“Guitars scream metal. We’ve mused around the idea that metal can escape the confines of a typical treble assault with bands like Greber and Twin Lords highlighting fervent and twisted bass melodies as the fright and flight of the program. In aggressive and emotional takes on sludge and hardcore, it works. Other acts like Seum eschew the standard 6-stringer cultivating a hypnotic groove—to a fault, perhaps—to carry their torch down the metal path. No Spill Blood falls closer to this category with their 2015 debut Heavy Electric holding a unique place in the stoner rock (ish) scene for elevating the groovy shred-less platform with fierce layers of synthwork.” Synth spillage.
Krautrock
Oranssi Pazuzu – Värähtelijä Review
“Oranssi Pazuzu narrowly missed out on Captain Ricard’s Best Black Metal Album of 2013 award (that went to Teethed Glory and Injury) with the magnificent Vaonielu. An instantly accessible yet bizarre and musically deep record, Vaonielu kept me away from my Toto loop for weeks with its sublime blend of catchy, aggressive riffs, trippy grooves, psychedelic synths, and menacing atmosphere.” Fear the wrath of Pazuzu’s schlong!
Aluk Todolo – Voix Review
“It was on a tepid spring night that I witnessed, for the first time, the show put on by three mysterious French shamans going by the name of Aluk Todolo. A psychedelic, trance-inducing “krautblack” assault washed over the audience, permeating and shaking each molecule and atom of their beings. An unforgettable experience.” Darkness, beauty and brutality.