Angry Metal Guy

Okay, I’m just going to come right out and say it. Black metal as a genre has stagnated and become very boring. While that inevitably happens to every musical genre (power metal has had it bad for about six years), with this particular style it seems far more pronounced and chronic. Although I’ve appreciated the scene and sound from its earliest origins (as a Bathory fan in the 80′s) and essentially grown up alongside the genre, the past year has seen things run into the creative wall and slowly slide into a morass of tedium and lethargy. Be it the symphonic or the raw and primitive, very few bands are doing anything new, interesting or compelling (even the new Agalloch felt samey and safe). While some solid albums surfaced in 2011,they feel increasingly rare and even those offered little in the way of innovation or originality. Obviously, of all the subgenres of metal, black metal is the most rigid, inflexible and laden with rules and expectations of scene orthodoxy. Throw a saxophone solo on a power metal album, it may be daring and ballsy. Try that on a black metal album and you’ll be burned in effigy across Norway (and parts of New York). Continue reading

Defiled // In Crisis
Rating: 4.0/5.0 — Patience, Angry Metal Guysan…
Label: Season of Mist
Websites: myspace.com/defiledjapan
Release Dates: EU: 17.01.2011 | US: 01.25.2011

I’ll admit it, I’m a biased motherfucker. When I think of Japan, I think of anime and J Pop and bands like over-the-top shit like X Japan and the crazy clown lookin’ girls, not brutal death metal bands like Defiled. I guess I should have learned this lesson already from bands like Gore Beyond Necropsy and Sigh and others who break against this stereotype in their own way, but no, my bias remains. Though I guess you can really say that Defiled is over-the-top—as they are an excellent, but also very brutal and pretty technical death metal band that is releasing their fourth full length. However, I can say that I was right surprised to get this record since I had no idea it was coming out and it has been 8 years since their Season of Mist debut Divination. But whether or not I had warning, Defiled has put out another ball breaking slab of death metal crushingness. Continue reading

2010. Wow, man. 2010. We’re counting months now until we all die in 2012. So how do you think it’s going to happen? Do you think that terrorists will get a nuke and fuck up the world? Or do you think that a meteor will hit? Or should I wait until the end of 2011 to ask that question?

Well, either way, now that I’ve given your children nightmares that they will never get over, I’d like to say THANKS. Thanks to everyone for reading this blog of mine (and Steel Druhm’s—who gets a special thanks for writing for this blog of mine). Thanks for responding to posts, for donating to the website to help keep it afloat and thanks for your patience when I can be a little bit inconsistent due to having a life and not doing this for a living (and thanks to Mr. Steel Druhm especially, but also Lord Doom and the others who have helped pick up the slack). It’s really cool that you do that. That you get an RSS feed of reviews that we write. That you debate and that you feel as passionately about metal as we do even if we don’t all agree. That’s awesome.

Also, a big WTF to Southern Lord and Profound Lore for not sending me promos despite repeated requests. What’s an Angry Metal Guy gotta do to get some love from y’all? I’m not going to download your shit illegally to review it, but I’d like to review it! So send me promo already for fuck’s sake!

Lastly, I want to say a word first about the fact that 2010 saw the loss of two of my personal heroes: Ronnie James Dio and Peter Steele. Let’s not forget both of these metal icons who gave in their own very unique ways to the fabric of the thing that we all love. Metal will definitely not be the same with them gone.

In honor of 2010 being a pretty good year (aside from the untimely deaths), I’ve got to present my top 10. And more importantly I have to declare the Record o’ the Year! Continue reading

Demonic Resurrection // The Return to Darkness
Rating: 3.0/5.0 — Fundamentally good…
Label: Candlelight Records
Websites: demonicresurrection.in | myspace.com/demonicresurrection
Release Dates: EU: 02.08.2010 | US: American release date unknown

As world metal takes the stage, something that is happening more and more frequently these days, we’re going to be seeing more of these bands coming from places where metal just hasn’t ever shown its face earlier. Demonic Resurrection, as those of you familiar with Sam Dunn’s documentary Global Metal already know, are a band from India who play symphonic black metal. The third record in a trilogy The Return to Darkness is being released (as I understand it) as the band’s first international release via Candlelight Records. That Sam Dunn is a rockstar creating machine, it turns out. Though, when it comes to Demonic Resurrection, their music speaks for itself and if you give that music a stage that myriads of metalheads have access to, it’s not hard to see how they managed to break beyond their borders. Continue reading

Sigh // Scenes from Hell
Rating: 4.5/5.0 — Best black metal I’ve heard in a long time
Label: The End Records
Websites: myspace.com/sighjapan | sighjapan.com
Release Dates: US: 01.19.2010 | EU: 29.01.2010

