Trouble

Corrosion of Conformity – No Cross No Crown Review

Corrosion of Conformity – No Cross No Crown Review

Corrosion of Conformity has a convoluted history, to say the least. Beginning as a hardcore trio in the early ’80s, the band eventually became a five-piece metal band, before promoting guitarist Pepper Keenan to lead vocalist for the landmark Deliverance album in 1994. In recent years, the original three-piece had reconvened without Keenan, starting off strong but eventually running out of steam with 2014’s lackluster IX. By popular demand, No Cross No Crown features Keenan’s return to the fold and is the first album in 18 years to include both him and original drummer Reed Mullin. Can these guys recapture whatever it is that made Deliverance and its follow-up Wiseblood so compelling?” Corrosion will continue until conformity declines.

Dr. A.N. Grier’s Top Ten(ish) of 2017

Dr. A.N. Grier’s Top Ten(ish) of 2017

“Remember that scene in Ghostbusters (the real Ghostbusters…) where Winston tells Ray, ‘If someone asks you if you are a god, you say yes!’ Well, if someone asks you if you want to write a guide for teaching organic chemistry, you say hellafuckingno. I’m serious. Do yourself, and everyone around you, a favor. So, yeah, this year’s been nuts. Thankfully, there’s Angry Metal Guy—a solace for all metalheads to come together and be verbally abused and cat-tailed in the company basement.” Cat’s got yer list.

Nupraptor – The Heresiarch Review

Nupraptor – The Heresiarch Review

“One-man bands, once the exclusive domain of basement dwelling, meatloaf-consuming black metal denizens, are now becoming a trend in doom as well. Spirit Adrift impressed the AMG staff earlier this year and Via Vengeance is making a name for themselves (himself?) as well. Now make room for Nupraptor, the project of one Matt St. Our.” Doom is the loneliest number.

An Interview with Spirit Adrift’s Nate Garrett

An Interview with Spirit Adrift’s Nate Garrett

“After vocalist and guitarist, songwriter and mastermind Nate Garrett arranged the merch and order some fish tacos, he was kind enough to sit down for a chat on everything from doom in Arizona to his time in the Arkansas scene and his love and respect for Jimi Hendrix and Sanford Parker. With the help of my partner-in-crime, Grymm, I bring you a special night with one of this year’s most popular dudes in metal.” Spirits were had.

Professor Emeritus – Take Me to the Gallows Review

Professor Emeritus – Take Me to the Gallows Review

“Yes, I know what you are thinking, and no, this is NOT a Ghost spin-off act. Professor Emeritus is no one’s Papa I, II or III, and rather than getting their hands dirty with unwashed ghoul masks and slightly metallized Blue Oyster Cult ditties, these Chicago road scholars chose to major in epic trve metal at the olden learning institution, while also carrying a minor in doom.” The ivory tower is metal.

Spirit Adrift – Curse of Conception Review

Spirit Adrift – Curse of Conception Review

“Arizona’s Spirit Adrift, a one-man doom machine featuring the talented voice, musicianship, and songwriting of one Nate Garrett, dropped a promising debut last year with Chained to Oblivion. Just a hair over a year later, Garrett returns with a fully fleshed-out band, a slightly altered sound, and a new album in Curse of Conception.” Those adrift are not always lost.

The Order of Israfel – Red Robes Review

The Order of Israfel – Red Robes Review

The Order of Israfel’s 2014 debut Wisdom became a bit of a sleeper for yours truly. I gave it a positive review and saw the potential, but didn’t expect to return to it quite as much as I have. The combination of classic doom with tough biker rock proved hard to ignore and though it missed my year end lists, it’s become a regular part of my “free range” listening time.” Free Steel Druhm!

Succubus Irons – The Gorgon’s Lullaby Review

Succubus Irons – The Gorgon’s Lullaby Review

“Billed as progressive doom metal and originating from Québec, I anticipated something both quintessentially Canadian-weird (you know what I mean) and long. But no sooner had I finished applying the gravy to my poutine and the record ended. I know that it takes me precisely 32 minutes to make poutine – what on earth is going on? A half-hour prog/doom album?” What’s this all aboot, eh?