Uncle Acid and the Deadbeats

Saint Karloff – Paleolithic War Crimes Review

Saint Karloff – Paleolithic War Crimes Review

“The time-dilating effects of the pandemic reveal themselves when considering Saint Karloff’s latest effort. Paleolithic War Crimes follows 2019’s Interstellar Voodoo, a platter that consists of a single forty-minute track. Interstellar Voodoo feels like it came out either two weeks or two thousand years ago; I can’t always tell which, but I swear I just read Steel‘s rave for the first time and filed the record away as one to dig into whenever that mythical chunk of free time presents itself. That album’s combo platter of songwriting brio and Sabbath-ian, Kyuss-ite riffage captivated our Hairy Knuckled Underboss. Four long years (that somehow also feel like four short weeks) later, Saint Karloff returns with a new batch of progressive occult rock.” Quest for stone fire.

Margarita Witch Cult – Margarita Witch Cult Review

Margarita Witch Cult – Margarita Witch Cult Review

“On this most Veridian of weeks, Margarita Witch Cult bursts into your pot den wielding a crème brûlée torch and a fifth of shitty tequila akimbo. The Brummie lads scoff at your bowl, sneer at your bong, and head straight for your dab rig. These aren’t your mellow stoners. No. Margarita Witch Cult is for fans of the murderously occult stylings of Green Lung, Orange Goblin, and Uncle Acid and the Deadbeats.” Drinks with cults.

Kryptograf – The Eldorado Spell Review

Kryptograf – The Eldorado Spell Review

“With that album cover, you know exactly what you’re getting. You’ve heard it before – a bunch of musicians who smoked one too many joints in high school, and then one too many joints in college, and decided to share their boundless love for early Black Sabbath with the world. Norwegian four-piece Kryptograf is relatively new to the overcrowded stoner rock scene, but they made a splash with their self-titled 2020 debut, which melded vintage doom, hard rock, and psychedelic jams.” Loving the leaf.

Valkyrie – Fear Review

Valkyrie – Fear Review

“Summertime is when I’m most susceptible to the bleary-eyed charms of jammy, fuzzed out retro/occult doom. That kind of music just seems to go with warmer days and brighter skies. Virginia’s Valkyrie play their cards right by dropping their 4th album in the middle of a New York heat wave, as my brain is already hot-wired to embrace what they’re doing on Fear.” Fear is the riff dealer.

Kryptograf – Kryptograf Review

Kryptograf – Kryptograf Review

Kryptograf cite influences that include Witchcraft, Uncle Acid & the Deadbeats and Black Sabbath, and it all fits. Between the band lineup—two guitarists, three vocalists, plus bass and drums—and a healthy helping of fuzz that permeates without overpowering, Kryptograf wears its ‘60s influences loudly and proudly.” Fuzzy navel gazing.

Saint Karloff – Interstellar Voodoo Review

Saint Karloff – Interstellar Voodoo Review

“When I saw the name Saint Karloff bobbing in the promo cesspool, I was intrigued. Growing up with Saturday morning horror movies in the 70s and 80s, Boris Karloff was like my unauthorized babysitter and creepy uncle, so I felt compelled to hear the band that dared to hijack his name. Upon closer inspection I learned this Norwegian psychedelic occult/stoner act’s sophomore outing, coming hot on the heels of a 2018 debut, is one 40:23 minute song. I was dismayed by this, and immediately considered weaponizing it and dropping it on some unsuspecting staffer like a concrete piano from a fourth floor window. Then I pressed play.” Do that voodoo, that you doo doo, so well.

Kadavar – For the Dead Travel Fast Review

Kadavar – For the Dead Travel Fast Review

“When Ghost popped out of the ground/Vatican and started spinning their poppy, Satanic throwback rock for the masses, they inadvertently birthed a whole new wave of acts seeking to merge the same 70s rock influences with occult imagery and demonic subject matter. One of the earliest adapters of this “new” style was Germany’s Kadavar, who fused psychedelic rock with horror and occult themes in ways that were as good and sometimes better than anything Ghost had done before.” Now THIS is dead racing!

Gorilla -Treecreeper Review

Gorilla -Treecreeper Review

“The AMG promo sump is stuffed to the rafters with glowing PR spin about how this band redefines genre X and that band takes sub-genre Y into realms hitherto unheard. Most of it is utter crap and as accurate as your average public access channel psychic reading. Not so with the debut full-length by U.K.’s Gorilla however, who describe their sound as “F*ck the safety net heavy rock n’ roll.”” Ape cake for all.

Deathchant – Deathchant Review

Deathchant – Deathchant Review

“Let’s ease into 2019, shall we? After a climactic December that saw about a million Things You Might have Missed posts, nearly two dozen Top Ten(ish) lists, and a few more outstanding releases, it’s time to let our collective breath out, sit back, and strap in for what we all hope will be a stellar year for metal. And while early January might not be blessing us with any albums that will stick around until list season, there are a few that are worth digging into. Is this shorty (a mere seven songs and 30 minutes) from Los Angeles’ Deathchant one of those? If you’re into psychedelic proto-rock, with all sorts of other spices added in, then this eponymous debut just might kick-start your year.” Death the halls.

New Light Choir – Torchlight Review

New Light Choir – Torchlight Review

“The occult/psychedelic movement has been quiet this year, and when it has made noise, that noise has been like bathwater: tepid and lukewarm. Aside from a small handful of notable exceptions, when you search the site for occult rock or psychedelic rock, you find a ton of 2.5s and 3.0s. Not the most fun in the world. But North Carolina duo New Light Choir aim to change that here with their third album, Torchlight. While their first two albums showed promise, there was obvious room for growth, both in production and songwriting. But as is the case with pretty much every genre, it is easy to take things into parody range. Worshiping too hard at the retro altar usually doesn’t work out.” Worship the olden riffs.