Les Chants du Hasard

Hasard – Malivore Review

Hasard – Malivore Review

“AMG.com has had mixed feelings about the musical work of ‘Hazard,’ the enigmatic songwriter behind Les Chants du Hasard. Claiming fatigue from this project following its most recent album, Hazard returns in 2023 with something that’s just as experimental but much heavier. Hasard principally extracts the black metal and secondarily extracts the orchestrations from its progenitor’s sound, carefully examining what remains in uncomfortable detail and manipulating it into deformed shapes.” At all Hasards.

Glemsel – Forfader Review

Glemsel – Forfader Review

Glemsel (“oblivion”) have chosen a truly interesting cover photo for their debut full-length, Forfader (“ancestor”). I mean—I love it. Odds are, I would have picked up this album for review regardless of the musical style just to see how well the music matches the image on my right (your left). I am more than happy to judge a book, or an album, by its cover—that’s what it’s there for. Fortunately, Glemsel, who hail from Copenhagen, Denmark, play black metal, which means we are already compatible with one another. But while a picture may be worth a thousand words, it is not worth forty-seven minutes of music.” Olde and colde.

Alkuharmonian Kantaja – Shadowy Peripherals Review

Alkuharmonian Kantaja – Shadowy Peripherals Review

“I like my music weird. It’s a problem, and it’s great. You see, I don’t think there’s really a lot of truly “weird” in metal. Weird musicians, sure. Weird concepts, absolutely—how about those guys who write about mollusks?—but actual, genuine, weirdness? I don’t know. So when I see the fabled “avant-garde black metal” tag floating about in our pile o’ promos, I tend to take first and ask questions later.” Undue diligence done dirt cheap.

Les Chants du Hasard – Livre Troisième Review

Les Chants du Hasard – Livre Troisième Review

“Sometimes, you have to try something different. Stagnating into a limited pool of metal quickly leads to burnout, and if there’s one thing I can’t stand… well, it probably wouldn’t be burnout explicitly, but that’s up there for sure. To stave off that awful feeling for as long as possible, I’ve made a conscious effort to be reasonably variable in what kinds of music I review for this site. I tell you this so you’ll understand why it was that when I first scanned through the promotional material for Livre Troisième, the third full-length release from French act Les Chants du Hasard, and saw the line “is it still metal? The question is now irrelevant,” my response was to dive right in, sight unseen.” Les Pretentious.

Les Chants du Hasard – Les Chants du Hasard Review

Les Chants du Hasard – Les Chants du Hasard Review

“I’ve been lurking the metal blogosphere for around a decade now, and while I hesitate to call myself a scene vet, I’ve read enough write-ups from various webzines to know how coverage of a record like the self-titled debut of France’s Les Chants du Hasard generally plays out. Most scribes hunger for the discovery of some nebulous ‘next big thing’ that carries the potential of turning a genre on its head. As such, many writers are overly eager to gush over potential innovators; when met face to face with what their promo sheet describes as an all-orchestral black metal album, they’re often too willing to jump on the hype train, regardless of quality.” Classical darkness.