Khanate

KEN mode – VOID Review

By Dolphin Whisperer on September 22, 2023 in Reviews, Hardcore, Noise Rock, Post-Hardcore, Post-Metal, 39 comments

“Here we are again strung upon KEN mode’s newest, fresh-faced outing, VOID—well, as fresh a face as these Canucks can muster. NULL’s intense and twisted Red Demon has fractured into a split visage of terrified sadness and caved-in confidence. Though KEN mode has little to fret over in the performance realm, the returning four-piece lineup boasting some of the most diverse and rich talents of the band’s career, a troubled mind, this demon state, does not find solace through notes of proficiency and creativity.” Face of things to come.

Hellish Form – Deathless Review

By Cherd on April 14, 2023 in Reviews, Funeral Doom, Sludge, 25 comments

“Here at AMG and Sons LLC we have a strict “no promo, no review” policy which must be adhered to at all times except for when we don’t feel like it. Back in 2021, we received a promo for Hellish Form’s debut Remains, I reviewed it favorably, and it eventually landed on my year-end list. Imagine my surprise when I found out a week ago that the funeral drone two-piece had released their follow-up, Deathless without sending us a promo. In fact, they’ve released it with very little fanfare at all based on my internet sleuthing. First, Willow Ryan and Jacob Lee, if you’re reading this, click here. Second, you’re not getting away that easy.” Only death amd reviews are inevitable.

Hellish Form – Remains Review

By Cherd on July 1, 2021 in Reviews, Doom Metal, Drone, Funeral Doom, Noise, Sludge, 21 comments

“I’m not entirely sure why, but it seems black metal musicians enjoy carte blanche when it comes to incorporating other genres into their music. Everything from Appalachian folk to shoegaze to African American work songs to opera has been shoehorned into the supposedly kvltest of all metal. Not to mention any other metal genre can just add a little “blackened” seasoning in the mix for tasty results. It’s like the sparkling wine of metal: pairs well with anything. American bi-coastal band Hellish Form has looked at those corpse painted musical polyamorists and asked a question so bold, so elegant it brings a tear to my doom-loving eye: If black metal can do it, why not funeral doom? WHY NOT FUNERAL DOOM? That’s right, Hellish Form take the niche-est of metal styles and cries “Moar niche-er!”” Beseech the Remains.

Alkerdeel – Slonk Review

By Dear Hollow on February 12, 2021 in Reviews, 9 comments

“As you’re reading this, I’m sure you’re thinking, “Alkerdeel. Why does that sound so familiar?” You ask yourself if it’s a similarity to the British Akercocke – maybe? Well, perhaps a similarity to the illustrious Akerblogger, and you question if in fact the good lad was named thusly – nah, that’s not it either. You give a brief overview of their discography, noting that 2012 album Morinde features a somewhat abstract but violent portrayal of, what, a wolf beating a rabbit to death? That seems excessive for a predator with, y’know, teeth. Oh look, they were involved with Hypertension Records’ The Abyss Stares Back split series that’s fucking impossible to find.” Rabbit don’t come sleazy.

Dark Buddha Rising – Mathreyata Review

By Dear Hollow on November 14, 2020 in Reviews, Doom Metal, Sludge Metal, 25 comments

“Dark Buddha Rising is a Finnish band, formed in 2007 and packing six full-lengths and an EP under its belt. For a collective that channels drone, doom, and sludge (you’d be safe to throw some stoner doom in there too), their megalithic songwriting is surprisingly restrained, relying on simple bass riffs, distant vocals, and other instruments to communicate their psychedelic soundscape as it reaches a drone climax.” Buddha don’t play.

Saltas – Mors Salis: Opus I Review

By Dear Hollow on March 16, 2020 in 2020, Ambient Metal, Black Metal, Death Metal, Doom Metal, Drone, Nuclear War Now! Productions, Reviews, Swedish Metal, Black Metal, Death Metal, Doom Metal, 10 comments

“In spite of listening to this stuff for the better part of my life now, I still realize how much I don’t know about so many sub-sub-subgenres, such as doom’s vast array. While I delved into the melodic death flavors of Saturnus, Swallow the Sun, and Novembers Doom, I let the cavernous stuff pass me by. It all comes full circle, when Swedish duo Saltas punishes me with a lethal dose of suffocatingly dense doom to whom comparisons are sparse.” Saltas the earth.

Nibiru – Salbrox Review

By Cherd on May 9, 2019 in 2019, Avante Garde, Doom Metal, Drone, Italian Metal, Noise, Ritual Productions, Doom Metal, Drone, Noise, 17 comments

“I’m naturally drawn to tags that promise something slow and heavy, so when I saw “blackened doom” next to the name Nibiru, you’d forgive me if visions of another Indian danced in my head. In reality, Salbrox, the sixth full length by these Italians, would be better described as spoken word noise/drone metal. This curve ball may have knocked some reviewers off balance, but bitch, I went to art school.” School is way out.

OvO – Creatura Review

By Treble Yell on December 11, 2016 in 2016, Dio Drone, Industrial Metal, Italian Metal, Noise, Reviews, Drone, Noise, 9 comments

“When faced with a work of art that purports to be avant-garde, invariably a question must be asked: is the all-but-total abandonment of classical song structure and melody a hallmark of innovation and a refutation of the musical establishment or is it merely the flotsam-and-jetsam of musicians lacking the skills to write a decent song in the first place?” Challenging.

Gnaw Their Tongues and Alkerdeel – Dyodyo Asema Review

By JF Williams on January 12, 2014 in 2014, Avante Garde, Belgian Metal, ConSouling Sounds, Dutch Metal, Reviews, 4 comments

“Extreme metal is a brutish, ugly and wholly negative style of musical expression almost by default, but Dyodyo Asema – a collaboration piece between Gnaw Their Tongues and Alkerdeel – resides squarely in the filthiest fringes of the genre.” Brutish, ugly and wholly negative is our stock-in-trade, but even we think this stuff is way out there. JF Williams got dirty on this one so we could stay (relatively) clean.

Clinging to the Trees of a Forest Fire – Visceral EP Review

By Alex Franquelli on August 1, 2012 in 2012, 3.5, American Metal, Prosthetic Records, Reviews, Sludge, Sludge, 1 comment

Sludge is not what it used to be. In the 90s, bands would swarm like filthy locusts from New Orleans to bring the density of the bayou, its mud, and its endless drapes of sticky moss to a world living in denial and feasting its way to the end of the century. Happy days. In the meantime, a lot has changed: a new era has dawned on us and things have gone wrong in every possible way, but that strain of extreme music is still there to remind us that, well, things could get even worse. And when they do, it’s bands like Clinging to the Trees of a Forest Fire who provide the soundtrack.