“Finally, Xanthochroid return with a detailed prequel narrative to the storytelling events of the debut, split into two albums to be released in 2017, beginning with Of Erthe and Axen: Act I. Do they have what it takes to craft a prequel story with the musical output to match their ambition? Or is Act I destined to become the metal equivalent of The Phantom Menace?” Jar Jar-core?
“The Cicada Tree finds the DIY experts on a major label, joining the Metal Blade juggernaut, and embracing their progressive tendencies more than ever before. Hints of their prominent influences, including nods to Pantera, Testament and Meshuggah, are still present, but as usual Byzantine discover innovative ways to transcend their influences into a crackling melting pot of creativity and powerhouse hooks.” Bitten by the prog bug.
“Despite their obvious affection for the meat and potatoes roots of old school American death, Soul Remnants craft a distinctive sound that weaves elements of thrash, melodic death and the occasional blackened and proggy moment into their tough, groove-laden death assault.” Meat, potatoes, death, fun.
“Glance at the cover art for this grotesque slab of stripped-back brutality and immediately you get an insight into the album’s grimy and barbaric death metal aesthetic, unleashed in all its fury in what is likely to be one of the most gruesome releases of 2017. Crafted by the hands of Aussie underground scene veterans, Contaminated live up to their chosen moniker with uncomfortable ease and while the album has some issues and certainly isn’t for the faint-hearted, it’s a hell of a punishing ride.” Clean the Toilet ov Death.
“One of my earliest review assignments here at Angry Metal Guy was for the sophomore album from unsigned Orange County thrashers Madrost. With the benefit of hindsight I was a tad generous with the scoring, however,Into the Aquatic Sector proved a highly competent and ripping affair of sci-fi themed retro thrash, bolstered by death and prog elements. Fast forward to 2017 and Madrost is back for another round of thrashing fun, but this time the musical quotient has been flipped.” Sector Vektor eat them all.
“Some 20 years ago, several prominent NOLA scene members activated Goatwhore and a new beast and underground supergroup was born, most notably featuring Acid Bath/Crowbar axeslinger Sammy Duet and Soilent Green frontman Ben Falgoust. It took a while before Goatwhore perfected their blasphemous style of sludgy, death-infused black metal, striking pay-dirt with the back-to-back punch of 2006’s A Haunting Curse and 2009’s Carving Out the Eyes of God. Since then they’ve been treading water with a couple of solid but less engaging albums, lacking the staying power of their best work.” Goats are excellent swimmers.
“Despite the myriad of line-up changes and a couple of sub-par albums, Dying Fetus have kept on trucking, paring themselves down to a lean and destructive trio and bouncing back to top form with 2012’s Reign Supreme. Now, some five years in the making they return with their eighth full-length release. So how does Wrong One to Fuck With stack up in the Fetus canon?” Load the Fetus cannon!
“I enjoy discovering metal bands from the different corners of the world, beyond the usual hot spots, often leading to exotic and tasty finds. However, for no particular reason, the Indian metal scene has remained largely a mystery to me. Last year, unheralded Indian band Kryptos released the ragingly impressive Burn up the Night, certainly making a big enough impression to alert me to the potentially hidden wonders of the wider Indian metal scene.” Crouching thrasher, hidden bullet belt.
“Sometimes it’s all in a name. As Mark Z. accurately observed in his recent Soulskinner review, certain names can be almost conclusively attributed to a particular style of metal. I came across a similar scenario with Horrid, a name that immediately screams death metal devotion. What proved more surprising as I delved into the band’s background is that in one form or another the Italian veterans have been active since 1989. Basically they were old school before being old school became cool again.” Horrid is as horrid does.
“Certain labels are championing the exciting and ugly new breed of death metal bands, led by Dark Descent and Blood Harvest Records, taking the dense and claustrophobic bent of classic Incantation and the Florida death metal scene, while adding blackened, experimental or progressive elements. The latter label is handling the anticipated debut LP from rising Minneapolis crew Suffering Hour, entitled In Passing Ascension.” Good labels find good bands.
