One for Sorrow

Insomnium – Heart Like a Grave Review

Insomnium – Heart Like a Grave Review

“If you read our latest Record(s) o’ the Month post for…August[1. Is that right? Wow, that’s fookin’ late.], AMG Himself opined that we’re in the midst of a melodeath revival of sorts. With impressive releases by Eternal Storm and Disillusion already on the books, and In Mourning’s new one getting some early high marks, perhaps Angry Metal Dad is onto something. Insomnium’s eighth full-length Heart Like a Grave won’t be undercutting his hypothesis either.”

Insomnium – Shadows of the Dying Sun Review

Insomnium – Shadows of the Dying Sun Review

“Over the past decade, Insomnium has been one of, if not the most consistent of the morose Finnish styled melo-death acts in operation. They’ve delivered album after album of “dead puppy under the Christmas tree” flavored music, loaded with gothic trappings and they’ve won the melancholy sweepstakes more often than not. In recent years, fellow countrymen Omnium Gatherum have stolen some of their thunder and lunch money with ripping albums like New World Shadows and Beyond, but the sleepless ones soldiered on regardless, doing what they do best on quality platters like One With Sorrow.” Ready to cry a frozen river? Steel Druhm clearly wasn’t.

Insomnium – One for Sorrow Review

Insomnium – One for Sorrow Review

Once considered the “other Amorphis” due to the style and sound of their well regarded debut In the Halls of Awaiting, Insomnium have since evolved into one of the premier melo-death units in operation. Along with fellow Fins Omnium Gatherum, they’ve been steadfastly keeping the melo-death banner flying and the style alive and viable. In fact, no one is doing this style better, as One for Sorrow and Omnium Gatherum’s ginormous New World Shadows amply demonstrate. Both albums employ hyper-melodic guitar-work alongside sub-woofer blowing death vocals and both shroud everything with the melancholy and sadness that seems to seep from the very ground of Finland. Over the course of four albums, Insomnium has churned out consistently high quality melo-death of this nature with very few stylistic shifts or changes. This has, at times, made their material feel a bit samey and can give the impression of roaming over well worn ground. While this was never a big issue for me personally, those concerns are still present here as they continue to hone their tried-and-true sound to a razor edge. Insomnium gives you ten new tracks of excellently melodic death that incorporates doom and elements of old Amorphis, classic In Flames, Brave Murder Day era Katatonia and Noumena. While there are no surprises, this is some great, emotionally powerful music and exactly the kind of listening material to stockpile as we head into the cold gloom of winter.