“First things first, that artwork: a hulking antediluvian fish bearing down with spread fins and tangled tentacles on the tiny figure illuminated in the depths. If that doesn’t indicate musical magnitude I don’t know what does. Abyssius, on their debut, self-titled LP, explore the concept of one overcoming the confrontational nature of life’s meaninglessness—just as that behemoth looms, so does the bleak and hollow void.” Fish and nothingness.
“The Zenith Passage’s debut effort Solipsist crackled with a flame stoked by the identity that The Faceless set ablaze with dry and percussive pick spittings, alien-warble soloing, and sneakily grooving rhythm, but it wasn’t all so cut from the same cloth. Main mind McKinney even then seemed to have thoughts a touch more mechanical firing in his brain chamber.” Man vs. machine.
“I love getting debut records to review, partially because debuts are usually where bands try to bring something new to the table, and partially because it means I have a lot less contextualization to do before I write about the album. But then there are sometimes cases in which I’m actually familiar with a band prior to their release, and in this instance I have The Zenith Passage covered.” Hey Kronos, you gonna pick up all those names you just dropped?
