Saxon

Saxon – Hell, Fire and Damnation Review

Saxon – Hell, Fire and Damnation Review

Saxon is ageless. Saxon is inevitable. Saxon will be releasing albums when all of you are but musty tomb mold. This is the way of things and has been since 1978. In fact, Saxon’s been rocking and rolling so long, even Black Sabbath thinks their minds are gone. The elder statesmen of the NWoBHM movement, these crusty Brits just keep churning out the goods, and here comes their 24th album, Hell, Fire and Damnation.” Olde dogs, new bite wounds.

Coven Japan – Earthlings Review

Coven Japan – Earthlings Review

“The past still lives around us—a phone booth dilapidated with its tethered telecommunications device extracted, an eerie, abandoned Sears parking lot, Def Leppard jammin’ for the 6:00 pm crowd at the grocery store. Even for new members of the heavy metal clan, the sounds of royalty—Maiden, Priest, Saxon—often line the path to whatever extreme they may later fall into. It’s no surprise, then, to read that new Japanese export Coven Japan declares themselves as a young band influenced by 70s bands like Angel Witch and 80s bands like Satan” Past as prolog.

Weapon (UK) – New Clear Power Review

Weapon (UK) – New Clear Power Review

“I was an active metal listener for a good part of the NWoBHM era, but it seems for every Saxon and Raven there were countless smaller UK acts that never reached the ears of folks on my side of the pond. Weapon (or Weapon UK) were one of those “could have been” tales of a band in the early 80s that wasn’t able to launch that defining debut album in time. They had a single and a demo floating around in 80-81 and had some buzz but ultimately called it a day, not to pick up the sword again until 2011.” Ancient weapons in modern times.

Absolva – Fire in the Sky Review

Absolva – Fire in the Sky Review

“Meat n’ taters. It doesn’t get more basic, humble, and satisfying than that. The Manchester-based Brits in Absolva are the musical equivalent of that essential cuisine staple. Having the distinction of being the backing band for Blaze Bayley, the material they create on their own is very much in the Blaze school of classic British heavy metal – familiar, comforting, and satisfying. Fire in the Sky is their sixth album and finds Absolva playing to their strengths while sitting dead center in their comfort zone.” Back to basics.

Night Cobra – Dawn of the Serpent Review

Night Cobra – Dawn of the Serpent Review

“Snakes are as metal as skulls and demons, and nighttime is when all the fun, sketchy things happen. Ipso facto, Night Cobra is a spectacular name for a metal band. Especially for one throwing back so hard to the early 80s that they probably suffered slipped discs and Romulan back gout. On their Dawn of the Serpent debut, these Texas-based retro rockers deliver a mix of NWoBHM and early American power metal.” Snake bitten.

Saxon – Carpe Diem Review

Saxon – Carpe Diem Review

Saxon was there with Elrond 3000 years ago when Sauron fell. Saxon has more albums than some of you have years on Earth. Saxon will still be releasing albums long after you are dust crumbs. These are truisms metal fans must accept before moving on and living a happy and productive existence. Now Saxon’s 23rd fucking album is here, and it’s titled, Carpe Diem. And what can you expect to find when you follow instructions and seize the day?” Elder Godz and day hoarding.

Maule – Maule Review

Maule – Maule Review

“I’m starting my year off on a positive note. In my Top Ten(ish) column (along with many others) one commenter opined about our lack of love for melodic stuff. I really took that statement to heart and decided that for January it’s only traditional and glam metal for this olde cat. So here we go, with a new creation born on Canada’s west coast, Maule. Touting themselves as part of the new wave of traditional heavy metal, they intend to gallop their way into our hearts with churning rhythms, rousing choruses, and rather pleasant Canadian personalities.” Take off, eh?

Lucifer’s Hammer – The Trip Review

Lucifer’s Hammer – The Trip Review

“This is shaping up to be quite the old timey week for your old timey tour guide, Steel Druhm. I’ve trudged through the retro death numbskullery of Inhuman Condition, the American power metal throwback style of Starlight Ritual, and now Chile’s Lucifer’s Hammer want to drag me back to the NWoBHM era for some hard rocking fun. Banging the gong of early 80s metal since 2013, Lucifer’s Hammer dropped two prior platters of Maiden / Satan / Saxon-centric material, and third release The Trip finds them doing what they do best – crafting simple metal ditties with a minimum of bells and whistles, but plenty of hooks.” Nailed by the Devil.

Absolva – Side by Side Review

Absolva – Side by Side Review

Absolva, the act entirely composed of the touring band for Blaze Bayley, have returned with their fifth album of slightly modernized NWoBHM. I first stumbled on these gents back in 2017 when their Defiance platter wound up on my desk, and found their style easy to like and as familiar as a favorite pair of socks. This is a crew of seasoned veterans from the U.K. traditional metal scene, and guitarist Luke Appleton even finds time to play bass for Iced Earth when not touring with Blaze.” Blazing new trails.