“Here at the elucidation-station that is Angry Metal Guy, EPs usually slip beneath the review radar in favor of a meatier morsel. But it’s cutting season, dammit, and no tyrannical filthy ape tells me what to review. Virginia’s Affasia are preparing to release their debut EP, Adrift in Remorse, an offering full of doom-death and a beckoning melodic charm — and when the sad-boy signals, you best believe I answer the call.” Late winter feelz.
“Everyone pictures themselves as the protagonist. Ask one hundred people what they’d do in a zombie apocalypse and they’ll all give you the same answer: survive. And yet, someone has to be that guy who gets mauled right near the beginning of the outbreak, or who foolishly stands near a window and is promptly eaten alive by the horde, squirming helplessly for their last miserable minutes. Nobody thinks they’re cannon fodder; that is something proven and earned by an individual. Paroxysm of Hatred, the sophomore release from Greece’s Rapture, have proven themselves to be just that.” No, not THAT Rapture.
“One of the best parts of the job of a music reviewer is stumbling across new, relatively unknown bands that deserve attention for what they’re doing. In what I hope is a good omen for the year, I’ve already encountered my first left-field surprise with Germany’s Nailed to Obscurity. As their name ironically suggests, these chaps have been toiling away without much attention, but King Delusion may be about to change that for the better. Nailed play an interesting fusion of death/doom and post-metal, and as the album unfolded, the list of bands their style borrows from grew long and prestigious indeed.” Nailed it!
“Sometimes a piece of music is entirely about a single, specific feeling, be it rage, joy or sadness. Departe, the second album by atmospheric post-doom super group Clouds, is definitely about the latter, and it attempts to drown the listener in a vast sea of chilling, cloying melancholy without offering the slightest hint of hope or beam of light. Formed by members of The 11th Hour, Eye of Solitude, Rapture, Barren Earth and Shape of Despair, the line up reads like doom royalty and their vast experience helps make this one of the bleakest, most depressive listens of this year or any other.” Got something in your eye? You’re about to.
“It’s been a while since a doom/death album graced my overloaded promo bin, and as a tried and true sad-boy, I was quite stoked to see October Tide’s fifth album, Winged Waltz arrive. Formed by Katatonia ex-pats Fredrik Norrman and and Jonas Renkse, the band has long made it their practice to take elements of early Katatonia material like Brave Murder Day and mix it with the classic doom/death of Rapture and early Paradise Lost. This led to some stunning moments and others that were inexplicably less inspiring.” Turn those frowns even further down.
“Winter is coming, and when the cold reaches my home and hearth, it’s time to break out the top-shelf sad boy melodic doom-death and spin it until Odin renews the world and grants primacy to the sun once more. As the low winter sun encroaches, one of the first bands into the depressive breach is the long defunct but truly excellent Rapture. A close second is the even longer defunct Slumber. The latter released but one brilliant album (Fallout) before imploding, and said album went on to be tragically overlooked.” The Sleeper of Slumber has awakened!
“Ah, Deathwhite is back to antagonize music reviewers who expect to know things like: who’s in the band, what do they play, where are they from, who is their daddy and what does he do? Yes, Deathwhite scoffs at such outdated formalities, opting to exist in complete secrecy like goth-metal’s answer to those masked marauders in Ghost.” Straight from the Witness Protection Ensemble, more intrigue and confusion.
“In Quebec, a delicious golden ale called La Fin Du Monde has been brewed for over twenty years. It’s potent by regular beer standards, sitting at about 9% alcohol. The first time I tasted it I was with numerous smart people in a pub, and as soon as I took one sip I knew this would be a beer I’d have a long and happy drinking relationship with. Quebec has also seen the production of Kataklysm material for over two decades now, and my first time hearing them via Serenity in Fire’s “As I Slither” yielded similar results.” Let the ale flow and the death play.
“Ghost Brigade are tough to neatly pigeonhole into a specific genre. Their early material was definitely post-metal/post-hardcore, but as they matured their sound evolved to include doom, gothic rock, alternative music and slight touches of black metal and prog. By the time they released Until Fear No Longer Defines Us, their style was quite the interesting stew of influences, yet their music remained accessible, direct and highly emotional.” Lineup changes abound, so does the classic sound stick around? We have…the DEETS!
“Kindly overlook the album cover you see to the left. Not only does it lack the good grace to include some kind of cool spherical object, but it also resembles something from a Christian new age rock group (the kind they play at inoffensive volumes in Christian, new age-y coffee joints). Worse still, it doesn’t give the slightest indication that Autumnal is a winningly morose, melodic doom act from Spain, or that The End of the Third Day is destined to be one of the sleeper hits of 2014.” Are you ready to feel those gloriously sad feels?
