Mike Oldfield

Abraham – Débris de mondes perdus Review

By Dear Hollow on March 7, 2022 in Reviews, Doom Metal, Post-Hardcore, Post-Metal, Sludge Metal, 11 comments

“I have struggled mightily with Abraham. At its core, is it still Neurosis-core? Sure. Any post-metal release is bound to be. But there’s something especially tortured about its swaths of monolithic riffs and vivacious in its vocal variety, but above all, patient. It feels like an otherworldly ritual, as the drums pulse and the guitars plod with hypnotic rhythms to the beat of otherworldly suffering. While its former releases felt shining and hopeful, clean and precise, fourth full-length Débris de mondes perdus feels gritty, soiled, and unforgiving – but above all, hopeless.” Death of the sun/son?

Mitochondrial Sun – Mitochondrial Sun Review

By sentynel on February 11, 2020 in 2020, Argonauta Records, Electronica Metal, Reviews, Swedish Metal, Electronic Metal, Electronica, 14 comments

“Solo projects are an interesting beast. While rarely as successful as their originating bands, done well they can tread new and interesting ground. Done poorly, though, they can end up a pale imitation of the bands they came from. Mitochondrial Sun is the side project of Niklas Sundin, Dark Tranquillity’s long-time guitarist. Fortunately, it falls into the former category. ,b>Mitochondrial Sun is primarily dark instrumental electronic music, largely in the vein of 65daysofstatic, but also forays into modern classical.” Dark new age.

Jo Quail – Exsolve [Things You Might Have Missed 2018]

By sentynel on November 28, 2018 in 2018, Black Metal, British Metal, Non-Metal Metal Things, Post-Rock, Reviews, Self-released, Things You Might Have Missed 2018, Atmospheric Black Metal, Non-metal Metal Things, 66 comments

“I love the cello. I don’t think there are any other instruments which offer the tonal range and gorgeous timbre a cello can. I also think it’s criminally underused in heavy music. Apocalyptica demonstrate it can sound metal as hell, yet otherwise it’s mostly limited to a few cameo appearances. This brings me to Jo Quail, experimental cellist, loop pedal wizard, and versatile session musician. Her own back catalog is largely a post-rock/modern classical blend, and after a year in which she’s supported acts like Myrkur, Amenra, Boris, and Winterfylleth, their influence clearly shows on her new record. With her sound evolving towards post-metal and atmospheric black metal, her new album is an interesting development.” Cello, my friends.

Nanowar of Steel – Stairway to Valhalla Review

By Eldritch Elitist on November 6, 2018 in 2018, Italian Metal, Power Metal, Reviews, Self-released, Power Metal, 95 comments

“For the first three years of their existence, Nanowar of Steel operated under the shortened moniker of Nanowar, adding the of Steel subtitle through a hasty MS Paint logo re-work in 2006. As NoS’s Facebook page states, this was done “not in order to spoof Rhapsody of Fire, but for REAL and TRUE copyright issues.” There’s some serious power metal in-jokage going on with the title alone, an infectious cheekiness that has spread to every corner of Stairway to Valhalla’s musical and lyrical execution.” Sign of the Humor.

Yer Metal is Olde: Edge of Sanity – Crimson

By GardensTale on January 25, 2017 in Black Mark Production, Death Metal, Progressive Death, Swedish Metal, Yer Metal Is Olde, 47 comments

“Dan Swanö. The name won’t mean much to the public at large. “Sounds Swedish,” some might say. “Is he an IKEA designer?” You facepalm, shake your head and move on. But sometimes, every now and then, you find yourself opposite another discerning metal listener. You drop the name, and a knowing smile spreads on their face. Because they know. They know that Dan is The Man.” When The Man comes around.