Nuclear Assault

Terrordome – Straight Outta Smogtown Review

Terrordome – Straight Outta Smogtown Review

“What, I ask myself as I embark on my fifth or sixth listen of Straight Outta Smogtown, is the point of guest vocals. Guest vocals that work best are those that allow a band to deliver something markedly different from what they would otherwise do. Look at the two recent collaborations between Thou and Emma Ruth Rundle, for a recent example, or, going back a quite a long way now, look at Dave Grohl’s Probot. Although Probot was a far from a perfect album, the way the numerous vocalists were used, delivered a very different character for each track. So what have Polish thrashers Terrordome fashioned with a number of additional vocalists who guest on their third full-length, Straight Outta Smogtown?” The smog of war.

Yer Metal Is Olde: Brutal Truth – Extreme Conditions Demand Extreme Responses

Yer Metal Is Olde: Brutal Truth – Extreme Conditions Demand Extreme Responses

“Formed in 1990 by prolific bass-slinging band whore Dan Lilker (Anthrax, Nuclear Assault, Blurring, Venomous Concept, S.O.D. & many others), New York’s Brutal Truth threw their hats into the grind ring and captured lightning in a bottle with their phenomenal 1992 debut, Extreme Conditions Demand Extreme Responses; a dead-set grind classic, now certified as an olde motherfucker. There’s something special about Brutal Truth’s underappreciated debut that sets it apart from pretty much any other grind album I’ve experienced.” The ugly truth.

Municipal Waste – Slime and Punishment Review

Municipal Waste – Slime and Punishment Review

“Take a look at this Donald Trump inspired t-shirt released in early 2016. That was the first time that I had heard of Virginia’s crossover-thrash outfit Municipal Waste since their 2012 solid, but uninspired album The Fatal Feast (Waste in Space). While they released a couple of splits and EPs during the four years in-between, it was that stunt—a year later apparently more relevant than ever—that brought the (metal) public’s spotlight back on them.” Under new waste management.

Mortillery – Shapeshifter Review

Mortillery – Shapeshifter Review

“I would be a goddamned liar if I said I were a longtime fan of Canadian thrashers, Mortillery—and those who commented on last year’s Unleash the Archers review can contest to this. However, after diving deep into the band’s back catalog, I can wholeheartedly admit that, in a single week’s time, I am a diehard fan of this band. And for the first time in awhile, I will not be sent to the AMG basement for my poor taste in metal or forced outside to scrape the dead armadillo carcasses hanging from the grilles of the staff’s Prius’.” We’ve actually moved your desk down there.

Destruktor – Opprobrium Review

Destruktor – Opprobrium Review

“For those who like scorching deserts, scantily-clad temptresses, and animals that will poison you and then rip your face right off, look no further than the land down under. Hell? Close – Australia. It’s no surprise such a rugged environment has given rise to filthy bands that blur the lines between thrash, black, and death: Nocturnal Graves, Denouncement Pyre, Innsmouth, and the almighty Deströyer 666. Of perhaps lesser profile – though no less quality – is Victoria’s Destruktor.” Former penal colonies make the best metal.

Municipal Waste – The Fatal Feast (Waste in Space) Review

Municipal Waste – The Fatal Feast (Waste in Space) Review

Municipal Waste holds the odd distinction of being one of the first bands to kick off what’s now known as ‘re-thrash.’ Back in 2003, when everyone was in their bedrooms listening to Killswitch Engage and cutting themselves, Waste ‘Em All was a breath of fresh air, and the Waste’s DRI-meets-Jeff-Spicoli approach won them a considerable following.