“Totem is a difficult album to pin down, probably because Night Goat are a difficult group to pin down. The promo material describes them as “abrasive, slashing, dark noise rock/death rock, with elements of goth, post-punk, and doom.” I think that’s as fitting a description as any, although I also hear no a small amount of sludge and hardcore creeping in from time to time.” Never unchain the night (goat).
“For the most part, I enjoy Soulfly. Even if they rarely bring anything new to the table. I guess Soulfly and Primitive contradict that statement because Max Cavalera explored a new territory of Korny, Limp Bizkit metal. Contradicting because, while Cavalera stepped out of his comfort zone, I fucking hate those albums—even more than I hate Ferrous. Yet, when Marc Rizzo joined the ranks on 2004’s Prophecy, Cavalera and crew brought thrash, death, and inklings of Chaos A.D. and Roots back into the mix. From that point, I’ve grown accustomed to the existence of Soulfly and enjoy albums like Dark Ages, Conquer, and Enslaved. Now it’s 2022, and Rizzo is gone. What does this mean for ole Maxie?” Mad Maxie.
“Do you remember what life was like prior to 2015 B.V. (Before Vardan)? Back when the phrase “monthly visitor” meant something radically different than black metal’s most notorious one-man sweatshop, the busiest man in black metal was Ukrainian pagan mastermind Yaromisl and his own one-man machine, Zgard.” C’mon boys, it’s not a competition. You’re both totally obscure.
