Van Halen

Worshipper – Light in the Wire Review

By Huck N Roll on May 26, 2019 in 2019, American Metal, Reviews, Stoner Metal, Stoner Rock, Tee Pee Records, Stoner Metal, Stoner Rock, 22 comments

“Most of the time, stoner metal is the epitome of average. It’s below the great but above the bad, bathwater that’s neither too hot nor too cold, a big-screen TV that’s not 4K. I have yet to review a total dud of a stoner metal release, but when you somehow catch something that winds up being your Album of the Year, you’re encouraged to keep hunting for more greatness. Worshipper mine the depths of stoner metal on Light in the Wire, the Boston quartet’s sophomore release.” Motherload or diaperload?

The Night Flight Orchestra – Sometimes the World Ain’t Enough Review

By El Cuervo on June 26, 2018 in 2018, Hard Rock, Nuclear Blast, Reviews, Swedish Metal, Hard Rock, 202 comments

“AMG.com has ridden the The Night Flight Orchestra (“NFO”) horse pretty hard since the release of their first album in 2012. The illustrious Dr. Fisting (then masquerading as Fisting Andrew Golota) was their discoverer and therefore the designated reviewer thus far. Now that he is absent, presumed dead, I have taken up this mantle to impart opinions on a band that our founder abhors.” New tickets to paradise.

Magick Touch – Blades, Chains, Whips & Fire Review

By GardensTale on January 9, 2018 in 2018, Edged Circle Productions, Hard Rock, Heavy Metal, Norwegian Metal, Reviews, Hard Rock, Heavy Metal, 42 comments

“Welcome to the future, dear readers! Once again, we’ve braved a lap around the sun. 2018 looms ahead, and I get to look forward to another 12 months of somehow always picking the shittiest promos.” The Wheel of Promo is a brvtal mistress.

Power Quest – Sixth Dimension Review

By Eldritch Elitist on October 19, 2017 in 2017, Avalon, English Metal, Inner Wound Recordings, Power Metal, Reviews, Power Metal, 72 comments

“In my personal pantheon of guilty pleasures, Power Quest reigns supreme. Formed in 2011 by ex-DragonForce keyboardist Steve Williams (lead songwriter and sole remaining original member), this band made a name for themselves in the early-to-mid 00’s by redefining the meaning of cheese, mashing Teutonic power metal together with synth-drenched glam rock—think Van Halen’s “Jump,” by way of Freedom Call, and you’ll have a reasonably accurate idea of what to expect. ” The cheese quest never ends.

Mutoid Man – War Moans Review

By Dr. Fisting on June 4, 2017 in 2017, American Metal, Groove Metal, Heavy Metal, Pop Metal, Progressive Rock, Reviews, Sargent House, Groove Metal, Heavy Metal, Pop Metal, Progressive Rock, 30 comments

“The sound of Mutoid Man is not something easily explained. The best I can come up with is ”80s metal mashed up with Nintendo game music, but with more hooks and a ton of guitar effects.’ Formed in NYC by Boston expats Steve Brodsky (Cave In) and Ben Koller (Converge), Mutoid has cranked out two and a half albums of catchy, hyperactive metal within a short span of time. 2015’s excellent Bleeder gained some recognition here at AMG, and now the band returns with that crucial third album, entitled War Moans.” Kiss the war.

Eruption – Cloaks of Oblivion Review

By Dr. A.N. Grier on May 7, 2017 in 2017, Reviews, Slovenian Metal, Thrash Metal, Xtreem Music, Thrash Metal, 29 comments

“Two things come to mind when I see the word ‘eruption.’ One is filthy and the other is raunchy. The former isn’t for virgin eyes and the latter? Van Halen. Guess which one the Slovenian outfit Eruption fits in. Neither. Sorry pervs and, well… pervs. Instead, Eruption fit under a third, yet unlisted category: thrash metal. Yep, I said ‘Slovenian’ and ‘thrash’ in the same sentence. That combination alone should pique some interest for these worshipers of the old and true.” Slovenian speed and perversion.

Astral Doors – Black Eyed Children Review

By Dr. Wvrm on April 28, 2017 in 2017, Heavy Metal, Metalville, Reviews, Swedish Metal, 28 comments

“Nils Patrik Johansson is a busy guy. Over the last two decades, the man’s cashed checks with the on-again, off-again Lion’s Share, the on-hiatus Wuthering Heights, and Civil War, who he recently bailed on because he didn’t have the time (go figure). His work arguably peaked with the momentous output of Astral Doors.” When one war closes, an Astral Door opens.

Screamer – Hell Machine Review

By Diabolus in Muzaka on February 23, 2017 in 2017, Hard Rock, Heavy Metal, High Roller Records, Norwegian Metal, Reviews, Rock, Hard Rock, Heavy Metal, 17 comments

“Screamer, a group of jovial Norwegian retro-rock revivalists, are putting out their third Hell Machine soon, and there’s a very particular standard by which it ought to be judged. The standard I’m referring to is Audrey Horne’s masterful Pure Heavy, far and away the best record of the retro-rock revival movement.” Mess with Audrey, you get the Horne.

Zørormr – The Aftermath Review

By Madam X on June 6, 2016 in 2016, Black Metal, Death Metal, Doom Metal, Polish Metal, Reviews, Via Nocturna, Black Metal, Death Metal, Doom Metal, 45 comments

“Poland’s been the source of some great metal over the years. Behemoth probably comes to mind first, being that Nergal’s the master of controversy and the court room. But putting that aside, there’s Vader, Decapitated, Hate and Lux Occulta, who along with many others have been delivering the goods and then some. Somewhere in the throng, the talents of one-man, black metal or dark ambient artist, Fabian Filiks (Moloch) of Zørormr became a little obscured.” One does not simply hear all the bands in Poland.

Kvelertak – Nattesferd Review

By Mark Z. on May 30, 2016 in 2016, Black Metal, Hard Rock, Norwegian Metal, Punk, Reviews, Roadrunner, Black Metal, Hard Rock, Punk, 33 comments

“Oh, Kvelertak. Five years ago and hot on the heels of their 2010 self-titled debut, it seemed the Norwegian sextet were the subject of every third MetalSucks post, and their wild live shows were the stuff of legend. In a metal scene curdling from years of cvlter-than-thou extremity, the group’s insanely catchy combination of blistering black metal, hooky arena rock, and party-hard attitude not only appeased metalheads with a repressed desire to let loose and rock out, but also broke through to listeners who seldom dipped their toes in the insular metal blogosphere.”