Angry Metal Guy

Vise Massacre // Expendable Humans
Rating: 2.0/5.0 — Expendable youth
Label: Gorilla the Horse Records
Websites: visemassacre.com | myspace.com/visemassacre
Release Dates: Out now!

Here’s something slightly different for us here at Angry Metal Guy Worldwide Industries. Vise Massacre is a Brooklyn-based hardcore/punk-thrash power trio and Expendable Humans is their debut full-length (a very short one at thirty-one minutes). Although it’s fairly thrashy and abrasive, there’s no mistaking that this is pure hardcore with similarities to vets of the past like Cryptic Slaughter, Cro-Mags and Sick of It All. It’s all short bursts of fast, chunky punk rage, with most songs (fourteen of em) clocking in at, or under, two minutes. There are some decent riffs scattered about and some really aggressive, herky-jerky, pissed-off material, but sadly, not much here really interests or grabs me in the slightest. Now, let’s be clear. I’m not anti-hardcore at all. In fact, I really like the bands mentioned above. This just feels entirely generic and flat to me, almost like paint-by-numbers angry punk. This somewhat surprised me, since these guys have a fair amount of underground buzz swirling around them. Continue reading

Toxic Holocaust // Conjure and Command
Rating: 4.5/5.0 —All hail, no fail!
Label: Relapse Records
Websites: myspace.com/toxicholocaust
Release Dates: Out this week!

The one man thrash brigade is back! That’s right, Joel Grind has crawled back from beyond (Oregon) to hammer us with yet another splatter platter of ugly, primitive but oh-so-good 80′s retro thrash. Mr. Grind has been mucking about as a one-man-band in the retro world since 99′, which makes him one of the originators of the ongoing thrash revival. Whether you love him or hate him depends on your tolerance for thrash and reliving the past. Regardless, here on album four, Conjure and Command, he makes it clear he’s not going away anytime soon. Conjure is yet another huge slab of golden age thrash, written by a true fan of the style for fans of the style. As the album unspools, the listener will hear references to all the great 80′s thrash icons and it plays like a thick, meaty stew loaded with Bay Area and Germanic ingredients. Its almost as if Mr. Grind stumbled across a creepy, Ed Gein style yard sale, the kind with plenty of scary old dolls and strange stuffed animals. Tucked away in the back was a bloody box loaded with the missing riffs of Kreator, Slayer and Destruction. Needless to say, that box was plundered mightily during the making of this album. If thrash gives you a rash, here is your chance to flee. If you feel the need for speed, read on. Continue reading

Assassin // Breaking the Silence
Rating: 3.0/5.0 — Tanks for the memories [HEAD ASPLODE! - AMG]
Label: SPV Records
Websites: assassin-online.de | myspace.com/assassinthrashmetal
Release Dates: EU: 2011.02.28 | US: 03.22.2011

It’s old folks week at the Angry Metal Guy offices. That’s because I, Steel Druhm, am officially old and I’ve been tossed assignments for Tankard, Jag Panzer and now, Assassin, the long running, though unproductive German thrash troupe. Along with the aforementioned Tankard, Assassin was part of the German wave of thrash that hit in the mid 80s. Also like Tankard, these guys were in the back of the pack, far behind luminaries like Sodom, Kreator and Destruction. Their 86′ debut The Upcoming Terror was solid, reminded me of a poor man’s version of Artillery (who were amazing on their first two albums by the way) and some even considered it a cult classic. Their 88′ follow up Interstellar Experience was actually less than stellar and passed without much fanfare. After that there was a long period of inactivity due to equipment theft and they didn’t resurface until 2005′s The Club which was uninspiring to say the least (flaming coyote poo to say the most). Now they’re back with album four, Breaking the Silence and a nifty looking cover featuring the return of those bad ass tanks from their debut. So, did these gents fare better than those booze-hounds in Tankard whose album I only just defiled via review? Has the worm turned for these stoic thrashers or was their reformation as unfortunate an idea as wasabi flavored gummy bears? All these questions and more shall be answered so read on intrepid metal fans. Continue reading

Tankard // Vol(l)ume 14
Rating: 2.0/5.0 — The party’s over
Label: AFM Records
Websites: tankard.info | myspace.com/tankardfrankfurt
Release Dates: EU: 2011.02.21 | US: 12.28.2010

Wow, back in the day when the first few Tankard albums stumbled into the light like a wino from a dark alley, I never imagined these guys would be around very long. While amusing, they were the essence of a third tier act and didn’t stand out all that much even in the heyday of thrash. Well, since I now find myself reviewing album fourteen by these alcohol fueled Germanic thrashers, I would say I was pretty wrong about my initial impressions.  While these guys were never in the same league as Sodom, Kreator or Destruction they still managed to become an enduring and productive minor league team. Unlike their bigger peers in the German thrash scene, Tankard was always silly, tongue-in-cheek and largely wrote on the few topics they knew best: drinking, partying and alcohol. Since I myself was a hard partying youth, I casually enjoyed their Chemical Invasion and The Morning After releases for their good humor and frantic pace. After that they dropped off my radar and only in the past week did I start getting to know the Tankard again. Although the goofy, “anything goes” feel is still there, the music and writing doesn’t hold up like I remember it. Once the nostalgia factor wore off, things started tasting a little skunky. Continue reading

Destruction // Day of Reckoning
Rating: 4.0/5.0 — Germans do beer and thrash better than you.
Label: Nuclear Blast Records
Websites: destruction.de/ myspace.com/destruction
Release Dates: EU: 18.02.2011 | US: 03.08.2011