Let me start with the a territory that isn’t very comfortable for many in heavy metal: orchestrations. Heavy metal has seen many variations on the classical orchestration in many different subgenres. Neo-classical metal, like the wanky stuff with Yngwe or Symphony X, has long bragged about the influence of baroque and classical music. Bands like Rhapsody of Fire and Epica do things that sound like they should be straight out of a movie score and black metal even has a symphonic sub-genre, most notably filled by Dimmu Borgir, whose symphonics have gone over the top in the last few years with the addition of Mustis (though we’ll see what happens now that he’s gone). Never before in my tenure of heavy metal listening have I heard orchestrations used in a black metal record to such effect as they have been used on Sigh‘s new record Scenes from Hell.

There are not very many bands that have the kind of respect for progressiveness, yet extremity, that Japan’s very own Sigh has in the underground. Not only has Sigh managed to reinvent themselves pretty consistently, they still consistently produce records that are both extreme and yet somehow oddly catchy and palatable. There are not many bands that can say that they can do both of those things with any consistency. While Scenes from Hell doesn’t technically take on new territory, it does so with an approach that I think is highly novel and very interesting: not only do they use a real orchestra, but instead of using the orchestrations as a background to standard black metal they are instead used, often times, as the leading piece in the track. Where good riffs exist, there is very little orchestration or not at all. In these sections, the rawness and riffyness of this record stands out on its own. But, when the blazing riffs or death marches are added together with orchestrations that is where this record shines.

Scenes from Hell is a triumph of excellent orchestration, musicianship and performance. Simultaneously raw and beautiful, Sigh walks the line between beautiful classical music and raw black metal and never falters or falls too far into one or the other. I am reminded, actually, of Fleshgod Apocalypse‘s 2009 release Oracles by comparison, which is the only album that I feel comes close to the same kind superior approach to classical music—however, they did that completely without orchestrations, carrying the melodies on the guitars instead. However, it is the same qualities, the heavy melody and smart arrangements, and thereby unique approach to metal, that make these two albums similar in my book. If you’re looking to sample this record, something you shouldn’t do (seriously, just go buy it), you should check out the tracks “L’art de Mourir,” a perfect example of the contrasts this album offers between rawness and trumpet orchestrations, and “The Summer Funeral” a funeral dirge that will be stuck in your head for hours after you listen to it.

Honestly, the only complaint that I can even come up with at all is that the production could be better. However, I’m actually torn on this as well, as I think the production actually helps keep this raw. Some of the modern orchestrated black metal stuff, in my opinion, has lost a lot of its rawness and atmosphere. While the production on this record is totally claustrophobic, it gives the orchestra the room it needs and it keeps the metal nice and raw. In some ways, the production, which some have complained about, is probably the best way they could have produced this record. Not too clean, but not too muddy as to lose the good contrasts.

In any case, I think that this is the best follow-up to Hangman’s Hymn that’s even possible. I think a lot of people will claim, unfortunately, that these two records are far too similar to each other and that Hangman’s Hymn is superior. I think neither of these claims are true. The writing on Scenes from Hell is not thematic and because of the production, and where the orchestrations sit, it also draws itself away from the pack when it comes to symphonic black metal. Scenes from Hell will go down as a masterwork of black metal, in my book, and shows that black metal can still be creative and interesting. Buy it.

Life has been busy for this Angry Metal Guy lately, and therefore not as much music listening has been happening as I would like.  However, I’ve been rockin’ out to some stuff and some of the stuff on here will also show what I’ll be reviewing in the upcoming weeks.

I just want to say that things have been going really well here.  I’ve been consistently getting a flow of visitors, and I hope that these things continue picking up.  It seems like I’m getting lots of Germans on here (Wie gehts!?), and I hope that I can continue getting a worldwide audience.  That’s the goal—appeal to everyone who can read it (and even those who can’t, thanks to everyone who translates my posts in Google).

Weekly Recommendation: Watch for the new Vader record, I was fucking blown away.  More info coming soon, but let’s just say it’s everything you’re looking for in death metal: balls-to-the-wall, short and sweet and groovy as hell.  Will not disappoint.

Fleshgod Apocalypse – Oracles
Vader – Necropolis
Fen – The Malediction Fields
Sonata Arctica – The Days of Grays
Amorphis – Skyforger
Æthereal – Through Inhuman Eyes
Cobalt – Gin
Burial Ritual – Tower of Silence
Behemoth – Evangelion
Suidakra – Crógacht
Crimfall – As the Path Unfolds…
Born Under Sirius – Born Under Sirius
Luna Mortis – The Absence
Anathema – Hindsight
Shining – VI/Klagopsalmer
Sigh – Hangman’s Hymn