“Say what you will about atmospheric black metal, its popularity is not undue. It was the gentle stream in which I was baptized before giving myself to the rapids, the whispers in the breeze that signaled the storm, and the view of the frigid mountain crest before the cruel ascent. I ventured into unclaimed mysterious wilderness with the likes of Wolves in the Throne Room, Imperium Dekadenz, and October Falls, leading me the cliffs for the view before greeting my plummeting death to the forest floor, laid to rest in the dark soil littered with pine needles. Enisum speaks like the wind in the trees.” Pinecones and pain.
Woods of Desolation
Doom_et_Al’s and Dear Hollow’s Top Ten(ish) of 2022
Doom_et_Al and Dear Hollow spice up the season with their Top Ten(ish) of 2022. Come for the selections, stay to harass them over same.
Woods of Desolation – The Falling Tide Review
“Australia’s Woods of Desolation makes metal to metaphor by. The band’s evocative style of blackgaze, preoccupied with the natural world and the passage of time, provokes strong reactions from their small but passionate cadre of fans. The Falling Tide is WoD’s first album since 2014’s As the Stars. That one dropped during what can be called Peak Blackgaze, when outfits like Alcest and especially Deafheaven briefly captivated mainstream audiences and divided the backpatch set with their twinkling takes on metal’s trvest subgenre.” All star gazers.
Krvna – Sempinfernus Review
“Ah, black metal, my old friend. While I’ve been spending much of 2021 either trying to get my baby daughter to smile or try to steal as much weird death metal from Kronos as possible, I can’t deny the blackened shred that settles comfortably into the crevices of my soul. I’ve long anticipated a comfortably atmospheric, aptly scathing breed of second-wave shenanigans to sink my teeth into, and there’s no time like the present.” Semper lo-fi.
Groza – Unified in Void Review
“I picked Groza from the promo bin for one simple reason: Mgla is a great fucking band, and Groza share their name with Mgla’s debut album. That’s not by accident, either. The promo blurb that accompanied Unified in Void was frank in its admission of Mgla influence, leaving me quite excited to hear what this German quartet had to offer.” Choose the form of the Destroyer.
Terra – Mors Secunda Review
“I was rooting for Terra. About two years ago when this English trio released their untitled debut, I thought the group had the potential to breathe fresh life into the so-called “Cascadian” black metal scene that had been losing steam for the past few years. Nevermind that they aren’t technically from the Pacific Northwest…” Cascading is the new voguing.
So Hideous – Laurestine Review
“So Hideous occupy an interesting niche for me. As a post-black group with orchestral flourishes, their sound is unique enough to stand out in an over-saturated genre, but it’s never been compelling enough to make me a fan.” New York City continues to pump out some interesting variants on black metal. Must be something in the hot dogs.
Pestilential Shadows – Ephemeral Review
“Pestilential Shadows comes from the land down under, where the women glow and men plunder. Listen closely, and you’ll hear their black metal thunder. Listen even closer, and you’ll run for cover. Gimmicky introduction aside, the men in Pestilential Shadows have been at work making some seriously bleak music since 2003, and their fifth album, Ephemeral, shows no signs of deviating from this path.” Anyone want a Vegemite sandwich?
Stuck in the Filter – February’s Angry Misses
“In the first of what will (hopefully) be a monthly column, Stuck in the Filter will shine a light on a handful of albums that didn’t get proper love upon release date. So, without further chatter, here’s some quick samples and quicker blurbs on some notable releases that didn’t get the full five-hundred.” In any given month, mistakes are made and things are missed. To partially ameliorate this unavoidable fact of life, we delve into the greasy, unclean filter of the AMG promo bin. Wear your gloves.
An Autumn for Crippled Children – Try Not to Destroy Everything You Love Review
“Today on Angry Metal Guy we’re pleased to present you with some depressive, experimental doom black… wait, are those pink orchids? How adorable! It’s times like this that question whether I was destined to be a flower-arranger rather than a metal reviewer, but thanks to the adventurous forays of An Autumn for Crippled Children (AAfCC herein), I can finally embrace the idea of being both.” And on this special day of Thanksgiving, please allow Noctus to give you the gift of crippled children.