Czech Metal

Ereley – Diablerie Review

Ereley – Diablerie Review

“I kind of forgot about Fear Factor for a while there. I can give no particular reason for it, they simply slipped out of my mind and slunk through the front door, down the stairs, into the street. But a band with such a unique sound was bound to return, at least in doppelganger form, burrowing back into my head. It took a minute to get my thoughts in order, but after mentally crossing out Godflesh, I knew who Ereley were pushing back into my brain. It wasn’t the pure stuff though.” Strange bedfellows.

Death Metal We Missed: 2019 Edition

Death Metal We Missed: 2019 Edition

“Whether we missed it digging through the promo sump or it wasn’t deposited in there to begin with, the reflection commensurate with the end of a year makes us remember records that weren’t featured on the blog that nonetheless deserved to be. This little post is an effort of some of us here to put a dent, however tiny, in that issue.” Death gets a second chance.

Silent Stream of Godless Elegy – Smutnice [Things You Might Have Missed 2018]

Silent Stream of Godless Elegy – Smutnice [Things You Might Have Missed 2018]

“Those of you who have been following Angry Metal Guy’s Emporium of Curiosities since its inception may recognize this folk-doom metal band: Silent Stream of Godless Elegy. If you remember, His Overlordiness’ criticisms of their 2011 record, Návaz, regarded in no small part its lack of x-factor. While I only just discovered Silent Stream of Godless Elegy this year, I went back to hear their older records and I would agree; they lacked that intangible quality. Smutnice, however, resonates with me so completely I fear for the structural integrity of my bones.” Everflowing Silent Streams.

Master – Vindictive Miscreant Review

Master – Vindictive Miscreant Review

“Take a minute to appreciate this album artwork. Not only is it an excellent demonstration of basic design principles, composition and color theory, it also clearly establishes the genre of its artist. In this case, the artist is Master and the genre is death/thrash. Master have been active since 1983 with minimal interruptions and a long roster of ex-drummers and ex-guitarists. Having finally settled on a solid lineup in 2003, Master soldiered on with few changes made to their thrashy death sound. With fourteenth installment Vindictive Miscreant, Master aim to prove they’re just as vital as they were in 1983.” Who’s your Master?

Eagleheart – Reverse Review

Eagleheart – Reverse Review

“As this particular combination of band name and album art has probably deterred the chunk of our visitors who are power metal-phobic, these next words will likely fall on the ears of those who want to hear them least: most power metal is bad. My love affair with the genre will never completely fizzle, but with so many start-ups crutching on knock-off Helloween choruses executed through dreadful vocal performances and robotic rhythm sections, picking out the diamonds in the rough is often a fruitless task.” When the eagle doesn’t cry.

Inferno – Gnosis Kardias (of Transcension and Involution) Review

Inferno – Gnosis Kardias (of Transcension and Involution) Review

“Initially, this review was going to begin with a nutshell description of the current black metal scene. I had a few ideas: how the style is split into two methods of composition (instant gratification versus slow burning atmosphere), how the line between traditional and post-black metal is slowly being blurred, and so on. As I repeatedly drafted and deleted my intro, however, I began to realize that the state of the genre is far too multi-faceted to describe in terms of duality. Besides, you’re smart enough to read AMG, so you would have instantly seen through my half-baked thesis.” Discerning readers demand flawless scholarship.

Root – Kärgeräs – Return from Oblivion Review

Root – Kärgeräs – Return from Oblivion Review

“After years of meandering through the comments section as your friendly neighborhood bone-saw (and before as another beloved reader), I’ve had the pleasure of sparing with many of you, upsetting the tight-ass AMG HR department, and making fun of Diabolus for his bad taste in music. Somewhere in the last couple years, one of you recommended Root to me and forever changed my life.” Report to HR to get your life re-changed.

Brutally Deceased – Satanic Corpse Review

Brutally Deceased – Satanic Corpse Review

“As many of us learned from magnets or, for an elite few, Paula Abdul and her weird rapping cartoon cat companion, opposites have the ability to attract if they’re strong enough. As we learned from making friends, joining any voluntary association, or reading Plato’s Timaeus, like knows and seeks out like at a high rate too. And Czech Swedeath merchants Brutally Deceased are going for this principle with their third record, Satanic Corpse.” Oh Paula, you came and you found us some Swede-death….

Blackosh – Whores, Booze & Black Metal Review

Blackosh – Whores, Booze & Black Metal Review

“We’ve come a long way from “No Core No Mosh No Trends No Fun” haven’t we? Straying incredibly far from Euronymous’ proposed attitude for black metal, we now have a record from Root guitarist Blackosh’s eponymous solo project about three things that I like: Whores, Booze & Black Metal. Combining good things doesn’t always work though; have you ever made a steak, scotch, and hamburger shake? I haven’t either, but it would probably be repulsive.” But this has whores!