Cherd

Sludge is the word.

Lord Mantis – Universal Death Church Review

By Cherd on November 27, 2019 in 2019, American Metal, Black Metal, Noise, Profound Lore Records, Reviews, Sludge, Black Metal, Noise, Sludge, 21 comments

You would think after ten years of existence and an ever increasing stable of writers seeking out the new and the good, that there wouldn’t be any notable metal bands left who haven’t been reviewed on AMG. I suppose it’s a testament to the sheer volume of the metalverse that this isn’t true. I was shocked when I realized that Akerblogger‘s review of Thou’s 2018 release Magus was our first time covering one of the most prolific American metal bands of the last 15 years. Equally great was my disbelief when I found that no writer before me had squatter’s rights to Universal Death Church, the first full-length in five years by Chicago’s blackened sludge veterans Lord Mantis.” Always room for one more.

Buildings – Negative Sound Review

By Cherd on November 20, 2019 in 2019, American Metal, American Rock, Gilead Media, Noise, Post-Hardcore, Post-Rock, Reviews, Noise, Noise Rock, Post-Hardcore, 28 comments

It’s late in the year, and list season is upon us. For the past eleven months, trying to keep up with all of the quality extreme metal has felt like trying to drink from a fire hose. The volume of stellar releases has only multiplied in recent weeks, and for every one I manage to catch, three more stack up on my “get to” pile. So with all that metal practically begging for my attention, now seems like the perfect time to take a break from it. I was unfamiliar with Buildings when I chose Negative Sound from the promo pit, but its tag of “noise rock” and distinctly non-metal artwork seemed the ideal pallet cleanser.” A clean pallet is a terrible thing to taste.

Charlene Beretah – Ram Review

By Cherd on November 15, 2019 in 2019, Crust Punk, Division Records, Doom Metal, Post-metal, Reviews, Sludge, Swiss Metal, Post-Metal, Sludge, 23 comments

“Imagine my surprise when, upon taking this gig, I discovered that some of my fellow writers, including our illustrious boss, were never-sludgers. As I’ve endured their hurtful, anti-sludge rhetoric, I’ve noticed a frequent correlation between sludge hating and symphonic power cheese-loving. As no lover of metallic brie myself, I’m left to wonder if we’re hardwired at the genetic level into these camps just as research suggests we may be similarly inclined toward progressive or conservative politics, or to see a blue and black dress versus the mouth breathing, evolutionary dead-ends who see a gold and white dress. I guess what I’m saying is, if you’re team sludge and wary of anti-sludge sentiment within the body metallic, you’ve got a man on the inside. So let’s wade together into the muck of Charlene Beretah’s new album Ram. Never-sludgers need not apply.” Sticky business.

The Wizards of Winter – The Christmas Dream Review

By Cherd on November 5, 2019 in 2019, Hard Rock, Heavy Metal, International Metal, Melodic Metal, Power Metal, Progressive Rock, Reviews, Self-released, Symphonic Metal, Hard Rock, Melodic Metal, Power Metal, Progressive Rock, Symphonic Metal, 28 comments

“If you’re familiar with Hallmark Channel Christmas movies, The Christmas Dream by holidazzle super group The Wizards of Winter is the metal equivalent. I myself am no stranger to these cinematic fruitcakes, as Mrs. Cherd and my jolly old father-in-law take perverse pleasure in subjecting me to them every Yuletide. It’s become such a tradition that we’ve devised a game of Christmas movie trope bingo, and it’s easily adapted to this brand of metal holiday album.” Nice snow globes!

Byzanthian Neckbeard – Minaton Review

By Cherd on October 30, 2019 in 2019, British Metal, Death Metal, Doom Metal, Reviews, Self-released, Sludge, Stoner Metal, Death Doom, Death Metal, Doom Metal, Sludge, 64 comments

“Hailing from the bovine infested English Channel island of Guernsey, Byzanthian Neckbeard combine sludgy stoner metal with old school-minded death doom. Yes, these styles come from very different places and mindsets, but the rather large overlap on this Venn Diagram of Doom is labeled “big riff energy.”” Big, neckbeards mean big riffs (and cows).

Merda Mundi – Hatred Review

By Cherd on October 18, 2019 in 2019, Belgian Metal, Black Metal, Malpermesita Records, Reviews, Black Metal, 45 comments

“Even if readers are not familiar with Merda Mundi’s brand of chaotic raw black metal, they will likely be acquainted with its lone band member Déhà, Belgium’s hardest working metal musician. Among his—I’m gonna go with thousands of—other projects, he is also the lone or primary member of post-black project Déhà and funeral doom band Slow, both of which have been covered—by which I mean sprayed with Muppet juice—on this here site. But if those projects represent Déhà’s ego and superego, Merda Mundi is his raging id.” Hatred now!

Profetus – The Sadness of Time Passing Review

By Cherd on October 9, 2019 in 2019, Avantgarde Music, Death Metal, Doom Metal, Finnish Metal, Reviews, Death Doom, Death Metal, Doom Metal, Funeral Doom, 11 comments

“From the first minutes, it will be obvious to followers of the style that Profetus model their slow trudging misery after funeral forefathers Thergothon and Skepticism. This makes sense, as all three bands hail from Finland, home of the world’s most metal bands per capita at two bands per person.” Remembrance of heavy things past.

Torpor – Rhetoric of the Image Review

By Cherd on October 5, 2019 in 2019, British Metal, Doom Metal, Medusa Crush Recordings, Moment of Collapse Records, Noise, Post-metal, Reviews, Sludge, Sludgelord Records, Doom Metal, Experimental Metal, Noise, Post-Metal, Sludge, 15 comments

“I have my own boxes to check as I look for the next Cherd friendly album, so when patterns emerge, I take note. Recent positive experiences with doomy, noise tinged post-metal from the United Kingdom packaged in black and white cover art, namely Sūrya and Bismuth, led me to take a chance on Torpor’s Rhetoric of the Image. Will the sophomore effort from this three-piece keep the hitting streak alive?” Post-gambling.

Esogenesi – Esogenesi Review

By Cherd on October 3, 2019 in 2019, Death Metal, Doom Metal, Italian Metal, Reviews, Transcending Obscurity, Death Doom, Death Metal, Doom Metal, Funeral Doom, 36 comments

“Esogenesi is an elemental doom machine that grinds along like heavy earth mover equipment, alternating between standard death doom and a more funerary style. The band is a classic four piece of vocals, guitar, bass and drums with each member sticking to their role. When I say they are no-frills, I don’t mean they lack creativity, rather they let each instrument stand on its own as an irreducible component.” Weights of the world.

SednA – The Man Behind the Sun Review

By Cherd on September 18, 2019 in 2019, Black Metal, Doom Metal, Italian Metal, Post-metal, Reviews, Spikerot Records, Black Metal, Post-Metal, 12 comments

“For any band to assume their audience has the attention span to stick with them through a feature film-length ditty, let alone want to return for repeat listens, shows a certain amount of moxie. When it comes to single song marathons, 33-minute The Man Behind the Sun, Italian band SednA’s third full length, isn’t so much Avengers: Endgame level as it is standard sitcom episode, but it’s a bold move nonetheless.” Bigly.