“Bursting onto the extreme metal scene in the mid ’00s with a strong trio of albums, underrated Scottish band Man Must Die has long been a reliable death metal act, despite a decade-plus of sporadic output and questions over whether the band would remain active. 2019’s Gagging Order EP showed much-needed signs of life in the band’s revamped ranks, leading to their first LP in a decade, fifth album, The Pain Behind it All.” Man unkind.
“Nihility may sound familiar for a death metal band, but that’s because there’s a lot of them. This particular Nihility is a blackened death metal quartet from Portugal.” New year, old nihilism.
Mark Z. and L. Saunders have their moment in the blackened sun to proclaim their Top Ten(ish) preferences for 2019. Fear the words.
![The EP, Split, and Single Post Part I [Things You Might Have Missed 2019]](https://www.angrymetalguy.com/wp-content/uploads/2019/12/cuervoportrait-2.jpg)
Did you miss some crucial EPs, splits and singles in 2019? We’ve got you covered, chumbo.
“It’s been said that the scariest monsters are those which are vaguely familiar. From zombies to the shape-shifting alien in The Thing, it seems the best way to leave a sense of lasting fear in your audience is to take familiar traits and twist them into something grotesque and appalling. Metal (usually) isn’t designed to scare people, but the same basic principle applies. The new releases I enjoy the most are those which take recognizable features from other bands and morph them in their own unique way. Portuguese quintet Nihility are a great example of this. With their Thus Spoke the Antichrist debut, the group take the Behemoth and Belphegor influence promised in the promo blurb and mutate it with an injection of brutal death metal.” Familiar Hell.
“Right off the bat, the name Truth Corroded rang a bell. Further investigation reveals the band hail from my homeland of Australia, lurking in the metal scene since their formation way back in 1997. Yet despite the familiarity and possibility that I’ve caught them live before, Truth Corroded have never landed on my radar. So I was curious to hear what the veteran act could muster on their sixth full-length album and first since 2013.” Badlands, Bloodlands, no man’s lands.
“There’s nothing wrong with modern death metal, and The Modern Age Slavery make no attempt to rebel against the status quo. Formed in 2007, this Italian quintet released debut Damned to Blindness in 2008 but didn’t catch my attention until follow-up Requiem for Us All received some surprisingly enthusiastic praise upon its release in 2013. While I didn’t share the same excitement as other critics, overall Requiem fit nicely alongside the Hour of Penances and Man Must Dies of the world as a sharp, loud, and fast half-hour of socially-conscious death metal.” Sounds preachy.
