Angry Metal Guy - Metal Reviews, Interviews and General Angryness

Disparaître – Urchig Review

By Carcharodon on May 18, 2021 in Reviews, 0 comments

“I’ve moonlighted as a metal reviewer for a couple of years now and I never cease to be amazed that bands – and black metal bands in particular – seem to have a burning wish not to make it easy for fans and reviewers to find them, nor to find out anything about them. Ok, I get it, you might not want your real name out there. I’ll give you that. So maybe you come up with some sort of creepy-weepy pseudonym to go by and, perhaps, splash the cash on a black cloak, maybe some face paint and. if there’s any change from that, possibly some barbed wire to wrap round a good stick that you can waggle about menacingly. Alright, I can get on board. But then there are bands … or projects, I don’t know, like today’s subject Disparaître, where there’s really very little out there. No proper Bandcamp page, no Facebook page that I can find, obviously no website, and even Metal Archives has nothing beyond a nationality: French.” Socially/sonically distant.

An Autumn for Crippled Children – As The Morning Dawns We Close Our Eyes Review

By Doom_et_Al on May 18, 2021 in Reviews, Shoegaze, 9 comments

“What got you into metal? For me, it was blackgaze. I know, I know, it’s hard to believe your pal Doomy wasn’t raised on a diet of Bathory and his enemies’ livers; but as a teenager in the 90’s, I was mostly into indie rock and shoegaze. My entry into metal came later on, when bands like Lantlôs, Deafheaven and Alcest combined the dreamy, ethereal tones of My Bloody Valentine and Slowdive with the fury of second-wave black metal. Within this group was the Netherlands’ An Autumn for Crippled Children, who leaned even more heavily into indie territory with their embrace of dream-pop and post rock.” Won’t someone think of the children?

Anatomia – Corporeal Torment Review

By Diabolus in Muzaka on May 18, 2021 in Reviews, 9 comments

“I’ll spare you the history blurb masquerading as an intro paragraph: Anatomia is a Japanese death-doom band that’s been around for almost twenty years, you’ve probably heard them on a split with a band you like, and Corporeal Torment is their fourth full-length. Now that you’re all caught up, let’s admire the title’s accuracy for a moment. Corporeal Torment implies something physically oppressive, and that’s precisely what Anatomia seems to be going for here. That it can also be described as rancid and crushing would probably make these two Japanese dudes smile ear-to-ear, although smiling is not something their sound is whatsoever evocative of.” Pain is life.

Impure Wilhelmina – Antidote Review

By Grymm on May 17, 2021 in Reviews, Doom Metal, Post-Metal, 133 comments

“Back in 2017, I was introduced to Swiss post-metallers Impure Wilhelmina via their sixth album, Radiation, having had absolutely no prior knowledge or experience with their brand of gloomy post-metal. If Katatonia was the metal equivalent of The Cure, Impure Wilhelmina is basically The Smiths, with guitarist/vocalist/main man Michael Schindl offering up his best velvet-smooth Morrissey-level crooning. I ended up loving Radiation… a lot. Not only did it grab the top spot in my 2017 year-end list, it’s held up ridiculously well over the years, with me pulling it out to give a spin when the mood strikes, which has been a lot lately. So when word dropped that their seventh, Antidote, was on the horizon, I honestly just wanted to like the album about as much as Radiation, tempering my expectations that topping Radiation would be a herculean task.” Purity is overrated.

Funeral Fullmoon – Poetry of the Death Poison Review

By Carcharodon on May 17, 2021 in Reviews, Black Metal, 17 comments

“It’s a mere four months since I reviewed Revelation of Evil, the full-length debut from Chilean one-man black metal project Funeral Fullmoon and, frankly, I didn’t expect see him back so soon. Now, part of the reason it’s only been four months is because the January release of Revelation of Evil was in fact a re-issue through Inferna Profundus Records of a cassette-only release from last September, something I discovered about quite late into the writing process. Even allowing for my own failures here, that’s still only an eight-month turnaround from the man currently going by the name Magister Nihilifer Vendetta 218.” Vardan the interruption.

Wreche – All my dreams came true Review

By Dear Hollow on May 16, 2021 in Reviews, Black Metal, 39 comments

“Wreche is the black metal brainchild of Oakland, California artist John Steven Morgan, working solo since the project’s debut with drummer Barret Baumgart. It professes a style “more unhinged, personal, and varied” than 2017’s offering. Trashing guitar completely, Morgan instead focuses entirely on synth, piano, vocals, and drums, not unlike Mories’ Golden Ashes project. If you’re catching weird vibes, you ain’t wrong.” Jazz in a blackened place.

The Ember, the Ash – Fixation Review

By Twelve on May 15, 2021 in Reviews, Black Metal, Deathcore, 9 comments

“The Ember, the Ash hail from the Canadian province of Ontario, and are not my usual cup of tea. The project is a solo effort by one 鬼, and is listed in the Metal Archives as being one of symphonic deathcore, which is so far outside of my usual wheelhouse that I’m not entirely sure what drew me to Fixation, the project’s sophomore effort. And yet, here I am, several listens in, not tearing my hair out with my hands, and admitting to have enjoyed the experience.” Ash for the masses.

Abysskvlt – Phur G. Yang Review

By Doom_et_Al on May 14, 2021 in Reviews, Doom Metal, 13 comments

“More than any other sub-genre of metal, funeral doom lends itself to introspection. Focused, as it is, on weighty and ponderous themes of death and suffering, it’s just not suited to breezy listens between dips in the sea while sipping a drink with an umbrella in it (or to AMG deadlines, for that matter). In fact, funeral doom is one of the few sub-genres that I can only really listen to at a specific time of day, when I’m in an appropriate frame of mind. What folk who don’t listen to this brand of music are missing out on, of course, is the payoff. Nothing hits quite like funeral doom. But sometimes, you have to work to get there. In the case of Russia’s Abysskvlt, you have to work extra hard because they’re serious about drawing their craft out.” Gang’s out, Yang’s out.

Sněť – Mokvání V Okovech Review

By Steel Druhm on May 14, 2021 in Reviews, Death Metal, 15 comments

“Sněť is a concise little moniker for a death metal band, and their Mokvání V Okovech debut, clocking in at just over 28 minutes, is also concise. Name dropping Autopsy, Carcass, and Undergang as prime influences, this upstart Czech Republic act had me dreaming of septic tank quality old school death reeking of foul, repugnant things, and to an extent these things are delivered with additional nods to Incantation and Morbid Angel. With such a list of greats functioning as Hellish muses, you would hope for something as toxic as a Super Fund site on double secret probation.” Short stack death.

Crawling Manifest – Radical Absolution Review

By Holdeneye on May 14, 2021 in Reviews, Groove Metal, Thrash Metal, 18 comments

“I hate to admit it, but I laughed when I first saw the name Crawling Manifest. I immediately had images of babies presenting documentation of the dangerous cargo held within their diapers as they crawl from one location to another pop into my head, and once I saw those images, they were impossible to unsee. My apologies to the band for this, but the strange mind does what the strange mind will do. Radical Absolution is the sophomore record from these Maryland thrashers, coming by way of self-release.” The Manifest is destiny.