“The U.K.’s Final Coil have once, twice graced these halls under the watchful gaze of our benevolent taskmaster Steel. But his eyes are all denim and leather these days, leaving me to find the band’s latest The World We Inherited languishing in the Dry January promo sump. Blending post and prog metal with a healthy dose of grunge, it’s been four years since they dropped their last LP, The World We Left Behind for Others. Unsurprisingly this 2024 release is connected to its predecessors, the third and final piece in the band’s “Persistence” triptych. Concept-driven albums are natural draws for this reviewer, an excellent choice for ushering in the new year.” Triple Coil points!
U.K.
Cydemind – Erosion Review
“Welcome to the most self-indulgent genre of metal in existence: the dreaded instrumental progressive metal. Even I, a lowly and slavishly devoted minion of most things prog, cringe when the internet pleads with me to review an instrumental prog album. This music is tough to do well. Often, it’s much easier to simply wank until your wank falls off rather than write captivating songs. To grab my attention, you need something different, and that’s just what Montreal, Canada’s Cydemind have tried to do: they’ve added a violinist to the mix here, hoping to shake up the genre.” Shake the wank before returning to work.