sentynel

Gloryhammer – Legends From Beyond the Galactic Terrorvortex Review

Gloryhammer – Legends From Beyond the Galactic Terrorvortex Review

“If you missed the tongue-bathing AMG gave their last album, Gloryhammer are one of the best active Rhapsody-style epic power metal bands, and also a loving, self-aware parody of same. They’re founded first on quality and second on overly-amped up tropes—D-tier speculative fiction plot, non-native English speaker lyrics, etc.—to the precise point where they become obviously funny. It’s not so overdone that it becomes tiresome, and it works because of the attention to detail and cohesiveness of the whole: take a couple of elements away and you might wonder whether they were actually serious all along.” Get hammered.

New Comments System

New Comments System

As the two of you still browsing the internet without adblock in 2019 will be aware, the enforced advertising shown by our Disqus comments has been getting more and more obnoxious of late. We have officially Had Enough, so we’re moving to self-hosted comments as of this post.

Ty Morn – Istor Review

Ty Morn – Istor Review

“Another day, another record palmed off generously donated to me by Steel. In this case, I was convinced to give it a shot by the gorgeous cover art. Take a moment to admire it. It’s certainly not particularly brvtal, but it is very pretty. Despite the Viking art, though, the music doesn’t particularly draw on the tropes of Viking metal. This is classic power metal in the vein of Hammerfall, Dream Evil, and the like. Yet, sole permanent band member Aron Biale describes it as an homage to golden age metal.” Ear raid.

Hexvessel – All Tree Review

Hexvessel – All Tree Review

“One of the big things I look for in music is a sense of being taken elsewhere, of stepping aside from the real. I work a stressful tech job, and the next best thing to ditching my desk and marching off into the woods is music that makes me feel like I’m adrift in an ancient forest. This means I’m a big fan of ethereal, folksy influences in my music. Esben and the Witch’s Older Terrors established itself as one of my favorite records ever, and I enjoyed Hexvessel’s first few releases for similar reasons.” Let treedom ring.

Jo Quail – Exsolve [Things You Might Have Missed 2018]

Jo Quail – Exsolve [Things You Might Have Missed 2018]

“I love the cello. I don’t think there are any other instruments which offer the tonal range and gorgeous timbre a cello can. I also think it’s criminally underused in heavy music. Apocalyptica demonstrate it can sound metal as hell, yet otherwise it’s mostly limited to a few cameo appearances. This brings me to Jo Quail, experimental cellist, loop pedal wizard, and versatile session musician. Her own back catalog is largely a post-rock/modern classical blend, and after a year in which she’s supported acts like Myrkur, Amenra, Boris, and Winterfylleth, their influence clearly shows on her new record. With her sound evolving towards post-metal and atmospheric black metal, her new album is an interesting development.” Cello, my friends.