“By technical death metal standards, Arthaneum is an odd but compelling beast that stands-out by operating outside the box, while holding all the trademarks avid listeners of the style have come to expect. The intricate and complex musicianship impresses in all departments, but there’s a more measured, controlled approach, rather than purely focusing on unrelenting barrages of speed and cramming as many notes and ideas into each song as humanly possible.” There’s no place like tech-death for the holidays.
Sophicide
The Replicate – A Selfish Dream Review
“Another year, another glut of SoCal tech death coming my way. Being the world’s sole arbiter of brutality, I have to say that I’m a bit disappointed with the more traditional technical death metal scene as of late.” Because The Arbiter is disappoint, there will be much punishment.
Angry Metal Guy’s Top 10(ish) of 2012
Angry Metal Guy mails in his Top 10(ish) of 2012.
Angry Metal Guy’s Top 10(ish) Songs of 2012
In our first of many lists, we will focus on the greatest songs from the year 2012. I started this last year because I thought it was important to point out that just ’cause a whole record isn’t amazing doesn’t mean there aren’t moments of brilliance even on the most banal of records. This year, I’m happy to say many of the best songs are from very good records, but that’s not true across the board. Instead, I’ve compiled songs that have forced me back to them again and again, like some sort of Angry Metal Obsessive Compulsive. Over and over I have listened to these songs and I’ve narrowed it down to the 10(ish) that I think really stand out from the year 2012. I’m assuming no one will agree with me. But hey, who has the eponymous website? Yeah, that’s motherfucking right, bitches.
Record(s) o’ the Month – August 2012
August’s Record(s) o’ the Month are here! Read it and purchase, purchase, purchase!
Deadly Remains – Severing Humanity Review
More tech-death you say? Maybe that’s the new re-thrash! Hmm, what kind of tank does one drive to support tech-death? It better be something brootal!
Sophicide – Perdition of the Sublime Review
Technical death metal was the darling of the death metal scene about 5 or 6 years ago, but since the ever-growing retro-death craze has begun to take over the number of quality technical death metal releases that I’ve gotten my hands on has dramatically decreased. Still, that didn’t stop the now 22 year-old Adam Sazslo from writing a bunch of pretty fucking sweet techy songs and getting himself a worldwide deal with Willowtip. Perdition of the Sublime is Sophicide’s debut record and one can see why this record – produced by someone who can’t tour to support it – is being released by a label of this quality: because it’s a truly elite technical death metal experience.