“Perhaps some of you will recall that heady moment in 2021 when we reviewed the third record, The Grand Scheme of Things, by Kraków, Poland death metal outfit Dormant Ordeal, not once, but twice. In a week. For reasons. Still, it scored an indulgent 4.0 and a deserved 3.5, so at least it was worth it. Well, DO vocalist Maciej Proficz has another band, Cursebinder. And back in April, to little acclaim (at least that I saw), Cursebinder dropped its debut LP, Drifting.” Curses!
Temple of Void
Damnation’s Hammer – Into the Silent Nebula Review
“Hard to categorize, the UK troupe’s unique concoction of Temple of Void / Bolt Thrower death metal, Triptykon doom, and Clutch-y hard rock groove presents an inimitable character that no other band on Earth boasts. It is this unique flavor that earned predecessor Unseen Planets, Deadly Spheres a high rating from yours truly.” Spare the Hammer, spoil the spheres.
Tumulation – Haunted Funeral Creations Review
“Tumulation’s offering is quite simple: they play down-tuned, sludgy death doom. There’s nothing overly complex or flashy about it. On the contrary, it’s filthy. Like, really nasty, murky filth.” Filth for the masses.
Konvent – Call Down the Sun [Things You Might Have Missed 2022]
“Two years on and Konvent is back, and this time, they’ve nailed it. Call Down the Sun is slightly slower in pace than Puritan Masochism, edging just a teensy, tiny bit further toward the funeral doom end of the death doom spectrum. If the record doesn’t slow quite so much as to actually reach funeral doom pace, it is certainly funereal in tone and mood.” Sundown, mood down.
Temple of Void – Summoning the Slayer Review
Not one, but TWO reviews of the brand new Temple of Void platter. Prepare for weighty thoughts.
Desolate Shrine – Fires of the Dying World Review
Desolate Shrine forge big death metal with black and doom elements, so we felt it necessary to get two staffers to do some heavy lifting. Maintain minimum safe distances at all times.
Temple of Void – The World That Was Review
“Debut album Of Terror and the Supernatural was a killer compound of death-doom. But Lords of Death also began to incorporate traits that might be more familiar to Alice in Chains or even Pearl Jam. Now, The World That Was prepares to thunder into immediate proximity with the same weight but a clear shift in intent. Fear thee not, ye acolytes and thralls – monumental riffs still fill these halls. But, to quote the band, themselves: “your face is different, but we’ve met before…”” Killdozer or dozing off?
Damnation’s Hammer – Unseen Planets, Deadly Spheres Review
“As per the usual and against all wisdom, I judged an album by its artwork. I liked the high detail monochrome planet-scape. I liked the logo. I liked the name of the album. And just like that, all requirements for entry into TheKenWord’s listening queue lined up in perfect syzygy. Anyway, here I am with Damnation’s Hammer and their sophomore record, Unseen Planets, Deadly Spheres, knowing absolutely nothing about the band or their sound other than that they call the UK home and that their label tags them “heavy metal.” What do I discover? This is far more complex than just “heavy metal.” Yet, it’s all so simple. Let me explain.” Crouching planet, hidden sphere.
Ferrous Beuller’s and GardensTale’s Top Ten(ish) of 2017
Ferrous Beuller and Gardenstale have a year worth of opinions they’d like to share with you. This is their special moment and they want you to be a part of it. Bring booze.
Temple of Void – Lords of Death Review
“Death/doom is a deceptively mercurial beast, possessed of a tangential tendency to meander in directions that range from the darkly romantic to the downright bludgeoning. Detroit’s Temple of Void are plainly with the latter and dole out the kind of stomach churning Asphyxiation that had me at hello.” Skull and void.