Mourning Beloveth

Tishina – Uvod [Things You Might Have Missed 2022]

Tishina – Uvod [Things You Might Have Missed 2022]

“For the second year running, I find myself giving the TYMHM treatment to an album with Cyrillic in the title and which is right on the EP/album dividing line. As is my wont at this point, I am giving the record the benefit of the doubt because between I don’t frankly care whether it’s an album or not, it is deserving of your attention. Тишина / Tishina, meaning ‘silence’ in Serbian, is a project masterminded by Branislav Panić of the blackened death metal band, Bane. Serbia strikes back!

Bewailer – Where My Demise Dwells Review

Bewailer – Where My Demise Dwells Review

“Do you remember the first time you heard Swallow the Sun’s The Morning Never Came? How those crushing tones and shattering gutturals hit you like the saddest ton of cement ever and you thought that, indeed, the light would never grace your world again? How the subtle, folky elements added a sense of longing, while the sound of waves crashing made you feel lost in a sea of hopelessness and never being found? And above all, how fucking evocative that feeling was? And how you had to go bask in the sunlight to recover from it? That’s the feeling I had when I popped in Bewailer’s debut album Where My Demise Dwells.” Swallowing more sadness.

Mourning Beloveth – Rust and Bone Review

Mourning Beloveth – Rust and Bone Review

“Given the early buzz around the band (maybe I just had clued-in metal buddies) and their obvious talent this seems pretty strange, especially as several of their less consistent peers enjoyed much greater industry support. But while their output has been of high quality, it has also lacked personality: their early records were a little too indebted to My Dying Bride, and it was only on 2005’s A Murderous Circus that they developed their sound into something less derivative by incorporating hints of the driving Celtic metal style pioneered by Primordial. So is 2016 going to be the year that Mourning Beloveth finally live up to their early potential and take their place among doom metal royalty?” Can Jean-Luc Ricard make it so?