Mark Z.

Wömit seasön!

Perdition Temple – Sacraments of Descension Review

By Mark Z. on March 26, 2020 in 2020, American Metal, Black Metal, Death Metal, Hells Headbangers Records, Reviews, Black Metal, Death Metal, 10 comments

“Though Angelcorpse were only active for five years in their initial run, in that short time they managed to release three terrific albums and establish themselves as one of the most iconic blackened death metal bands of all time. After reuniting and releasing 2007’s Of Lucifer and Lightning to mediocre reception, the Kansas City group would split up again, with guitarist Gene Palubicki going on to showcase his ideas in Blasphemic Cruelty, Apocalypse Command, and Perdition Temple. It seems odd considering their slow rate of output, but Temple have easily been the most prolific of these three projects, with the band now on their third album since their 2009 inception.” Temple ov Anger.

Ruinas – Ikonoklasta Review

By Mark Z. on March 17, 2020 in 2020, Crust Punk, Death Metal, Grind, Reviews, Spanish Metal, Spikerot Records, Crust Punk, Death Metal, 13 comments

“The world today is a frustrating place. You try to go on vacation and miss your flight because some idiot got into a fender bender and caused a traffic jam. You try to go out to eat and can’t find anywhere to park. You try to take a shit and are forced to wipe your ass with an old washcloth because every store within 100 miles is sold out of toilet paper. In times like these, nothing helps more than a pure blast of raw aggression, an aural rampage that obliterates any and all sense of frustration from your mind. I find deathgrind works particularly well in this regard, especially albums like Death Toll 80K’s incendiary and rifftastic Harsh Realities. Seeing Ruinas listed under the deathgrind tag, I hoped this newfound Spanish group would offer just what I was looking for during a time in my life that’s been more frustrating than usual.” Ain’t no cure for the TP blues.

Vulcano – Eye in Hell Review

By Mark Z. on March 11, 2020 in 2020, Brazilian Metal, Death Metal, Mighty Music, Reviews, Thrash Metal, Death Metal, Thrash Metal, 16 comments

“Over the years the band lost some members, went on hiatus from 1991 to 1996, and released a slew of albums that never seemed to generate as much fanfare as their debut. Other than some curious midnight listens of Vengeance, I certainly hadn’t heard anything from the group until I came across Eye in Hell while rifling through the promo bin. Freshly signed to Mighty Music, this is the the band’s eleventh studio album and shows sole founding member Zhema Rodero joined by a new drummer and a trusted cohort of musicians who’ve been with the group for a few years now. Almost four decades into their existence, do Vulcano still scorch your ass or are their brutal eruptions long behind them?” Nighttime eruptions.

Neaera – Neaera Review

By Mark Z. on March 7, 2020 in 2020, German Metal, Melodic Death Metal, Metal Blade, Metalcore, Reviews, Melodic Death Metal, Metalcore, 11 comments

“No matter how hard you try, you can never really escape your past. By day I’m the kvltest of the kvlt, blasting the blakkened fukkin death while wearing a shirt that depicts Jesus getting flogged by a horde of goat demons. But when I curl up at night with my plesiosaurus plush, I know at heart I’m still the same mid-aughts core kid who got his start in the metal world with Killswitch Engage and their ilk. Even today, when the promo teat runs dry, sometimes I find myself returning to where it all began: core.” Damn core kids!

Necrobode – Sob o Feitiço do Necrobode Review

By Mark Z. on February 19, 2020 in 2020, Black Metal, Death Metal, Iron Bonehead Productions, Portuguese Metal, Reviews, Black Metal, Death Metal, 10 comments

“While I’ve certainly found many that have piqued my interest, few do it the way Archgoat does it. Fortunately, Portuguese trio Necrobode apparently heard my prayers and answered them with their Sob o Feitiço do Necrobode debut. Unfortunately, while this certainly scratched an itch, they still have a ways to go before they usurp their primary influence.” Goat with a bullet.

Dzö-nga – Thunder in the Mountains Review

By Mark Z. on February 11, 2020 in 2020, American Metal, Avantgarde Music, Black Metal, Folk Metal, Reviews, Black Metal, Folk Metal, 28 comments

“We all have those times where we look back and say to ourselves ‘what was I thinking?’ That’s kind of how I feel about reviewing Dzö-nga’s second album, The Sachem’s Tales, back in 2017. Today, a folky atmospheric black metal album with classical influences seems so far out of my wheelhouse that it’s not even in the same hemisphere. Yet, I did enjoy my share of Agalloch and Cascadian black metal back in the day, and as such, I was able to appreciate Tales as an inspired and engrossing piece of woodsy black metal with intriguing Native American themes. Led by vocalist and guitarist Cryvas, this Boston project has now returned with another opus, this time based on H.W. Longfellow’s epic poem ‘The Song of Hiawatha.'” Spirits of nature.

Satan Worship – Teufelssprache Review

By Mark Z. on February 7, 2020 in 2020, Black Metal, Folter Records, International Metal, Reviews, Thrash Metal, Black Metal, Thrash Metal, 19 comments

“A good blackened thrash album is like coming home to your favorite armchair. You’ve had it for years, the material is soft and has long ago conformed to the exact contours of your buttocks, ensuring maximum comfort when you sit your ass down after a hard day’s work to watch whatever bullshit you can find on Netflix. Yet occasionally, an album will feel more like a chair you’ve owned too long. There’s potato chip crumbles stuck in the crevices. Stuffing is coming out of the edges. The recliner no longer works. It’s still a good reliable chair, but it doesn’t quite warm the heart as much as it once did.” Sofa worship.

Jordablod – The Cabinet of Numinous Song Review

By Mark Z. on January 26, 2020 in 2020, Black Metal, Iron Bonehead Productions, Reviews, Swedish Metal, Black Metal, 33 comments

“I’m largely not interested in traditional black metal anymore, but Pyre was something different, an album that eschewed the typical ‘atmospheric’ or ‘melodic’ trappings to conjure something truly unique. The music was vast, haunting, psychedelic, and emotional, with an atmosphere that feels more enthralling the more I reflect on it. The Cabinet of Numinous Song is the band’s second album, and in addition to plunging listeners back in the otherworld created by Pyre, it also serves as a terrific continuation of that sound.” Beyond the black.

Impiety – Versus All Gods Review

By Mark Z. on January 25, 2020 in 2020, Black Metal, Death Metal, Reviews, Singaporean Metal, Black Metal, Death Metal, 25 comments

“When it comes to sheer force, nothing compares to Impiety. Formed in 1990, this Singaporean quartet originally played fairly traditional black metal before transforming into a blakkened fukkin death monstrosity with 1999’s iconic Skullfucking Armageddon. Amidst a salvo of blast beats, staccato riffing, and livid vocals, that album began a musical warpath which has now continued for over two decades.” God fight!

Oath of Cruelty – Summary Execution at Dawn Review

By Mark Z. on December 8, 2019 in 2019, American Metal, Dark Descent Records, Death Metal, Reviews, Thrash Metal, Death Metal, Thrash Metal, 14 comments

“Oath of Cruelty are a name I’ve been familiar with for a while even if their output thus far has been extremely limited. Formed in 2010, this Texas trio play a combination of death and thrash metal that first came to my attention with 2014’s lean and mean Hellish Decimation EP. Consisting of just two tracks, Decimation seemed to show Cruelty had a mastery of their style, with the EP’s five minute runtime being filled with absolutely fierce riffing and crunchy rhythmic breaks that made it impossible not to bang your head.” Obsessed by cruelty.