“There are many types of melodeath; the moody, acoustic-tinged odes of ’90s Dark Tranquillity, the thrashier Gothenburg style favored by early In Flames and At The Gates (and the thousands of other bands that ape them), as well as the poppier sound of Soilwork clones that seemed to crawl out of the woodwork in the late 2000s (hey, look, In Flames again!).” Kronos loves to classify and identify things. It’s what he does.
