Kenstrosity

Destroying AMG's metal cred from within.

Morgan Rider and the Deep Dark River – Leviathan and the Deep Dark Blue Review

By Kenstrosity on November 19, 2019 in 2019, Canadian Metal, Folk, Folk Metal, North Soul Records, Reviews, Rock, Folk, Folk Metal, Rock, 23 comments

“My taste in music is a bit scattered. If I had to guess, I’d say that’s partly due to the fact that I’ll listen happily to just about anything, but I like to live with a genre for a long time before absorbing a new one into my regular rotation. My main musical gaps feature the various branches of folk. I’ve been meaning to change that for years now, but I constantly put it off for one reason or another. When I saw a folk metal album drop in our bin, I figured, “why not start now?” Hence, Morgan Rider and the Deep Dark River’s debut record Leviathan and the Deep Dark Blue. No expectations. No assumptions. Just me, embarking on a voyage into uncharted waters.” Swimming with the blues.

Crusade of Bards – Tales of Bards and Beasts Review

By Kenstrosity on November 13, 2019 in 2019, Power Metal, Pride & Joy Music, Reviews, Spanish Metal, Symphonic Metal, Power Metal, Symphonic Metal, 37 comments

“Hello, my name is Twelve. I am an addict. I use symphonic metal and Nightwish. I…wait a second. I’m not Twelve! Silly me. But I too enjoy symphonic metal a whole lot, perhaps too much. Even at its cheesiest it makes me unreasonably happy to listen as richly layered orchestrations mesh with distorted guitars and galloping double-bass kits. I especially love it when, like on the incredible Imaginaerum, the band is able to afford recording with a full-blown orchestra and choir—or at least when part of the symphonics come from actual instruments instead of digitally reconstructed simulations. It is this last feature that drew Spanish sextet Crusade of Bards to my attention.” Symphonomania.

Bask – III Review

By Kenstrosity on November 8, 2019 in American Metal, American Rock, Folk, Hard Rock, Psychedelic Rock, Reviews, Season of Mist, Stoner Rock, Folk, Hard Rock, Psychedelic Rock, Stoner Rock, 14 comments

“Asheville, North Carolina. A bizarre cultural potpourri famous for its beer, food, music scene and road construction, Asheville is one of those strange places that is both cripplingly flawed and difficult to resist. It’s a fascinating place, and it has my heart. So it should come as no surprise that I Bask in the glow of III, an Americana-spiked hard rock album that comes direct from my current hometown. We write infrequently about stuff from or within spitting distance of this city, but it seems like every time we do we like what we get—I direct you to Aether Realm and Undrask, for starters—and Bask’s latest continues the trend.” Sweet home Carolina.

The Drowning – The Radiant Dark Review and Album Premiere

By Kenstrosity on November 5, 2019 in 2019, British Metal, Death Metal, Doom Metal, Reviews, Transcending Obscurity, Death Doom, Death Metal, Doom Metal, Funeral Doom, 132 comments

“Since we got ourselves into the whole album premiere business not too long ago, I wondered what kind of album it would take to warrant a premiere of my own. Shockingly, I didn’t have to wait very long. Thanks to a certain Muppety influence, I ~~acquired~~ was deemed just barely worthy of access to a monumental death-doom album that very quickly rose to the top of my year-end contenders list. Imagine my sadistic ecstasy as I rushed to resuscitate The Drowning from the promo pool, only to discover that one sparkly sponge absorbed the Assign To bubble weeks beforehand. Joy Accordia! I’ll not be forgiven for this, not for an eternity.” Drinking deeply of despair.

