“Formed in Cape Town just over a year ago, Constellatia is the collaborative brainchild of Gideon Lamprecht and Keenan Oakes, founders of South African bands Crow Black Sky and Wildernessking, respectively. After a mere fourteen months together, Constellatia is ready to release The Language of Limbs, their debut album.” Language lessons.
“Located at the very tip of the African continent, South Africa may win the prize for ‘Most Accurate Country Name,’ challenged only by the uniformly low and flat Netherlands. Metal, however, is not what the nation is generally known for (apartheid and the guy who directed District 9 both rank higher, for instance.) In our extensive archives, only 9 articles bear a ‘South African Metal’ tag. Until today, that is, because Ruff Majik come forth from the shadows of Pretoria, the South African capital.” South Africa rising.
“I’m about as fluent in South African metal bands as I am in French. And that’s a goddamn shame (the SA band thing, not the French thing). But, even for my limited knowledge of SA scene, I’m happy to say I spend a lot of time with a couple of good ones (Vulvodynia and Wildernessking). So, when I received a promo from a little known South African outfit (from our own SA native, Madam X), I was more than a little excited. Especially when I hit ‘play.'” This springbok has sharp horns ov iron.
Yesterday I published my Top 10(ish) of 2016 and it’s a good list. But as has been pointed out, a lot of the supplemental material I usually include was missing. So today I’m posting a follow up: Angry Metal Guy’s Supplemental List(s). This should give you insight into some of the things which weren’t included, as well as a couple of other things I’ve been thinking about posting lists of for a while. This is being thrown together quickly and unplanned. But I just think you guys deserve it and I like list-making. It’s probably something I should list under my hobbies on Facebook.
“I was impressed by Colorado’s Wayfarer on their debut. Their post-black metal was nuanced, densely textured and showed great maturity for a young band. I was eager to overlook the flaws since their base was sound, with such touchstones as Winterfylleth or Wildernessking. A year and a half later, Old Souls succeeds Children of the Iron Age in Wayfarer’s discography….” And a much more jaded and cynical El Cuervo awaits.
“It’s the new year! And that means new starts. What’s going to be new with the Record(s) o’ the Month in 2016? Well, pretty much nothing. I plan to be just as opinionated, stubborn, and unreliable as I can be. Because now I have Unimpeachable Scientific Proof™ that my choices are pretty much fucking representative of the choices of the entire staff at Angry Metal Guy. Yeah, sure, some people might not agree with me all the time, but in aggregate—which as we know from the rise of Big Data and the Technocratic Rule is the only data that matters—my opinion is still trend-setting and all-important. Put that in your pipe and smoke it I Give a 4.0 to Everything That Reeks of Nostalgia and Desperation Druhm. So my wimpy prog choices? Yeah, they’re gonna keep coming. My not caring about the newest super true Demilich clone? Oh, it will continue. My total disinterest in anyone’s opinion but my own? Yup, that’s the whole point of this blog.”
![Wildernessking – Mystical Future [Vinyl Review]](https://www.angrymetalguy.com/wp-content/uploads/2016/01/Wildernessking-Mystical-Future-768x768.jpg)
South Africa’s Wildernessking is an atmospheric black metal band that has undergone a maturation before our very eyes. Starting as Heathens the band played an immediate (and still excellent) form of black n’ roll. The early material was reminiscent of Enslaved, but lacked the Norwegians’ progressive punch. The writing was concise and to the point, and the word “atmospheric” would never have crossed my keyboard in those days—until the release of the track “Morning” in 2011. In 2012, under the new moniker Wildernessking, these South African ex-heathens released The Writing of Gods in the Sand, which unfurled their sound into expansive, atmospheric territory. The record had a production that helped the band’s music to balance between a raw, heavy black metal feel and their growing interest for more airy writing. Mystical Future progresses Wildernessking’s journey, taking steps further away from the intensity and riff-driven black metal, toward a more expansive, atmospheric sound.
“Wildernessking is a great band. Their sounds is well-developed, nuanced, interesting and even back to when they were Heathens, they had a choke-hold on the craft of song writing. That they continue to develop and have not garnered the attention of the big(ger) labels who should be clamoring to support them surprises me. Is it because they’re from South Africa and can’t be expected to tour? Is it because the world is riddled with luck and unequal chances and they haven’t gotten in front of the right eyes? Or is it because Angry Metal Guy didn’t get his ass in gear and review the band’s EP The Devil Within, the second follow-up to the band’s remarkable debut The Writing of Gods in the Sand? As a man who obviously has an inflated enough sense of self to believe that starting a blog to air his opinion out on the Internet was something that everyone would be dying to read, we’ll go with the latter. I’m here to make amends.” And amends are hereby made.
In 2009 Angry Metal Guy started. Since then we’ve produced hundreds of reviews, and Angry Metal Guy has cranked at the world for free. Check out what he takes away from the whole experience.
Angry Metal Guy mails in his Top 10(ish) of 2012.
