Wardruna

Ofdrykkja – After the Storm Review

Ofdrykkja – After the Storm Review

By Carcharodon on December 1, 2022 in Reviews, Folk, Neofolk, 16 comments

“Since its inception in 2012, Ofdrykkja seems to have been labeled as atmoblack. That was just about accurate for 2014 debut, A Life Worth Losing, although even then there were indications that these Swedes had designs on something grander. That proved to be the case, as the band’s sound has continued to grow and evolve through Irrfärd (2017) and Gryningsvisor (2019), with black metal largely abandoned on the latter, save for some occasional, harsher vocals (see “Wither” and “As the Northern Wind Cries”), in favor of exploratory post-rock and Scandinavian neo-folk.” I, voiddrifter.

My Dying Bride – The Ghost of Orion Review

My Dying Bride – The Ghost of Orion Review

By Grymm on March 4, 2020 in 2020, British Metal, Doom Metal, Nuclear Blast, Reviews, Doom Metal, 62 comments

“When you think of quality doom metal, just about everyone will mention My Dying Bride within the first five bands listed, if not the first. For thirty years, the British sextet’s captivated the world over with their trademark blend of crushing riffs, sorrowful violins and keyboards, and the cavernous growls and pained singing of charismatic frontman Aaron Stainthorpe. So impacting their music has become that they’re the soundtrack to personal situations in peoples’ lives, including mine.” Familiar haunts.

Golden Core – Fimbultýr Review

Golden Core – Fimbultýr Review

By Dear Hollow on October 30, 2019 in 2019, Black Metal, Doom Metal, Fysisk Format, Icelandic Metal, Norwegian Metal, Post-metal, Reviews, Stoner Metal, Black Metal, Doom Metal, Post-Metal, Stoner Metal, 19 comments

“Celebrating cultural heritage is crucial. In a world living in the shadow of Christianity’s obliteration of “pagan” beliefs, the old creeds and rituals are rarer and rarer. As such, it’s imperative to preserve such practices and traditions, valuing their impact in generations past and their influence on future individuals. My family is descended from Vikings, which is pretty badass, but one thing led to another[1. Y’know, like a few burning monasteries, hundreds of years, a few continental migrations, and countless cultural shifts.] and they found themselves Lutheran farmers in North Dakota. Groups like Heilung and Wardruna are committed to preservation and renaissance of the old Norse rituals, and Norwegian/Icelandic duo Golden Core seek to channel this appreciation through new release Fimbultýr by blending American stoner doom and Norwegian black metal.” Uphold the olde.

Gaahls WYRD – GastiR – Ghosts Invited Review

Gaahls WYRD – GastiR – Ghosts Invited Review

By Grymm on May 29, 2019 in 2019, Black Metal, Norwegian Metal, Reviews, Season of Mist, 69 comments

“Kristian Eivind Espedal, aka Gaahl, is a controversial yet prolific figurehead in the Norwegian black metal scene. His work with Gorgoroth, Trelldom, God Seed, and Wardruna showcases how influential and varied his vocal abilities truly are. Of course, felony charges for assault, receiving death threats for coming out as openly gay in 2008, giving eccentric interviews involving the dramatic uttering of one word, and teaming up with former Gorgoroth bandmate King ov Hell in a failed attempt to wrestle the name away from guitarist and sole remaining founding member Infernus in 2007 all have a tendency to overshadow any and all of your accomplishments, no matter how powerful. With all that in mind, we are now in possession of GastiR – Ghosts Invited, the debut full-length from Gaahl’s newest project, Gaahls WYRD.” Satan…is in the details

Shining – 8 ½ – Feberdrömmar I Vaket Tillstånd Review

Shining – 8 ½ – Feberdrömmar I Vaket Tillstånd Review

By Madam X on September 23, 2013 in 2013, Black Metal, Dark Essence Records, Reviews, Swedish Metal, Atmospheric Black Metal, Black Metal, 4 comments

“I came across Shining for the first time while reading Angry Metal Guy’s Best Heavy Metal Songs of All Time back in 2011. Since then Kvarforth and his menagerie of Scandinavian black metal projects and collaborations (Shining, Skitliv, Diabolicum, Den Saakaldte and Bethlehem) have been a constant on my playlist. I’d go so far as to say that, were I to have some kind of guarantee that it would arrive on my sunny shores, I would absolutely order a copy of When Prozac No Longer Helps – hand numbered in Kvarforth’s blood of course!” Madam X and Kvarforth are clearly a match made by the Sid & Nancy Dating Service and/or Hell. Will love blossom once again or will the knives come out?

Djerv – Headstone EP Review

Djerv – Headstone EP Review

By Angry Metal Guy on August 9, 2010 in 2010, 3.5, Black Metal, Indie Recordings, Reviews, 3 comments

I don’t make a real habit of reviewing an EP because EPs aren’t really considered to be a “happening” in the musical sense of the word. They aren’t an event in the traditional sense that an LP is, rarely longer than about 15 or 20 minutes it’s hardly not anything to get too excited about. But Norway’s Djerv, a combination of vocalist Agnete Kjølsrud (Animal Alpha), Erlend Gjerde (Wardruna) and Stian KÃ¥rstad of the mighty Trelldom, have created a fascinating fusion of sounds that was something that I didn’t want to pass up.

Ihsahn – After Review

Ihsahn – After Review

By Angry Metal Guy on January 12, 2010 in 2010, 4.0, Black Metal, Candlelight, Progressive Metal, Reviews, Black Metal, Progressive Metal, 8 comments

Easily one of the most anticipated records of 2010 for me has been Ihsahn’s new offering. While I was a passing Emperor fan, really just a fan of In the Nightside Eclipse and Anthems to the Welkin at Dusk-era, I was taken by Ihsahn’s solo stuff. The Adversary felt fresh, progressive enough, a step away from the later Emperor material of which I wasn’t a fan, and it captured the sonic styles and textures that he was never quite allowed to explore while in Emperor. The record didn’t stick with me as I had hoped, while I listened to it occasionally it didn’t hold a steadfast position in my discography. On the other hand, angL blew me away. Probably the finest record of 2008, angL has maintained a steady place in the rotation and is a record that I’ve showed to dozens of people. Perfectly produced, perfectly composed and smartly written, angL contained everything that I wanted out of a new progressive metal record. So, of course, when I heard that Ihsahn would be releasing a new record in 2010, I became justifiably excited.