Self Release

Blood Red Delusion – Ruthless Behaviour Review

Blood Red Delusion – Ruthless Behaviour Review

“Riff-focused yet stuffed to the gills with exuberantly melodic leads, Blood Red Delusion’s second salvo strikes me as something fans of classic melodic death metal albums by In Flames and At the Gates—along with more modern records like Parasite Inc.’s Time Tears Down—might flock towards. Ruthless Behavior’s no-frills, no-nonsense, and aggressively death-metal-forward approach to the genre forgoes all traces of the sweeter and smoother caresses of lushly adorned modern melodic death metal records.” Blood and poor behavior.

Wandering Oak – Resilience Review

Wandering Oak – Resilience Review

“Come, weary wanderer, join us around the fire here in the Folk Metal Corner of AMG. Look upon Resilience by Wandering Oak; does it not look at home here? Such indicators as the band’s name and logo, Resilience’s album art, and the big “folk metal” tag attached to the promo could only suggest the folksiest of metal. But wait, put down those lutes, I say, before you stumble into Wandering Oak’s trap!” Trapped and folked.

Knoll – As Spoken Review

Knoll – As Spoken Review

“I got a chance to see Knoll live in 2022 shortly after the manic Metempiric dropped. All in all, only twenty people scattered about my favorite hometown venue—a homely bar with a solid stage attached to a bowling alley. This ragtag group of kids who looked to be no older than high school graduates gave the performance of a lifetime—gut-churning rhythms, sudden breakaways from ripping guitar phrases to crying trumpet blares, a vocalist whose life depended on the successful bleeding of the audience’s ears. Knoll represents the ideal of youthful ambition. As Spoken is the result.” Young horrors.

Cariosus – Will, Until Beauty Review

Cariosus – Will, Until Beauty Review

“Autopsying deathcore-inclined melodic death metal rarely turns up anything of note. The cause of death is obvious — a yawning void in the cranial cavity, with ink poisoning in the neck as a contributing factor. What reviewer could be blamed for assuming the obvious of Will, Until Beauty, the debut full-length from Chicago duo Cariosus? What a surprise then that further inspection has turned up a record that not only has grey matter intact, but has half a heartbeat too!” Heartcoreworks.

Sea of Consciousness – Sea of Consciousness Review

Sea of Consciousness – Sea of Consciousness Review

“Credit where credit is due: Sea of Consciousness might be the first band outside of Napalm Records-core to don color-coordinated robes, and I think that’s just kinda neat. It’s further refreshing to see this band releasing their unsigned debut in January, rather than in the slaughterhouse of the autumn pre-awards season. I’d like to think Sea of Consciousness realizes that an early-year release gives them a larger platform by default.” Into the depths of metaldom.

At the Plates – Omnivore Review

At the Plates – Omnivore Review

“2024 is off to an interesting start for Steel! I grabbed the promo for Virginia’s At the Plates because it promised adventurous death metal, and I mistakenly assumed the album had something to do with lifting and gyming due to the moniker. I was wrong. At the Plates is a novel little act pushing a healthy eating theme and advocating for smart food choices.” Food for thought.

Victory Over the Sun – Dance You Monster to My Soft Song! [Things You Might Have Missed 2023]

Victory Over the Sun – Dance You Monster to My Soft Song! [Things You Might Have Missed 2023]

Victory Over the Sun is a project of the Portland-based multi-instrumentalist Vivian Tylińska who, along with Jute Gyte’s Adam Kalmbach and Kostnatění’s D.L., represents the diversity and power of the unorthodox take of microtonal black metal. You’ll find Tylińska is more inspired by Liturgy than Darkthrone, touches upon Kayo Dot more than Mayhem, actualizing a more triumphant and avant-garde take on black metal – although her more blackened passages are nothing short of vicious.” Wictory in black.