Doctors in Da House! Next Dr. A.N. Grier presents his Top Ten of 2018. It’s been meticulously researched, so now it needs peer review. Give it!
The Sisters of Mercy
Tribulation – Down Below Review
“Tribulation have been on an interesting career path as of late. While their early works could be loosely classified as Swedish death metal a la Entombed, the band gradually began to bring in other influences and become something else entirely. As of 2015’s The Children Of The Night, the band was taking cues from such diverse sources as Mercyful Fate and Sisters Of Mercy,, and seemed to have learned a few things from former tourmates In Solitude, with excellent results. I was curious about what Tribulation would do next, and with the impending release of Down Below, it looks like I’m about to find out.” Evilution.
Priest – New Flesh Review
“I rate low and hate high, I’m always unpleased and unsatisfied, and I have the tendency to review shit that no one wants. You know, like Fozzy and Wintersun. And you know the worst part about it? No matter how bad or ugly it gets, I hate to admit I kinda enjoy it. But, who in their right mind would grab the debut record from Priest—a band consisting of ex-Ghosts and as far back in leftfield as one can get? But, like that other Swedish band, they’re about as retro ’80s as it gets. It’s just that they play… ummm… synth-pop…” Somebody got your Ghost?
Cursed Moon – Rite of Darkness Review
“I’m often a little cautious when introduced to new bands who seem to be born aloft on a draught of novelty furore. I feel the same familiar shiver when I see the “retro” tag scratching around in the promo bin, but even I can admit that, sometimes, retro does not negate relevancy. Enter Cursed Moon. This one man entity hailing from L.A, combines the 80’s melodrama of darkwave (new wave and post punk combined with gothic rock) with the feral nature of early black metal to spawn debut album Rite of Darkness.” A blaze in the L.A. sky.
Kvelertak – Nattesferd Review
“Oh, Kvelertak. Five years ago and hot on the heels of their 2010 self-titled debut, it seemed the Norwegian sextet were the subject of every third MetalSucks post, and their wild live shows were the stuff of legend. In a metal scene curdling from years of cvlter-than-thou extremity, the group’s insanely catchy combination of blistering black metal, hooky arena rock, and party-hard attitude not only appeased metalheads with a repressed desire to let loose and rock out, but also broke through to listeners who seldom dipped their toes in the insular metal blogosphere.”
Yer Metal is Olde: Paradise Lost – Draconian Times
“Draconian Times is an album that never should have worked. By now Paradise Lost’s career trajectory has been discussed ad nauseam – from rotten doom-death to Depeche Mode-inspired dance rock to their current gothic metal resurgence – and Times was essentially that early transition album, a puberty-stricken adolescent with a new slicked-up hairdo and a European leather jacket that still fit a little too big.” It shouldn’t have worked, but it did. And now it’s olde.