Griiim – Pope Art Review

By Kenstrosity on October 31, 2019 in 2019, Black Metal, Experimental Metal, French Metal, Noise, Purity Through Fire, Rap Metal, Reviews, Trap, Ambient, Black Metal, Electronic, Experimental Metal, Noise, Rap Metal, 27 comments

“Once upon a time there was a dude named Maxime Taccardi. Max has a twisted and dark mind, and I fear it. His music is equally frightening, and it makes me uncomfortable. Yet, I can’t turn it off. Try as I might to fend it off his insidious vision haunts my imagination, conjuring the most depraved scenarios for me to weather. For Max, it seems, this place of nightmares which he creates represents the repugnant underbelly of his Paris home. And so he put all that we refuse to see inside the “most romantic city in the world” to music. Ladies and gentlemen, Griiim’s Pope Art.” Warhol’s twisted Id.

Cloak – The Burning Dawn Review

By Kenstrosity on October 24, 2019 in 2019, American Metal, Black Metal, Melodic Black Metal, Reviews, Rock, Season of Mist, Black Metal, Melodic Black Metal, Rock, 26 comments

“If you listened to Cloak’s debut back in 2017, you know exactly what to expect from The Burning Dawn. If you don’t already know of Cloak, they play an accessible brand of black metal that feels like it was written in a scenic wasteland, evocative of dust and dusk, the scent of clean air and the sight of bloodred sun (cue Adam Burke).” Controlled burn.

Singularity – Place of Chains Review

By Kenstrosity on October 8, 2019 in 2019, American Metal, Death Metal, Reviews, Symphonic Metal, Technical Death Metal, The Artisan Era, Death Metal, Symphonic Metal, Technical Death Metal, 25 comments

“Remember back in March, when I brought up the subject of musical complexity? Well, here we go again with the things and the words and the stuff. But this time, my choice of symphonic technical death metal perfectly exemplifies the opposite side of the coin. Originating from the hot, dry hell that is Arizona, tech-death quartet Singularity specialize in restraint. Rather than inundating their sophomore record, Place of Chains, with layer over layer over layer of rich instrumentation, this newly-signed band chose to strengthen their compositions by dispensing with excess entirely.” Wank-free zone.

Shade of Hatred – Reflection on Ruin Review

By Kenstrosity on October 6, 2019 in 2019, Death Metal, Dutch Metal, Melodic Death Metal, Reviews, Self-released, Death Metal, Melodic Death Metal, 14 comments

“In my mind, there are two strains of melodic death metal. There is the kind that focuses on beauty (like the recent Eternal Storm) and the kind that focuses on raw energy (I would argue Brymir fit in this category). Both strive to infect the masses with sing-along-worthy tunes, but they take different approaches to the goal. Shade of Hatred, a melodic death quintet from the Netherlands, aim for the latter category on their debut full-length Reflection on Ruin.” The melodeath resistance grows.

Astrosaur – Obscuroscope Review

By Kenstrosity on October 3, 2019 in 2019, Ambient Metal, Instrumental Metal, Norwegian Metal, Pelagic Records, Post-metal, Progressive Metal, Reviews, Post-Metal, 16 comments

“Much like my need to take the infrequent day off from work, I occasionally require a break from the never-ending storm that is extreme metal. When I require such dalliances with lighter fare, I generally choose prog-metal or something bumping shoulders with post-whatever. Established bands like Voyager, Dreadnought or Fair to Midland are my go-to’s. Hailing from Norway, Astrosaur get their foot in the door with their sophomore full-length Obscuroscope, an instrumental post/prog/jazz album that promises to satisfy my Chillaxoproxin™ fix.” Relaxosaur.

In Mourning – Garden of Storms Review

By Kenstrosity on October 1, 2019 in 2019, Agonia Records, Doom Metal, Melodic Death Metal, Progressive Death, Progressive Metal, Reviews, Swedish Metal, Doom Metal, Melodic Death Metal, Progressive Metal, 66 comments

“I’ve heard it said many a time that In Mourning carry the torch that Opeth “abandoned” with the release of Heritage. I don’t happen to agree with that statement. Sure, superficially the Swedish prog-melo-death-doom quintet share something in common with Blackwater Park-era Opeth, but it was clear to me from the first minute of the indelible Monolith that In Mourning were an entirely different collective, a point that each subsequent release reinforced.” Mourning frost on the Great Pumpkin.