Black metal and folk metal are tightly entwined in many ways, but also also have a fraught relationship. Both are often inspired my the beauty or bleakness of the natural world and frequently use pagan symbolism and iconography. Wodensthrone occupy a unique location in the liminal space between these two extremes.
Natalie Zed
Inverloch – Dusk | Subside Review
Natalie Zed tells you why you should listen to the new Inverloch record. Like, maybe it’s good or something.
Wykked Wytch – The Ultimate Deception Review
Wykked Wytch are based in Miami, Florida, have been active since 1994. The band was founded by vocalist and frontwoman Ipek, who has helmed the band artistically and remained the one static member for almost 15 years. The Ultimate Deception is their fifth full-length record. The first thing that struck me about The Ultimate Deception is the jagged, clumsy hybrid that is the sound, composed of a death metal backbone, meaty black metal riffs and blasts, and aching hardcore vocals with a smattering of synth and symphonic elements.
Sear Bliss – Eternal Recurrence Review
Sear Bliss are a black metal band from Szombathely, Hungary. They have been active since 1993, founded by vocalist (who is also the) bassist (who plays some) keyboardist Andras Nagy. Eternal Recurrence is their seventh full-length album. Sear Bliss began recording Eternal Recurrence in late July of 2011 and spent two months in the studio. Known for their complex and multi-layered instrumentation, the band have incorporated wind and brass instruments into their sound, as well as synthesizers. With Eternal Recurrence, Sear Bliss are opting for an even more progressive, experimental approach to black metal.
Zebulon Pike – Space is the Corpse of Time Review
One of the simplest facts about Zebulon Pike is that they are a band based in Minneapolis, Minnesota. After that, things become much more complicated, as they engage in a genre of music that can only be described as auditory mad science. Formed in 2002, every single one of their albums has been a brain-demolishing piece of experimentation: And Blood Was Passion in 2004, The Deafening Twilight in 2006, and Instransience in 2008. With each release, they have become more dense, more intelligent, more volatile. Space Is the Corpse of Time continues this progression, spiralling out in a universe of it’s own making.
Tyr – The Lay of Thrym Review
As soon as this album was announced, the literary nerd in me did a little dance of glee. The title is taken from a section of the Poetic Edda, a collection of old Norse poetry. An alternate title for The Lay of Thrym is “The Fetching of Thor’s Hammer,”that’s about as epic as it gets.