“Ah, the first review of 2021. The awfulness of 2020 is finally behind us and the air is thick with hope and boundless possibilities. The world is nearly our oyster once again and everything is poised to come up roses. Because I feel spiritually reborn and brimming with optimism, I picked an upbeat hard rock/metal promo to be my carefree entry point into the year’s grinding review schedule.” Yer Mom!
“You have to give Tobias Sammet his steely props. He doesn’t do things half-assed. Nope, he goes big, bold and lets the Metal Gods sort shit out. His Edguy material is plenty pretentious and overblown, but it can’t hold a magic candle to the sheer pretentious pomposity and bombast of his Avantasia project. Taking cues from Arjen Luccasen’s Ayreon outings, Sammet drags in every singer, guitarist and hanger-on he can and it seems he’s playing a metallic version of Pokemon (gotta catch em all). His last feat was the impressive double release of the Angel of Babylon and The Wicked Symphony albums (my fanboyish reviews of which, landed me a spot at AMG Industries, Ltd. for some reason), and I was very curious how he could top those massive platters of symphonic excess.” So how exactly does Mr. Sammet top his prior output? Steel Druhm is here to unravel the mysteries of time.
