A new Vintersorg track has just been added over at the MySpace in its entirety! This may be the best thing that we’ve heard from Mr. V in my opinion since Visions or even Cosmic Genesis! The record comes out on the 25th in Germany, Austria and Switzerland. Then on the 28th it hits the […]
As far as I’m concerned, one of Wisconsin and Michigan’s best kept secrets is the solo project of one Rory Heikkila: Shroud of Despondency. I posted earlier about his amazing tracks from the record Objective: Isolation which is soon to be released (hopefully). And now, he’s apparently gotten together with the drummer and vocalist from Owlscry to create 5 new tracks of fucking amazing black metal. This stuff is sans bass and vocals and “slightly unmixed” and still it is fucking better than most of the stuff I’m getting in as promos. It is fucking phenomenal, to say the least. One observer put it like this: “Dude, your music is so good it makes me cry.” Not because it’s so emotionally evocative (though, it’s that too) but because it’s just so fucking good and as a musician you can’t help but be a little jealous.
While not the first folk metal band to take the world by storm, Eluveitie has always been a bit of a unique thing in the folk metal scene. Really, the band has tremendous success when compared to other bands in the genre. After being picked up by Nuclear Blast, they’ve had three albums, big American tours (something that has only started recently for the genre) and become very well known and well loved among folk metal enthusiasts and just regular metal enthusiasts alike. Everything Remains (As it Never Was) is the band’s big third record from Nuclear Blast (5th total) and it is set to make a big metal splash.
For anyone who has regularly read my site, it is pretty obvious that I am a big Orphaned Land fan. So it is no exaggeration to say I was pretty stoked to do an interview with the band’s vocalist, lyricist and gigantic personality, Kobi Farhi. We had a chance to talk about several different things, ranging from the cultural approach to metal in Orphaned Land to working with Steven Wilson (from Porcupine Tree). For the first time I am going to offer the audio of this interview edited down with some clips from the record, as well as typing out the “transcript” as it were. The transcript, of course, will have the full text and the audio is a bit more edited down so as to cut out the BS.
I must say that, if you don’t already know this, I have been anticipating this record since I heard of its release. Sure, things have been busy around here, but I even managed to slip in a few listens to the record in spite of the heavy schedule of listening that I’m forced to adhere. Written and recorded in the aftermath of one of the most terrible tragedies in Blaze’s life, and really in the life of a neophyte band trying to break its way into the music scene on the strength of independent promotion and raw, hard work, and non-fashionable music, Promise and Terror has the chance to show the medal of this band and to testify to the absolute spine of one Blaze Bayley. While The Man Who Would Not Die was a record that was written in the face of the adversity from the outside world and sounded, frankly, like a big aural “fuck you” to all uninterested parties, Promise and Terror has a different role to fill.
Holy shit, Finntroll has posted a new video for the track “Solsagan” from their forthcoming record Nifelvind (which I will be reviewing soon!!) and it’s actually really good. There is so much potential for cheesiness with these guys but somehow they manage to avoid it these days. Win for Finntroll!
Few bands will ever make their own mark on a genre of music. it’s just a statistical rarity. Someone once told me that there are something like 5 million bands on MySpace, if that gives you an idea of the breadth which exists when one is thinking in terms of how many musicians there are out there. Of those, most of them probably last longer than a year, never produce much of a demo much less get signed to a real label, and how many ever produce a real step forward into a new decade with a statement of great things to come? The chances of becoming a professional musician are basically NIL and then of the number that do, how many ever produce something that will be remembered and affect enough listeners to ever influence any? That number is even smaller. Orphaned Land is one of the few bands that will ever exact change in metal and they are doing so now with their new record The Never Ending Way of ORwarriOR.
One of this Angry Metal Guy’s most-anticipated records of 2010 is definitely Orphaned Land’s forthcoming record The Never Ending Way of the ORwarriOR (which, btw, I’ll be posting a review of shortly). According to a press-release that I received today have put up a new track on MySpace “Disciples of the Sacred Oath II”. This song is awesome (actually the whole album is awesome) and everyone should go check it out. There are already two tracks up there, the first single “Sapari” and “Vayeh OR”, both of which are also excellent. Here’s the presser:
Be’lakor is an Australian melodic death metal band that has been getting some serious attention in the underground despite the fact that much melodic death metal has pretty much been declared by the scene to be dead on arrival. I’d been reading about them for some time so I just wrote them a message on MySpace and the guys were cool enough to send me a copy to review. And I can see why they’re so eager to get their music out to the masses, it’s a bit like ear heroin.
So according to Mikael Ãkerfeldt’s (Opeth/Bloodbath frontman) blog on MySpace someone apparently crashed into the tour bus (which he, Fredrik and Axe weren’t on because they had flown home early), in an apparent suicide attempt. It was somewhere on the road between Dublin and Brussels, but it doesn’t say where. The first post (entitled “No […]
