“Barely a year after their debut record The Key, Geoff Tate’s Operation: Mindcrime project is back with Resurrection, part two of what threatens to be a trilogy of concept albums. Backed by a large cast of supporting musicians, the former Queensrÿche vocalist is aiming to beat his former band at the conceptual-metal game.” Tate v. the Rÿche: Round II. Place yer bets.
“Depending on your perspective, Charred Walls Of The Damned are either a supergroup composed of metal legends, or a fucking joke. Sure, the band is masterminded by drummer Richard Christy (Death, Iced Earth, The Howard Stern Show), and fellow Death veteran Steve DiGiorgio is on bass. At the mic is none other than Tim “Ripper” Owens, one of the most polarizing vocalists in the genre — to the extent that AMG himself has a legitimate beef with the ex-Judas Priest/Iced Earth frontman. Creatures Watching Over The Dead is the unnecessarily-long title of their 3rd album, their first in about 5 years.” Can’t we all just get along?
“Led by vocalist/guitarist Olav Iversen, Norwegian quartet Sahg have been delivering quality rock/metal with old-school values for years. Their 2013 opus Delusions of Grandeur was a sonic and compositional masterpiece, landing on AMG’s Top 10 that year, and showing serious staying power on my stereo as well. After a 3-year gap, Sahg returns with two new members and a dark, doomy album called Memento Mori.”
“Longtime AMG readers may recall my excessive worship of guitarist John Cobbett and his various projects. His main endeavor, Bay-area prog-metallers Hammers Of Misfortune, has been dormant since 2011’s 17th Street, and with good reason. Vocalist Joe Hutton was involved in a near fatal motorcycle accident, Cobbett and wife/bandmate Sigrid Sheie welcomed their first child and released an album with Vhöl, and the Hammers themselves went through several lineup changes. Five years later, the band returns with the heavier, more direct Dead Revolution.” Let’s get hammered.
“Circumstances have not been kind to prog-metal forefathers Fates Warning. For most of the past decade and a half, the band has been sidelined while far lesser acts have laid claim to the entire genre (oh hi, Dream Theater). The fact that Fates have released some incredibly inaccessible albums has not helped their cause, nor did their 9-year hiatus from making new music altogether.” The forefathers are back!
“Released just a few months after Metallica’s self-titled record, Angel Rat finds Voivod among the earliest adopters of the slower, stripped-down approach that most thrash bands took in the 1990s. The album could almost qualify for our ’90s Metal Weirdness column, except for the fact that Voivod have always been weird (and would get even weirder as the decade continued).” Let that freak flag fly!
“Arizona thrashers Vektor hold a special place in my cold black heart, as their previous album Outer Isolation was one of my very first reviews for this esteemed website. Crazy to think that that was five years ago, and crazier still is that Vektor has not released any new music in that half-decade — practically an eternity in today’s climate of short attention spans and equally short tour/record/tour cycles. Fortunately, Vektor has finally rewarded their fans’ patience with a lengthy, almost impossibly dense record called Terminal Redux.”
“British heavy metal forefathers Diamond Head are best known for their debut album, 1980’s Lightning To The Nations. That album rightfully earned them a cult following due to its bombastic metal-via-Zeppelin riffage, and its classic status was cemented when 5 of the album’s 7 tracks were covered by a certain San Francisco quartet called Metallica. For most people, the story ends there, but Diamond Head went on to endure several decades of lineup changes, mismanagement, and questionable musical direction.” And now for the rest of the story.
“Pantera gets a bad rap these days. It’s understandable — their redneck/confederate shtick has made them look ignorant and racist in retrospect, an image that certain former members are not doing a whole lot to improve. Musically speaking, Pantera have influenced entire generations of bands that are fucking terrible, tarnishing their legacy even further. But back in The Day, Pantera were nothing less than gods to us young headbangers; the heaviest thing short of death metal, and certainly a gateway drug to more extreme subgenres.” Cowboy up!
“At 40 years young, Judas Priest’s sophomore record Sad Wings Of Destiny is about as Olde as Yer Metal can get. As metal music is now a complex, deliberately inaccessible web of micro-genres, I can see how the average metalhead today might have a hard time relating to a record like Sad Wings. And though it shames me to say it, it took me a while myself.” This here is a true classic.
