Dear Hollow

Ulveblod – Omnia Mors Aequat Review

Ulveblod – Omnia Mors Aequat Review

“I wanted a black metal/noise hybrid. I figured it was the trvest style out there: the ultimate form of pitch-black atmosphere that could conjure abstractness and bleakness to new heights. While there have been plenty of artists that have tried, like Enbilulugugal, Gnaw Their Tongues, and Abruptum, success has been limited, so I wished upon a star for noisy black metal.” Cut off your noise to spite your face.

Demonic Death Judge – The Trail Review

Demonic Death Judge – The Trail Review

“The fantastically named Demonic Death Judge is a sludge/stoner quartet from Kymenlaakso, Finland, having released two EPs and three full-lengths of plodding and hazy dirges since 2009, The Trail being their fourth. Their first two full-lengths were nearly identical to Louisianan Thou‘s gloomy sludge affairs, pitching molasses-thick riffs, blackened rasps, and decidedly bleak themes.” The path unbakened.

Amnutseba – Emanatism Review

Amnutseba – Emanatism Review

Amnutseba is a “lacerating ‘n labyrinthine” black metal group from Paris. After releasing a couple demos, re-released in vinyl as compilation I-VI, they reemerge to release Emanatism, a devastating tour-de-force packed to the brim with noisy ideas. What separates it from any other Deathspell Omega– and Satan-worshiper? It is, in a word, unhinged.” Midnight in Paris.

Dodenbezweerder – Vrees De Toorn Van De Wezens Verscholen Achter Majestueuze Vleugels Review

Dodenbezweerder – Vrees De Toorn Van De Wezens Verscholen Achter Majestueuze Vleugels Review

“For those of you acquainted with the Dutch black metal scene, this is another project from Maurice “Mories” de Jong, whose sadistic tendrils puppeteer acts like Gnaw Their Tongues, De Magia Veterum, and Obscuring Veil, to name only a few. He and an anonymous member released three demos and an EP in 2019 under the moniker Dodenbezweerder, which attempts to fuse the sprawl and evocation of ambient black with the edge and claustrophobia of raw black.” Noise as a weapon.

Saltas – Mors Salis: Opus I Review

Saltas – Mors Salis: Opus I Review

“In spite of listening to this stuff for the better part of my life now, I still realize how much I don’t know about so many sub-sub-subgenres, such as doom’s vast array. While I delved into the melodic death flavors of Saturnus, Swallow the Sun, and Novembers Doom, I let the cavernous stuff pass me by. It all comes full circle, when Swedish duo Saltas punishes me with a lethal dose of suffocatingly dense doom to whom comparisons are sparse.” Saltas the earth.

Faustian Pact – Outojen Tornien Varjoissa Review

Faustian Pact – Outojen Tornien Varjoissa Review

“There’s something intriguing about black metal. While its origins are saturated with violence and its imagery is so defiantly anti-status quo, it’s calmed down significantly over the last decade or so. With more accessible styles like folk and post-rock taking more of a prominent role, it can be difficult to find the trve kvlt style that once circulated the underground in whispered rumors.” Dirty deals.

Tulus – Old Old Death Review

Tulus – Old Old Death Review

“In 1993, while we were all giggling at ‘What About Bob?’ and rooting for the Minnesota Twins while wearing jean jackets and reading Seventeen magazine, Norwegian black metal band Tulus began churning out some evil tunes. Three demos, one compilation, one six-year breakup and reunion, minor lineup changes, and six full-lengths later, does 2020 promise newfound fame or do they need to stay buried for another thirty years?” What is old is olde.