“Lacking imagination or originality is not a charge that I have seen directed at Mizmor, and certainly Prosaic launches out of the blocks in an onslaught of blackened doom, with even some sludgy nods thrown in. Fast, bludgeoning, and furious, initially it feels like a cleaner version of Mizmor’s self-titled debut, with more than a bit of Yellow Eyes and Primitive Man thrown into the mix.” Mizmor or Mizless?
![Sunrise Patriot Motion – Black Fellflower Stream [Things You Might Have Missed 2022]](https://www.angrymetalguy.com/wp-content/uploads/2022/11/Sunrise-Patriot-Motion-Black-Fellflower-Stream-01.jpg.webp)
“Sunrise patriot motion—a dutiful salute and march against the hazed morning light. In this abstraction of a man dissolving to his own isolated madness as he seeks to unearth oil, the two brothers Skarstad (Will and Sam of Yellow Eyes and Ustalost) strike a different treasure with their recognizable blend of screeching melody and reverent, ethereal structures.” Post-patriot.
“When I reviewed Ageless Fire on this very site, I described Vanum’s sound as “black metal without cross-genre bells and whistles,” and this is absolutely still true. It’s a different beast than Yellow Eyes or Ash Borer,, principle members M. Rekevics and K. Morgan’s other bands, in that it has never tried to be anything but a love letter to black metal days of yore. Bathory has always been a touchpoint, but perhaps the most noticeable change on Legend is just how hard Vanum lean into their Quorthorniness.” Quorthorn the raven, eat my sword!
“While the small nation of Ireland is host to a few larger names (Primordial and Altar of Plagues come to mind), there is still not yet a strongly defined Irish metal sound, other than the stereotypical squeal of bagpipe or drone of a hurdy gurdy. Senzar does not muse on folky ideas, instead using Pyre of Throes to cement their place in the ranks of post-kissed blackened acts like Suffering Hour or Yellow Eyes.” Irish fires.
“The few times I’ve run reconnaissance to the front lines of war metal—sometimes called bestial black metal—it hasn’t exactly inspired me to take up arms. On paper, the bastard child of grindcore and raw black metal sounds like fun, but the unrelenting frenetic assault often turns tedious for this reviewer. I don’t mind dense music, but I like it smart, and that’s not really war metal’s MO. “Then why are you reviewing a war metal album?” the insolent reader may ask. I’ll tell you, though you deserve no such courtesy.” Towers of noise.
Once they were n00bs, but now they get their own Top Ten(ish) of 2019 lists. They grow up so fast!.
There’s a really specific reason that the Record(s) o’ the Month are late this month. It’s because I don’t like anything enough to make Record o’ the Month. In the past when this has been the case, I tend to listen to things that people like and let a “democratic” decision happen. We did an extensive vote and came with a lot of options and no consensus. And while the options ranged from the “pretty good” to the “deeply insulting,” I wasn’t overly thrilled about any of them.
“Now that the year is finally over, let’s look back on the embarrassment of riches that has been black metal in 2019. With so many incredible albums to pick from it’s hard to…wait, FUCK ME IT’S STILL JUNE?! How have we had so many exceptional albums from what is supposedly an overstuffed, tired genre in just six months? By my count, we’ve awarded a 3.5 or higher to 43 albums that feature black metal as the primary genre over the last 26 weeks, and that’s just albums we’ve covered at AMG & Sons LLC.” Trending up.
“Vanum caught my attention with this gorgeous image of a violent geological process–a particular interest of mine–that is both legibly pictorial and pulling at the edges of abstraction. Tasteful typography and minimal framing compliments rather than competes with the painting. Interest piqued, I dug further and discovered this to be a project of K. Morgan and M. Rekevics of American black metal bands Ash Borer and Yellow Eyes, respectively, both of which I enjoy. Now firmly on the hook, my main question is: does the musical carpet match the visual drapes?” For lavas of fine art.
“I will admit off the bat that I did not know what I was walking into with Ash Borer. They were a random pick, as our promo sheet is currently blacker than an Ad Reinhardt ten-part series on being born blind. I missed the boat on the so-called “Cascadian black metal” scene after several unsatisfying jaunts with Wolves in the Throne Room, but I’m down to see what all the hype is about.” Hype can truly be a bore.
