“One of the most intriguing aspects of metal music is the incredible breadth of its various influences and styles. In fact, there are so many subgenres that some websites (mapofmetal.com) are entirely dedicated to their explanation and catalogue. This week I was introduced to another type of extreme music in the form of powerviolence. Characterized by hyper-aggressive, super-fast riffage and anti-establishment lyrics and themes, I have learned through experience that powerviolence is an excellent way to scare off potential dates and traumatize small children.” Will no one think of the children?
Zephyrus
MOASE – Vertigo Review
“Post-metal thrives or dies based on its ability to evoke emotion, imagery and thought. This is doubly true for instrumental acts, where words have been abandoned in favor of ambiance and atmosphere. Enter Memoirs of a Secret Empire (MOASE).” Yes, hmm, hmm, now for the next question: Does emotional music have quite an effect on you?
Almah – E.V.O. Review
“Concerning geography, I’m the first to admit my complete and total cluelessness. I’m the guy that, until recently, thought the Philippines were off the coast of Central America. My knowledge of European countries is directly linked to the number of metal bands they have produced. When it comes to Brazil, I’m aware of exactly three things; their Olympics were a gong show, they lost 7-1 and they love their power metal. That’s right, Almah is back with E.V.O, another offering of trademark Brazilian power.” From Brazil with love.
Source – Return to Nothing Review
“It’s been about 3,800 days since Tool pressed any fresh material, so I’m guessing we’re almost halfway to something new? Well, a trio of go-getters from Colorado up and said “fuck that” taking matters into their own hands. They formed a band called Source, wrote a bunch of Tool-y material and now they’re set to make their debut with Return to Nothing.” Out of the Toolshed and into the limelight.