grave Worship), this is the project’s debut, with the other two to follow at some unspecified future time. Magnanimously, Seance Of has also decided not to name any of the tracks on this record, instead encouraging “listeners to create their own titles for each of these eight tracks: indeed, this unorthodox freedom is his intent.” Having initially written this off as a pretentious gimmick, it took the ever-wise GardensTale to point out that I was missing a trick here.” Boaty McBoatface metal.

Video Premiere and Interviews with Stevie Boiser and Trevor Portz of Ashen Horde

By Holdeneye on July 1, 2019 in 2019, American Metal, Blog Posts, Interviews, 40 comments

“Back in March, I reviewed Ashen Horde’s latest opus of black metal fury, Fallen Cathedrals. I heaped an unhealthy amount of praise its way back then, and I’m still spinning it a ton now. In fact, I would be very surprised if it were to fall outside of my top 5 albums come year’s end. My review may have been riddled with factual errors, but founder, songwriter, instrumentalist, and clean vocalist Trevor Portz showed up in the comments and revealed himself to be a gracious and enormously cool guy. So, when the opportunity to do an interview presented itself, I couldn’t resist.” We’re already off to a better start than last time.

Ashen Horde – Fallen Cathedrals Review

By Holdeneye on March 21, 2019 in 2019, American Metal, Black Metal, Death Metal, Extreme Metal Music, Progressive Metal, Reviews, Rockshots Records, Black Metal, Death Metal, Progressive Metal, 151 comments

“2018 saw my tastes begin to shift. The power metal that brought me to the dance — while still producing some gems for the year — had to watch as blackened death metal swept me off my feet and took me home once the music had stopped. A full half of my top ten for the year — and all of my top four — could have been tagged (arguably) with both “black” and “death.” While I enjoy albums of each genre on their own, there’s something about the two being combined in interesting ways that really gets my juices flowing (this is your cue to don eye protection). Hence, my interest in Los Angeles’ Ashen Horde, the proggy black/death project of multi-instrumentalist Trevor Portz and Inferi / Equipoise vocalist Steve Boiser.” Ash Hoarders unite!

Dr. A.N. Grier’s Top Ten of 2018

By Dr. A.N. Grier on December 26, 2018 in 2018, Blog Posts, Lists, 168 comments

Doctors in Da House! Next Dr. A.N. Grier presents his Top Ten of 2018. It’s been meticulously researched, so now it needs peer review. Give it!

Ferrous Beuller’s and GardensTale’s Top Ten of 2018

By Ferrous Beuller on December 21, 2018 in 2018, Blog Posts, Lists, 139 comments

Ferrous Beuller and GardensTale need to unburden themselves and share all their picks for the best of 2018. Be polite and sit quietly until they’re done, then you can go outside and get a cupcake.

The Konsortium – Rogaland Review

By Dr. A.N. Grier on June 5, 2018 in 2018, Agonia Records, Black Metal, Folk Metal, Norwegian Metal, Reviews, Thrash Metal, Black Metal, Folk Metal, Thrash Metal, 60 comments

“If you’re into the Norwegian black metal scene, you may know bassist/guitarist/songwriter Teloch. For those that don’t know, he’s the man behind Nidingr and responsible for guitars and songwriting on Mayhem’s Esoteric Warfare. If you do know the man, you already knew that and also know he’s a member of the once mysterious—but now not-so-mysterious—black/thrash outfit The Konsortium, where he writes and plays bass alongside the legendary black metal drummer Dirge Rep, and, together, they rip, shred, and tear shit apart.” At the Roga, Roga Cabana.

Ihsahn – Àmr Review

By Ferrous Beuller on May 4, 2018 in 2018, Black Metal, Candlelight Records, Norwegian Metal, Progressive Metal, Reviews, Black Metal, Progressive Metal, 121 comments

“Whether we care to admit it or not, we are all subject to re-invention at some point or another. Ihsahn, a man made legend for his contributions to the legacy of black metal, has never shied away from re-calibrating his musical character, and his discography is the hard proof. Having blazed a trail with the mighty Emperor, his solo career has been no exception, never afraid to reflect its creator’s inherently eclectic tastes.” Seize the Throne of Eccentricity.

Jarun – Sporysz Review

By Dr. A.N. Grier on December 24, 2017 in 2017, Arachnophobia Records, Black Metal, Folk Metal, Polish Metal, Reviews, Black Metal, Folk Metal, 45 comments

“It appears we have another victim of the dreaded ‘December Release.’ A period of the year that shows black in a reviewer’s vision. But lists need making and TYMHM articles need writing. No one has time to squat down and pinch out another review before the year comes to an end. But, this isn’t any ordinary release. It isn’t run-of-the-mill or disappointing, it isn’t pathetic or a waste of time. Hell, it isn’t even good. It’s fucking great.” Last minute stocking buster.