Refused

The Atlas Moth – Coma Noir Review

By Saunders on February 20, 2018 in 2018, American Metal, Prosthetic Records, Reviews, Rock, Sludge, Stoner Metal, Rock, Sludge, Stoner Metal, 2 comments

“Shape-shifting Chicago act The Atlas Moth exorcised some particularly nasty personal demons on 2014’s bleak, The Old Believer album. Although failing to hit the glorious highs of predecessor An Ache for the Distance, it proved a mature, emotionally raw and harrowing chapter in the band’s career. Not content to repeat themselves, The Atlas Moth return in a decidedly more chipper mood, by their despondent standards, serving up an energetic and refreshingly upbeat collection of tunes that widens the scope considerably beyond the psychedelic sludge tag they are frequently saddled with.” Like an Atlas Moth to the flame of judgment.

Refused – Freedom [Things You Might Have Missed 2015]

By Jean-Luc Ricard on January 10, 2016 in 2015, Epitaph Records, Hardcore, Not Metal, Swedish Metal, Things You Might Have Missed 2015, Hardcore, Not Metal, 19 comments

“If you don’t know who Refused are, or that they’re (along with Born Against) Fucking Dead, you must be so young that you missed the phase in the early 2000s where every two-bit nü-metal act on the planet was citing their final record as a major influence (for the masochists among you here is a reminder of just how bad this era was). You young rapscallions are perfectly capable of using AltaVista yourselves so I’ll spare you the history lesson; all you need for the moment is that the band split in 1998, and few ever expected them to return.” But honestly, what old guy can pass up reliving their wasted youth?

Abyssion – Luonnon Harmonia Ja Vihreä Liekki Review

By Diabolus in Muzaka on July 1, 2015 in 2015, Black Metal, Crust Punk, Finnish Metal, Reviews, Svart Records, Black Metal, Crust Punk, 15 comments

“Stop me if you’ve heard this one before: in an alternate universe where musical ideas are themselves beings, three idea-beings walk into a bar. The first one is incredibly boring and pretentious yet still quite popular, and his name is Nachtmystium P. Floyd. The second is loud and already drunk, and his name is Rattus Kaaos; upon spying him the bartender mutters “raucous Finnish punk” under his breath. The third is Ornassi Pazuzu, who categorically refuses to stop droning on about anything and everything psychedelic. The nightly cover band got food poisoning, so there was an impromptu call for music. These three all wanted to jam so went up together, played, and wondered if they should keep this gig up. They did, and now we have Abyssion.” Good bar to avoid on cover nights.

Cold in Berlin – And Yet Review

By Alex Franquelli on August 18, 2012 in 2012, 4.0, Candlelight, Gothic Metal, Not Metal, Reviews, 1 comment

It looks as if they were all wrong. For years, critics of all sorts have assumed that punk could not, and would not mix up with the likes of those who thought that the light at the end of the tunnel is a truck coming in their direction. I mean, the nihilist stance of bands such as The Sex Pistols and Discharge, their “new luddism,” aimed at destroying and denying progress for the lack of an acceptable alternative, undeniably struck a chord in the goth camp. But, if destruction would act as a unifier, the means to achieve it were indeed on the opposite ends of the spectrum. The passive, almost fatalistic melancholy of goth clashed (sometimes in more that one way) with the actively destructive attitude of punk. Could we ever imagine that a synthesis would have been possible? Not until 45 Grave and deathrock came about in the early 1980s. Fast-forward to 2012 and what we find is a band that combines Joy Division, Christian Death and Refused. The good news is that it does it terribly well. The bad news? Well, this time there isn’t any. Simply because a band that tries to add something to the menu can’t fail. And if it does it with such angst and power, then it means that there’s still hope for angry music in this world.

Xibalba – Hasta La Muerte Review

By Alex Franquelli on August 9, 2012 in 2.5, 2012, American Metal, Hardcore, Reviews, Southern Lord, Hardcore, 1 comment

Xibalbá is the name of the Mayan underworld: not exactly a nice place, it must be said. A cave next to Alta Verapaz, somewhere in central Guatemala, is the entry to this domain whose hottest places, to quote none other than Dante Alighieri, “are reserved for those who, in times of great moral crisis, maintain their neutrality.” If there’s a circle which refuses to stay neutral in favour of a purely negative stance, it’s a band from Southern California whose name, doom and gloom take us straight to the Mayan idea of hell.

Zonaria – Arrival of the Red Sun Review

By Angry Metal Guy on July 25, 2012 in 2012, 4.0, Death Metal, Listenable Records, Melodic Death Metal, Reviews, Swedish Metal, 9 comments

Zonaria has always been a bit of a footnote to the Umeå legacy. By the time they released their first record Infamy & the Breed in 2007, the Swedish metal scene was a thing of the past and melodic death metal—Zonaria’s stock in trade—was pretty much the red-headed step kid of the metal scene. That didn’t stop the band’s debut from making a splash and getting the band signed to Century Media—where they released Cancer Empire in 2008 to rave reviews and… were promptly never heard from again. Until now, that is.