MIddle-Eastern Metal

Arallu – Death Covenant Review

Arallu – Death Covenant Review

“A great benefit of working for AMG, beyond the weekly bowl of gruel that barely keeps you alive enough to clack out reviews on the blood-stained keys of the staff Commodore 64, is the exposure to bands from around the globe. This is my third review of a Middle Eastern band and my second Israeli band. While new to me, Arallu has been around. They’ve spent 25 years writing about religious wars and the hatred that’s perpetuated in the age-old conflicts in their corner of the world. Their sound began as raw blackened metal, inspired by early pioneers of the genre, but is steeped in traditional and ancient Sumerian melodies and instrumentation.” Metal tourism.

Raven Woods – Enfeebling the Throne Review

Raven Woods – Enfeebling the Throne Review

Middle-eastern tinged metal has become a slight trend. Since Nile really took off with the sound and influences, slowly but surely the metal scene has followed with. Behemoth played the Nile card and won big with it and Melechesh has grown to great popularity, releasing great records left and right. However, that bands from the middle-eastern or north African region are actually put out records influenced by their own culture, that’s pretty new. Sure, Orphaned Land has been around a long time, but they didn’t really catch the popular metal imagination until 2006. Myrath still hasn’t caught on and now we have Raven Woods of Turkish extraction.