Jun18

Obseqvies – The Hours of My Wake Review

Obseqvies – The Hours of My Wake Review

“I’ve branched out quite a bit over the years in my time with Angry Metal Guy & Affiliates, LLC., and over the years, you notice a bit of bleed-through when it comes to discovering new bands. Many are trying to push boundaries as hard and as far as humanly possible in hopes to get noticed by music reviewers such as myself. Others hope that by emulating a well-proven and time-tested sound but with as much conviction as possible, they can win us over by virtue of hooks, clever melodies, and just straight-up heart and soul. What the fuck am I getting at, you may ask? The latter is the path of the day here, as Finnish funeral doombearers Obseqvies hope to draw my eye (of solitude) with their debut album, The Hours of My Wake. With three songs at almost an hour in length, did they succeed?” Time, taking its toll on you.

Throneum – The Tight Deathrope Act over Rubicon Review

Throneum – The Tight Deathrope Act over Rubicon Review

“You’ve got to hand it to Throneum. Back in 2016 I took a big steaming metaphorical shit all over their Morbid Death Tales album, and less than two years later the raw death metal trio have come right back with nearly an hour of new music. And they even sent us the promo, to boot! Clearly the Polish troupe must be quite proud of their Tight Deathrope Act over Rubicon, but lingering memories of Death Tales’ shithouse production and underdeveloped songwriting left me reluctant to snag this regardless.” Walk the Deathrope.

Hatchet – Dying to Exist Review

Hatchet – Dying to Exist Review

“The best metal is not purely contemplative music, but the music of action that’s worth attention. The kinetic element of metal is present in the energetic rhythms and soaring harmonies, through the murk and the ice, in the slam and the breakdown; it’s baked into the idea of heaviness itself. This music makes those who get it move; we mosh, we furiously bang our heads, throw up the horns, or play an air instrument. The gut feeling that good metal gives me makes me need to do something: have a lively night with friends, furiously scribble a review draft, play an instrument, work out, or even just pace about and enjoy the music.” Chopping spree!

Record(s) o’ the Month – June 2018

Record(s) o’ the Month – June 2018

“Summer is always a slow time for metal releases. I bet some stats nerd out there could run which months correlate with the end of year lists, but I’d be willing to bet that summer months don’t. This is because most bands are out hitting festivals, fans are out seeing them, and no one’s spending money on new records. Yet albums are being released, and we here at the Angriest of Metal Guys dot Coms have been slaving away over hot reviews this whole time. As a result, we’re hitting you up with the most unexpected Record(s) o’ the Month for June of 2018 ever. Not only is it vaguely on time (they’re a planned portion of the month late so that we could enjoy that Amorphis wallpaper a little longer), but no one fucking called these. Yeah, that’s right. Who’s unpredictable!? I’M UNPREDICTABLE! You’re welcome.” Loose cannon’s gonna cannon.

Kormak – Faerenus Review

Kormak – Faerenus Review

“Another day, another Italian folk metal band, this one apparently masterminded by one Zaira de Candia, singer and screamer extraordinaire, or so we hope. Newcomers to the scene, Kormak have only in the last two years finalized a lineup and Faerenus marks their first formal release. That kind of turnaround, especially on a debut album, is distinctly ambitious — worryingly so for some, myself included.” Get the folk out.

Eversin – Armageddon Genesi Review

Eversin – Armageddon Genesi Review

“When I think back to metal’s halcyon days the mid-2000’s is not a time period that gets conjured in my mind, but to Eversin that identity-starved period is their lighthouse, keeping them on an even keel through waters of overcooked angst, clumsy Photoshop filters and a major escalation in the loudness wars.” It was the best of times, it was the blurst of times….

Antipeewee – Infected by Evil Review

Antipeewee – Infected by Evil Review

“Our resident Gungan evangelist recently posited a view in the AMG Slack group that has had me thinking a lot about why I don’t listen to a lot of straight thrash metal anymore. His view that the genre feels invalidated by Metallica’s best records, though initially seeming blasphemous, eventually became gospel to my ears. I’d personally swap Metallica for Kreator, but in essence, I’m completely in agreement with this stance; beyond notable experimental exceptions like Skeletonwitch or Vektor, modern thrash metal in its base form is inherently shallow, with bands failing almost universally to validate their existence among the classic acts. But sometimes – sometimes – everything just falls into place.” Thrash infection.

Corrective Measures: Angry Metal Guy’s Stack o’ Shame Edition

Corrective Measures: Angry Metal Guy’s Stack o’ Shame Edition

“Like with video games or books, one’s “Stack o’ Shame” is the stuff one intends to do but has not been able to do for one reason or another. These reviews are all too late to write full 600-800 word reviews for. On the other hand, I am going to be way too busy this winter to be able to handle writing a bunch of TYMHM. So, I am invoking my right to rule through this (hopefully one-off) post that rounds up some stuff that I fully intended to review and didn’t. So by ways of an apology to both you, the readers, and the albums in my Stack o’ Shame, I bring you some angry, metal blurbs. Mea culpa.” Sometimes sorry is enough.

Jollymon – Void Walker Review

Jollymon – Void Walker Review

The 90’s are not generally the most beloved of musical eras. The golden age of metal waned into an age of alt rock and grunge, with its faux-tough sensibilities and often minimalistic songcraft compared to the high-speed technical intricacies of classic heavy and thrash metal. All empires must fall, however, and alt rock and grunge found their wings clipped just the same, as the old millennium sighed into the new. Back in those days, an outfit calling themselves Jolly Mon were trying to turn ripples into waves around the Pacific northwest. They must have sensed the time was not right for them, because much like Pennywise the Clown, Jolly Mon went into hibernation for over a decade and a half.” Void if opened before 2018.