The guys from Wulfgar and I have something in common: we both really love Amon Amarth. I mean, I’ve been an Amon Amarth fan since I first heard “Victorious March” all those years ago and I’ve just never looked back. I’ve purchased every one of their records since I started listening to melodic death metal and, let’s face it, I’ll probably keep listening to them for years to come until I’m old, bitter and bored with everything that I used to like (it’ll happen: then I’ll become Angry 12 Tone Jazz Guy). The difference between my love of Amon Amarth and that of the guys from this Swedish quintet is that I didn’t start a band…

OK, now that I’ve gotten the shit talking out of the way, let me say something: these guys are actually really, really good at what they do. They pump out excellent, mid-paced melodic death metal with the vocal styling of an epically bearded Swede named Emil (who incidentally does actually sound like Johann Hegg from Amon Amarth). The tracks are heavy, with great chuggy riffs and totally solid melodies which hook you in right away. You spend the majority of your time nodding your head, and I’m sure this stuff is totally awesome live. I mean, Midgardian Metal has it all: addictive melodies, fun riffs and a style that I just love to listen to.

The band has a bit of variation, as well—the track “Norsemen of Steel” sees the band wander into power metal territory on the chorus, and there are even some pretty folk metal parts on here as well. In my opinion, the band would do well to think about expanding these parts of their music. Because while I think that they’re a good band, there is definitely a part of me that wants a little bit more than an excellent audiocopy of an already loved and famous band. These guys obviously have the talent to write solid metal—so they should use that talent to expand their sound a little bit beyond the boundaries of their current sound.

To fans of the style, this record will be thoroughly enjoyable. If you can’t get enough new music that sounds like Versus the World and Fate of Norns, then you’ll be a nice shade of satisfied after listening to Midgardian Metal a few times. The comfortableness of this style isn’t lost on me. Songs like “Circle of Runes” and “The Death of Yggdrasil” definitely pound through the speakers and pummel you with a viking-like ferocity. The production is thick and meaty, and the performances are convincing. Over time you will probably forget that you’re not listening to Amon Amarth and just start to enjoy this record for what it is—solid, groove based melodic death metal about vikings and the mythology of medieval Scandinavia.

…

Just like Amon Amarth.

Related posts:

1. Amon Amarth – The Crusher (Reissue) Review
2. Amon Amarth – Surtur Rising Review
3. Demonical – Death Infernal Review

1. Opeth // Ghost Reveries — This is always the toughest for me. Choose which Opeth record I think most defines the modern era. I finally always decide on GR, which incidentally I hated when it came out. But it totally grew on me after that and now it’s probably my favorite.
2. Katatonia // Last Fair Deal Gone Down — Again, this is tough. I love all of their modern stuff, but I think this is probably the most consistent of all their albums. Another defining record in my life, I think, too.
3. Turisas // The Varangian Way — I consistently come back to this record over and over. It pretty much represents everything that big, awesome extreme metal should be. I also think it was very much new. It combined much of that power metal and viking metal stuff that’s been threatening to merge for years into a cohesive whole.
4. Vintersorg // Visions from the Spiral Generator — Again, how do you really choose? I chose this one because I think the whole album is fantastic. But they’re all fantastic. It’s definitely between this one and Cosmic Genesis. I chose this one ’cause I love Digorgio and Mickelson’s performances.
5. Amon Amarth // Versus the World — Again a hard one to choose. But this record has some of the best tracks these guys ever wrote and some of the best melodic death metal ever.
6. Anathema // A Fine Day to Exit — This record is fucking tremendously written and perfect from first note to last note.
7. Amorphis // Eclipse — The rebirth of Amorphis is quite possibly one of the greatest things that happened in the two-thousandsies. This album, and the two that have followed since, are some of the finest metal records produced in the modern era.
8. Rhapsody // Power of the Dragonflame — Sets the bar for orchestrated, ridiculous over-the-top metal. They’ve never produced anything like it since, nor has anyone else for that matter.
9. Ihsahn // angL — I love Ihsahn’s solo stuff. It’s a perfect blend of extreme metal and prog. His writing is massively improved since being out of Emperor, in my opinion, but I’m sure there’s a black metal guy on this board who will shriek in horror at those words.
10. Shining // V:/ Halmstad — This record hooked me immediately and hasn’t let go.

You have absolutely no idea how difficult it is to write a list like that. And I do really like writing lists, I think it’s a good time. A game for me has always been top 5s or top 10s.

Related posts:

1. Angry Metal Guy’s Top 15(ish) of the 2000s
2. Angry Metal Guy’s Best Heavy Metal Songs of All Time 10-1
3. Angry Metal Guy’s Top 10(ish) of 2010