Some bands age like fine wine, some like sushi. It’s a fact of life and we see it demonstrated time and time again. Today we examine the shelf life of Destruction. These gents have been around forever and started life as one of the big three of the Germanic thrash invasion of the early 80′s along with Sodom and Kreator. Their early releases were classics and seminal reference points within the genre. After being dead for the better part of the 90′s, they reformed in 2000 and started life anew as part of the reawakened thrash scene. Since then, Destruction proved themselves to be firmly on the wine side of the aging formula and the reunion albums ranged from good to great with none better than 2008′s D.E.V.O.L.U.T.I.O.N. Here on Day of Reckoning, their eleventh platter, Destruction once again prove they’re seasoned elder statesmen of thrash with no sushi in sight. This is yet another slab of righteous, riotous thrash with tons of hooks and it demands the horns be raised high in homage. Continue reading

Legion of the Damned // Descent Into Chaos
Rating: 3.5/5.0 — Thrash ’til Dutch!
Label: Massacre Records
Websites: legionofthedamned.net | myspace.com/legionofthedamned
Release Dates: Out now worldwide!

Steel Druhm is a famously soft touch for a mean and angry thrash album. Because of this well know thrash predilection, I’ve celebrated the entire catalogue of Dutch death thrashers Legion of the Damned because these guys can really bring the pain. Over four albums, LOTD (formerly known as Occult) have consistently crafted intense, punishing thrash in the vein of old Slayer and Sodom mixed with the more modern death metal approach of bands like The Crown. They certainly aren’t reinventing the thrash metal genre in any way but they always produced quality material. Happily for thrash mavens, after a three year hiatus they manage to keep the spiked ball rolling with Descent Into Chaos and give yet another lesson in violence and aggressive thrashality.  Continue reading

Impaled Nazarene // Road to the Octagon
Rating: 3.0/5.0 — Goatwill toward men and season’s beatings for all!
Label: Osmose Productions
Websites: campnazarene.com | myspace.com/impalednazarene
Release Dates: Out now worldwide!

Well, this album CLEARY isn’t in the spirit of the holidays!  Christmas-unfriendly band name aside, it’s apparently time for another goat worshipping blast-fest from these blasphemous and blackened Finns. The Impaled ones have created an odd, morphing catalogue over their long life and drifted from pure black metal into something way more like punk-infused black thrash. That continues here as it did on 2007′s Manifest but with more energy and urgency this time out. At a scant thirty three minutes in length, this barely qualifies for a full-length and it goes by mighty fast, but if savage black/punk metal warms the cockles of your heart this time of  year, then scream BAH HUMBUG and read on. Continue reading

Sodom // In War and Pieces
Rating: 3.5/5.0 — The saw remains the law
Label: SPV/Steamhammer Records
Websites: sodomized.info | myspace.com/sodom
Release Dates: EU: 10.23.2010 US: 01.11.2011

Sodom, sweet Sodom, ever so reliable and happily predictable. They’re the thrash equivalent of your favorite concert t-shirt. It’s always there for you, it’s comfortable, beer soaked and you go way way back together. Since 1982 these German metal-meisters have given us thrash and more thrash with very little stylistic variation or experimentation and for most long time fans, that’s just how we want it. After all, Sodom always specialized in simple, brutal and dirty thrash metal with punk influences and they were proud to be a thrash band even when thrash wasn’t “cool” anymore. I never had to waste time worrying if they would start exploring jazz fusion, ambient soundscapes or become self important about the message in their music. No sir, Sodom was just Sodom. Thankfully, the comforting non-progression continues on In War and Pieces, their thirteenth platter and they continue to deliver their battle tested (and themed) thrash lunacy. Continue reading

The Crown // Doomsday King
Rating: 4.5/5.0 — Out of retirement to reclaim the crown!
Label: Century Media
Websites: myspace.com/thecrownonlineswe
Release Dates: EU: 27.09.2010 | US: 10.12.2010

Comebacks. They ain’t so easy to pull off. For every band that produces a glorious reunion album there are four that crash, burn and damage their legacy. Earlier this summer we were blessed by an unexpectedly great reunion album from Accept and now Sweden’s The Crown have pulled off an equally monstrous comeback with Doomsday King. This is their first since 2006’s Possessed 13 and first with new vocalist Jonas Stålhammar (God Macabre) stepping in for Johan Lindstrand. However, make no mistake, this is The Crown of old and they’re storming with menace and out for blood! This is such a furious thrash/death assault that it’s hard to believe these guys were out of action for so long. Whatever they were doing during their down time, it obviously pissed them off and now they need to hurt somebody.

Continue reading

Watain // Lawless Darkness
Rating: 4.0/5.0 — Black metal excellence
Label: Season of Mist
Websites: templeofwatain.com | myspace.com/watainofficial
Release Dates: EU: 07.06.2010 | US: 06.08.2010

This Angry Metal Guy rips on black metal a lot. One of the most overdone and ill-performed genres in the history of metal has to be black metal. The problem is that when black metal is performed poorly by individuals who are not invested in it, then black metal is boring, simplistic and uninteresting. But when black metal is performed with the force and fanaticism of Sweden’s very own Watain, then it is a force to be reckoned with. And finally Lawless Darkness the new full-length from this Uppsala/Stockholm, Sweden-based black metal act is here and it is a force be reckoned with. It harkens back to the days of yore, when black metal was new, vile and most importantly, dangerous and excellent. Continue reading