“I wanted a black metal/noise hybrid. I figured it was the trvest style out there: the ultimate form of pitch-black atmosphere that could conjure abstractness and bleakness to new heights. While there have been plenty of artists that have tried, like Enbilulugugal, Gnaw Their Tongues, and Abruptum, success has been limited, so I wished upon a star for noisy black metal.” Cut off your noise to spite your face.
“The fantastically named Demonic Death Judge is a sludge/stoner quartet from Kymenlaakso, Finland, having released two EPs and three full-lengths of plodding and hazy dirges since 2009, The Trail being their fourth. Their first two full-lengths were nearly identical to Louisianan Thou‘s gloomy sludge affairs, pitching molasses-thick riffs, blackened rasps, and decidedly bleak themes.” The path unbakened.
“Amnutseba is a “lacerating ‘n labyrinthine” black metal group from Paris. After releasing a couple demos, re-released in vinyl as compilation I-VI, they reemerge to release Emanatism, a devastating tour-de-force packed to the brim with noisy ideas. What separates it from any other Deathspell Omega– and Satan-worshiper? It is, in a word, unhinged.” Midnight in Paris.
“For those of you acquainted with the Dutch black metal scene, this is another project from Maurice “Mories” de Jong, whose sadistic tendrils puppeteer acts like Gnaw Their Tongues, De Magia Veterum, and Obscuring Veil, to name only a few. He and an anonymous member released three demos and an EP in 2019 under the moniker Dodenbezweerder, which attempts to fuse the sprawl and evocation of ambient black with the edge and claustrophobia of raw black.” Noise as a weapon.
“In spite of listening to this stuff for the better part of my life now, I still realize how much I don’t know about so many sub-sub-subgenres, such as doom’s vast array. While I delved into the melodic death flavors of Saturnus, Swallow the Sun, and Novembers Doom, I let the cavernous stuff pass me by. It all comes full circle, when Swedish duo Saltas punishes me with a lethal dose of suffocatingly dense doom to whom comparisons are sparse.” Saltas the earth.
“There’s something intriguing about black metal. While its origins are saturated with violence and its imagery is so defiantly anti-status quo, it’s calmed down significantly over the last decade or so. With more accessible styles like folk and post-rock taking more of a prominent role, it can be difficult to find the trve kvlt style that once circulated the underground in whispered rumors.” Dirty deals.
“Our latest post-metal loving Dutch trio An Evening with Knives is hoping to take a stab at the scene with their second full-length, Sense of Gravity. They advertise their sound as ‘where the wall of sound falls down into a sea of tranquility’ in a fusion of post-metal and stoner-doom. Does their intriguing premise succeed in a cut above the rest or will it just settle being another post-metal old knives‘ tale?” Falling blades.
“In 1993, while we were all giggling at ‘What About Bob?’ and rooting for the Minnesota Twins while wearing jean jackets and reading Seventeen magazine, Norwegian black metal band Tulus began churning out some evil tunes. Three demos, one compilation, one six-year breakup and reunion, minor lineup changes, and six full-lengths later, does 2020 promise newfound fame or do they need to stay buried for another thirty years?” What is old is olde.
“I know what you’re thinking. Look at the band name, the political statement of an album title, the nu-metal style album cover, the Emmure-esque macho song titles, and the fact that it’s metalcore. I mean, first impressions?” If it pleases the crown.
“If you’re familiar with the deathcore scene of the mid-2000s, then Suicide Silence really needs no introduction. For a band considered -core elite among Hot Topic frequenters everywhere, they have had a roller coaster of a career.” Rise and fall.
