“As you may guess by its minimalist cover art, Fall of Leviathan takes inspiration from the ocean. Its placid surface, an unassuming miles-wide smile at the sun, and its brutal depth, a guttural roar and a gnashing of magnificent teeth, quietly collide to create a face that looks down upon man as he stands atop it, his hubris an engorgement of sails and a swelling of his chest. When faced with its might, the relentless apathy and his insignificance in the face of mountainous waves and the abyss at our rocky borders, man crumbles – sand castles deserted by distracted children. Fall of Leviathan embodies this dichotomy: sunbathed beauty and sunless brutality.” Deep waters flow DEEP.
The Ocean
Distances – Abstruse Review
“In 2013, I attended a concert in Santa Fe, New Mexico, with hopes of seeing Intronaut and Scale the Summit. However, because I’m a good little Hollow, I decided to stop in for the openers. The youth center in which this was played was scrawled with graffiti in the dim lighting, and the stage was a makeshift affair about a foot or less off the ground, and a row of beaten couches comprised the seating. When I was welcomed into the concert area, Albuquerque quartet (at the time) Distances came up, a band whose numbers rivaled the audience members. There we stood, bobbing our heads to a post-metal sound whose colossal quality blew the roof off the shady little venue.” From youth center to center stage.
Sentynel and Twelve’s Top Ten(ish) of 2023
Angry Metal Guy provides a bounty of lists for his loyal readers! Herein, Sentynel and Twelve regale readers with their take on the Top Ten(ish) Records o’ 2023!
Thus Spoke and Maddog’s Top Ten(ish) of 2023
Listurnalia23 rolls on with Thus Spoke and Maddog‘s Top 10(ish) Records o’ the Year.
Autarkh – Emergent Review
For your amusement we present two very different perspectives on the new Autarkh opus, Emergent. Will their divisive industrial/post/black metal sound bring an ugly end to a lovely friendship?
Ashbringer – We Came Here to Grieve Review
“I have fond memories of Ashbringer’s third record, Absolution. Now, in part, this could be put down to the fact that I wrote the review while sipping an ice cold beer by the river in the picturesque city of Hội An, Vietnam. It could also be because Absolution got me my first Record o’ the Month back in June 2019, a victory that I naturally ascribe entirely to myself, rather than to the fact that Ashbringer wrote a great, progressive black metal record.” Ash fanciers.
The Ocean – Holocene Review
“Twenty-twenty’s follow-up, Phanerozoic II: Mesozoic | Cenozoic, dragged us through the Triassic and Jurassic periods, bringing us to our current epoch of existence—the Holocene. Ending that album with ‘Holocene,’ the closer stood out among the rest. Its lavish textures and feel-good beauty separated it from the violent cacophony of the back-to-back ‘Triassic’ and ‘Jurassic.’ An approach that the band takes for almost the entirety of Holocene. Switching gears ever-so-slightly to a softer approach, this new epoch in The Ocean’s journey embodies birth, growth, and life. But does Holocene capture the true spirit of this final leg? Is it worthy enough to stand shoulder-to-shoulder with Phanerozoic I and Phanerozoic II? As with all great things, only time will tell.” World building.
Nightmarer – Deformity Adrift Review
“I didn’t know what to expect with Deformity Adrift. Although I knew it’s rooted in the inherently unfriendly style of dissonant death metal, I wasn’t sure which breed: perhaps the scathing apathy of Mithridatum, the sun-bleached Altars, the occult mumblings of Mitochondrion, or the twisted technicality of Asystole, to name a few. I shrugged and thought, “I’ve seen it all” and pushed play on Nightmarer. What tormented me about the Berlin/Portland quartet is that, despite my best efforts to describe it with bands of similar ilk, I cannot put words to its latest foray. It rides the line neatly between the haunting devastation of its influences and a tantalizingly listenable quality that defies the need for abstraction. Nightmarer has created a unique dilemma.” DilemmaER!
Dirge – Dirge Review
“Apparently, I’m the only one ’round these parts who gets excited to see the band Dirge in the same sentence as “post-metal.” I’m like, “they’re back, baby!” and I lose my goddamn mind. The French masterminds of such classics as Elysian Magnetic Fields and Wings of Lead Over Dormant Seas were a force to be reckoned with, but then I realize: this is the other Dirge, the one from India.” International doom.
Psychonaut – Violate Consensus Reality [Things You Might Have Missed 2022]
“Mixing slow-build dynamics, psychedelic excursions and cathartic crescendos with sudden explosions of fury, Psychonaut draws inspiration from the likes of The Ocean and Baroness (in that bygone era when Baroness wrote compelling music and didn’t crush their albums into unlistenable garbage at the production stage). Complex, sprawling, dense, and yet accessible, Violate Consensus Reality swirls around the listener.” Psychodrama.