“After three years plagued by seemingly perpetual setbacks, The Schoenberg Automaton’s second full-length Apus has finally made the journey from a studio in Australia to my speakers in Chicago. The Brisbane-cum-Vancouver-based technical death metal outfit caught my eye with their first EP and took off in 2013 with Vela, which built on their progressive and extreme roots, expanding their unique and abstract sound quite successfully. Yet early-release tracks from Apus had me worried that the band had abandoned just what made their previous releases so interesting and vital. Had the sophomore slump stymied their songs?” Is The Schoenberg Automaton on autopilot already?
The Schoenberg Automaton
Kronos Comments: On Sampling Bias and the Seedy Underbelly of the Australian Metal Scene
“Just about every day, Angry Metal Guy pushes out a review of an upcoming or recently released album, producing press for the album whether we love it or hate it. It exposes readers to a lot of material, but disadvantages artists who aren’t putting out music at any given time. Given a small temporal window, this creates a very biased sample of the music scene. I love reviewing albums, but a lot of great and criminally overlooked bands are in between releases right now, and it kills me to see their hard work go unseen. So in order to rectify their invisibility, they’re being talked about here, where my shitty opinions have the outsized soapbox needed to fling themselves out onto the populace like fetid water from a fire sprinkler.”
Things You Might Have Missed 2013: The Schoenberg Automaton – Vela
“The Schoenberg Automaton first caught my eye with their self-titled 2010 EP, which I probably found while browsing Bandcamp in a Meshuggah-induced stupor, keeping an eye out for anything promising that my penniless ass could download. The three-track tour de force immediately turned me on to the Brisbane based tech-death group and their jittering, atonal, and surprisingly refreshing style. Since that excellent EP, the Aussies have had three years to muster all of the necessary insanity for a full-length release that matches the intensity and freshness of those three songs which first put them on my radar. Vela had better damn well deliver.” Our man Kronos tells you about an Australian death crew you might have missed and probably shouldn’t have!