Mayhem

Tomorrow’s Rain – Ovdan Review

By Twelve on April 19, 2024 in Reviews, Doom Metal, Gothic Metal, 23 comments

“Tomorrow’s Rain is an interesting beast. The Israeli six-piece treads between doom and gothic metal, and made a splash with their debut Hollow in part because of the sheer number of guest musicians who participated in the album. Now, four years later, the band returns with their sophomore full-length, Ovdan (“Loss”), an album with a deeply personal backstory. This was recorded after vocalist and founding member Yishai Swartz suffered a heart attack severe enough to warrant open heart surgery.” Rain and recovery.

Vltimas – EPIC Review

By Kenstrosity on March 15, 2024 in Reviews, Black Metal, Death Metal, Groove Metal, 59 comments

“International supergroup Vltimas crashed upon the Earth early in 2015, dropping their well-received debut roughly four years later. Comprised of Morbid Angel’s very own David Vincent at the mic, Cryptopsy’s Flo Mounier manning the kit, and Aura Noir’s Rune “Blasphemer” Eriksen slinging axe, the project deals in grooving, swaggering blackened death metal singing Satan’s praises and glorifying the destruction of all the world. You know, the usual.” Super epic?

Tanin’iver – Dark Evils Desecrate Review

By Saunders on February 4, 2024 in Reviews, Black Metal, Death Metal, 18 comments

“Immersing myself in the twisted, feral cauldron of Dark Evils Desecrate and its relentless assault, Tanin’iver appear hellbent on writing the most ugly, evil, and uncompromising anthems as possible to soundtrack a fiery apocalypse. Bells, whistles, and gimmicks are jettisoned for an old school underground sound converging in the dankest underground corners where raw black metal brawls with death and thrash influences.” Dark for darkness sake.

Victory Over the Sun – Dance You Monster to My Soft Song! [Things You Might Have Missed 2023]

By Dear Hollow on January 3, 2024 in Things You Might Have Missed 2023, 29 comments

“Victory Over the Sun is a project of the Portland-based multi-instrumentalist Vivian Tylińska who, along with Jute Gyte’s Adam Kalmbach and Kostnatění’s D.L., represents the diversity and power of the unorthodox take of microtonal black metal. You’ll find Tylińska is more inspired by Liturgy than Darkthrone, touches upon Kayo Dot more than Mayhem, actualizing a more triumphant and avant-garde take on black metal – although her more blackened passages are nothing short of vicious.” Wictory in black.

Salacious Gods – Oalevluuk Review

By Iceberg on October 15, 2023 in Reviews, Black Metal, 6 comments

“Second-wave black metal worship is like that regular at your local dive: omnipresent, predictable with their order, and armed with the same old stories for whoever happens to be within earshot. They’re not bad for business per se, but familiarity has been known to breed contempt. And few styles are as familiar as Norwegian black metal of the early ’90s, inspiring generations to revere and—occasionally—innovate upon that trademark of “trve evil.” Enter mercurial Dutch black metallers Salacious Gods, rising from the ashes of self-imposed exile to bring us their first record in 18(!) years.” Salacious layoffs.

Outergods – A Kingdom Built Upon the Wreckage of Heaven Review

By Dear Hollow on September 11, 2023 in Reviews, Ambient Metal, Black Metal, Death Metal, 13 comments

“Outergods is a quintet from Nottingham, founded by guitarist and jack-of-all-trades Nathe Sinfield and vocalist Sam Strachan, two singles in 2021 heralding the release of debut A Kingdom Built Upon the Wreckage of Heaven. It offers a vicious blend of black metal, death metal, and grindcore, with the rot of dissonance and ambiance aching in its bones.” Outer in the cold.

Calligram – Position | Momentum Review

By Dear Hollow on July 24, 2023 in Reviews, Black Metal, Crust Punk, Punk, Sludge Metal, 28 comments

“While The Eye featured as many ideas as the many heads of a hydra, Position | Momentum streamlines them into a more focused beast. Expect second-wave tropes in tremolo, blastbeats, and vocalist Matteo Rizzardo’s ferocious shrieks (in his native Italian), but like Calligram’s catalog, the sophomore effort ascends beyond the Darkthrone and Mayhem worshipers of the cold dead world.” Calligram calling….

Voidmilker – Labyrinthical Review

By Dear Hollow on July 11, 2023 in Reviews, Black Metal, 26 comments

“Let me just address the elephant in the room: Voidmilker? Sure, metal’s got lots of voids – don’t even get me started. However, milk is far from the most metal liquid, unless you thought Milking the Goatmachine was the most kvlt thing since Mayhem took a shit on the ashes of an unsuspecting Norwegian church. And kvlt Voidmilker is, because black metal is the name of the game.” Got void?

Tsjuder – Helvegr Review

By Dr. A.N. Grier on July 3, 2023 in Reviews, Black Metal, 20 comments

“It’s been eight years since the band released their lukewarm Antiliv album, and I’ve been craving the nastiness that makes them so great ever since. While many will argue Antiliv was a great album, it lacked the energy the band typically brings to the table. No matter who this duo hires on the drums, everyone gives it all to each release. But I didn’t quite feel that on Antiliv. It doesn’t matter if you disagree because Helvegr doesn’t give a rat’s ass about our opinions.” Tsjuder jumping.

Speedwhore – Visions of a Parallel World Review

By Dr. A.N. Grier on May 9, 2023 in Reviews, Black Metal, Thrash Metal, 31 comments

“The band’s 2015 debut record, The Future Is Now, is a predictable platter of one-dimensional black/thrash riffs with gravelly vocals and the occasional Slayer pig squeal. That album flowed like one thirty-eight-minute track, barely allowing you to process a song before throwing you into the next. In general, the album is standard-fare black/thrash. Eight years later, the band returns with a new outing in the form of Visions of a Parallel World. But, this time, the production is far superior to its predecessor. The rawness is still there, the vocals are lower in the mix, the guitars rule the roost, and the dynamics are pleasing to the ear. The only thing that remains is the songwriting.” Speed kills ladies of the evening.